Arrested Welcome


Book Description

Interpreting the meaning of hospitality in an unwelcoming political moment Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In this first monograph on hospitality in contemporary art, Aristarkhova employs a feminist perspective to critically explore the artworks of Ana Prvački, Faith Wilding, Lee Mingwei, Kathy High, Mithu Sen, Pippa Bacca, Silvia Moro, and Ken Aptekar and asks who, how, and what determines who is worthy of our welcome. Spanning a diverse range of contemporary art practices, Arrested Welcome shows how artists challenge our existing notions of hospitality—culturally, philosophically, and politically. From the role of “microcourtesies” in social change to the portrayal of waiting as a feminist endeavor, Aristarkhova looks deeply into topics such as gender stereotypes of welcome, ways to reclaim civility, and the means by which guests (sometimes human, sometimes animal) push the limits of our hosting traditions. Blending a feminist analysis of hospitality with in-depth case studies on how contemporary artists stimulate personal reflection and political engagement, Aristarkhova initiates these important conversations at a critical time of national and international hospitality crises.




We Are Arrested


Book Description

Following this July's attempted coup, the international spotlight has fallen on Turkey's increasingly authoritarian government, led by President Recep Tayyip Erdogan. Already known for his attacks on press freedom, international observers fear the attempted coup has given Erdogan an excuse to further supress all opposition. In November 2015 Can Dündar, editor-in-chief of the national Cumhuriyet newspaper, was arrested on charges of espionage, helping a terrorist organisation, trying to topple the government and revealing state secrets. Arraigned by the President himself who called for Can to receive two life sentences, he was imprisoned in solitary confinement in Turkey's Silivri prison for three months whilst awaiting trial. Dündar's so-called crime was informing the public of the discovery of a highly illegal covert arms shipment by the Turkish secret service to radical Islamist organisations fighting government forces in Syria. This was a crime that was in the government's interest to conceal, and a journalist's duty to expose. We Are Arrested is Dündar's account of the discovery, the weighing up of the pros and cons of publishing, and the events that unfolded after the decision. Dündar and his colleagues faced police barricades, would-be suicide bombers and assassination attempts, as well as fierce attacks from pro-government media. Incarcerated in Silivri, Can Dündar decided to write down his experiences. Here, in isolation, he learned to appreciate the small things in life. Most importantly, he realised that courage in an age of fear is essential if the public's right to know is to be defended.




The Weekly Reporter


Book Description




Arbitrary Arrests


Book Description










Jailed for Freedom


Book Description

The 100th-anniversary special edition of Jailed for Freedom, the essential history and first-person account of the courageous and militant suffragists who fought for their right to vote. First published in 1920, Jailed for Freedom is the courageous, true story of the militant suffragists who organized some of the first-ever, large scale demonstrations and protests on Washington. At a time when President Woodrow Wilson's administration refused to acknowledge women's voting rights as a tangible issue, the National Woman's Party coalesced, organized, and fought a fierce battle for the ratification of the Nineteenth Amendment with heroism, bravery, and radical vigilance. What makes Jailed for Freedom especially compelling and such an important contribution to women's history is that it is a personal testimony from a suffragist who persevered through it. With depth and clarity, Doris Stevens details the bravery of the women who picketed daily outside the White House, opened themselves up to ridicule and physical violence, were arrested on no viable charges, jailed when they chose not to pay fines, and even beaten and force-fed when they went on hunger strikes. Including a new introduction from suffrage historian Angela P. Dodson, author of Remember the Ladies, and accompanied with poignant, archival illustrations, Jailed for Freedom is a tribute to the women and acts it took the pass the Nineteenth Amendment, apropos of radical activism that is still mobilizing in politics today.




A Passion for Haunted Fashion


Book Description

When Cookie Chanel moonlights as a costume designer for a local theater, murder takes center stage . . . Folks say the Sugar Creek Theater is haunted. But that doesn’t scare off Cookie Chanel, owner of Georgia’s chicest vintage clothing store, It’s Vintage Y’All—especially since Cookie talks to the ghost of her grandmother every day through her cat Wind Song. Still, after she agrees to be in charge of costumes for a production of Cat on a Hot Tin Roof, she’s surprised to find the specter of a young woman in the theater, keeping watch over a trunk of 1950s dresses. And when Cookie's best friend Heather is found standing over a stabbed actor, she has two mysteries to solve. This is not a dress rehearsal. A desperate killer is waiting in the wings. If Cookie doesn't tread the boards lightly, it'll be curtains for her as well . . . Don’t Miss Cookie Chanel’s Shopping Tips Praise for the Haunted Vintage Mysteries “Rose Pressey’s books are fun!”—Janet Evanovich “Chic and quirky heroine Cookie Chanel and a supporting cast of small-town Southern characters are sure to charm lovers of high fashion and murderous hi-jinks alike. “—Jennie Bentley “A delightful protagonist, intriguing twists, and a fashionista ghost combine in a hauntingly fun tale.”—Carolyn Hart




The Maternal in Creative Work


Book Description

The Maternal in Creative Work examines the interrelation between art, creativity and maternal experience, inviting international artists, theorists and cultural workers to discuss their approaches to the central feminist question of the relation between maternity, generation and creativity. This edited collection explores various modes and forms of art practice which look at mothers as subjects and as artists of the maternal experience, and how the creative practice is used to accept, negotiate, resist or challenge traditional conceptions of mothering. The book brings together some of the major projects of maternal art from the last two decades and opens up new ways of conceptualizing motherhood as a creative and communicative practice. Chapters include intergenerational discussion of art practices in the 20th and 21st centuries, representations of breastfeeding and infertility in creative projects, the notion of the ‘unfit mother’ and childlessness, together with the experiences of women and men that take on maternal identities through many forms of kinship and social mothering. The Maternal in Creative Work will be essential reading for interdisciplinary students and scholars in cultural studies, gender studies and art theory and will have wider appeal to audiences interested in maternity, childcare, creativity and psychoanalysis.




The Rancher's Surprise Son


Book Description

The Little Boy Had His Eyes Cody Masters always believed that nothing could keep him and his high school sweetheart, Laura Duke, apart. Not her parents, not town gossip--not even a jail sentence! But when the cowboy returns home, he finds a new man in Laura's life. Johnny is three-and-a-half-feet tall, adores his pony and stares back at Cody with all-too-familiar blue eyes... The Mother Had His Heart Even though Laura insists a quickie marriage produced Johnny, Cody isn't giving up on his dream of their family. The only problem is getting her--and the rest of the town--to trust him again. Besides, Laura is harboring a secret that is keeping them apart, but could also bond them, and little Johnny, forever!