Bibliography of Eighteenth Century Art and Illustrated Books
Author : J. Lewine
Publisher :
Page : 722 pages
File Size : 36,64 MB
Release : 1898
Category : Art
ISBN :
Author : J. Lewine
Publisher :
Page : 722 pages
File Size : 36,64 MB
Release : 1898
Category : Art
ISBN :
Author : Collectif
Publisher : Ledizioni
Page : 236 pages
File Size : 36,38 MB
Release : 2016-08-12
Category : History
ISBN : 8867053604
Although it resonates today with lavender fields, sunny heritage locations and the gentrified memory of Paul Cézanne’s pictorial turbulence, Provence has not always been the attractive territory of pacified leisure and festival culture. Since the seventeenth century, indeed, the region has inscribed its shifting geography, complex politics and the extraordinary diversity of its land and seascapes in the perception and imagination of British visitors. In the steps of anonymous or excellent travellers, the chapters of this volume chart some of the most significant moments in the intercultural transactions between the proud linguistic and literary distinctiveness of the province on one hand and the always challenged and sometimes baffled perception of Anglophone (and Anglophile) visitors on the other. Spanning across two centuries, from the largely unknown pre-revolutionary Provence visited by John locke and tobias smollett through the Victorian paradise of popular tourism and finally to the more secret ‘homeland’ of Modernists, this volume reveals an unexpected Provence which, in oblique and complex ways, has long held a mirror to British culture and often acted as the laboratory of its artistic life.
Author : R. Ewart Oakeshott
Publisher : Courier Corporation
Page : 408 pages
File Size : 43,43 MB
Release : 1996-01-01
Category : History
ISBN : 9780486292885
British arthority on medieval weapons surveys European arms and armor from the Bronze Age to the time of triumph of gunpowder.
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 554 pages
File Size : 28,21 MB
Release : 2008
Category : Art, Ancient
ISBN : 1588392953
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Author : David Todd
Publisher : Princeton University Press
Page : 368 pages
File Size : 23,80 MB
Release : 2023-09-26
Category : History
ISBN : 0691205337
How France's elites used soft power to pursue their imperial ambitions in the nineteenth century After Napoleon's downfall in 1815, France embraced a mostly informal style of empire, one that emphasized economic and cultural influence rather than military conquest. A Velvet Empire is a global history of French imperialism in the nineteenth century, providing new insights into the mechanisms of imperial collaboration that extended France's power from the Middle East to Latin America and ushered in the modern age of globalization. David Todd shows how French elites pursued a cunning strategy of imperial expansion in which conspicuous commodities such as champagne and silk textiles, together with loans to client states, contributed to a global campaign of seduction. French imperialism was no less brutal than that of the British. But while Britain widened its imperial reach through settler colonialism and the acquisition of far-flung territories, France built a "velvet" empire backed by frequent military interventions and a broadening extraterritorial jurisdiction. Todd demonstrates how France drew vast benefits from these asymmetric, imperial-like relations until a succession of setbacks around the world brought about their unravelling in the 1870s. A Velvet Empire sheds light on France's neglected contribution to the conservative reinvention of modernity and offers a new interpretation of the resurgence of French colonialism on a global scale after 1880. This panoramic book also highlights the crucial role of collaboration among European empires during this period—including archrivals Britain and France—and cooperation with indigenous elites in facilitating imperial expansion and the globalization of capitalism.
Author : Arthur Richard Dufty
Publisher :
Page : 200 pages
File Size : 26,71 MB
Release : 1968
Category : Armor
ISBN :
Author : Janine A. Mileaf
Publisher : UPNE
Page : 313 pages
File Size : 10,49 MB
Release : 2010
Category : Art
ISBN : 1584659343
Exploring the notion of tactility in dada and surrealism
Author : Elizabeth Emery
Publisher : Routledge
Page : 400 pages
File Size : 33,35 MB
Release : 2018-12-07
Category : History
ISBN : 0429840640
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Author : Paul Cézanne
Publisher : Univ of California Press
Page : 326 pages
File Size : 36,35 MB
Release : 2001
Category : Art
ISBN : 9780520225176
This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.
Author : Ewart Oakeshott
Publisher : Boydell Press
Page : 212 pages
File Size : 34,45 MB
Release : 1998
Category : Antiques & Collectibles
ISBN : 9780851157153
The Resplendent image of the medieval knight is concentrated in the symbolism of his sword. The straight, two-edged, cross-hilted knightly sword of the European middle ages was an object of vital importance, a lethal weapon on the battlefield and a badge of chivalry in that complex social code. Ewart Oakeshott draws on his extensive research and expert eye (and hand, for he has a special sense for the feel of a sword) to develop a typology for and recount the history of the sword, from the knightly successors of the Viking weapon to the emergence of the Renaissance sword - that is, roughly from 1050 to 1550. Within this time-span, two distinct groups of swords successively evolved. Problems of dating are acute, and evidence is adduced from literature and art as well as from archaeology, for a sword (or some parts of a sword) could have been in use several generations after it first saw battle. To deal with such overlap, Ewart Oakeshott develops, refines and illustrates a detailed typology of swords which takes in entire swords, pommel-forms, cross-guards, and the grip and scabbard.