Ars Vitae


Book Description

Despite the flood of self-help guides and our current therapeutic culture, feelings of alienation and spiritual longing continue to grip modern society. In this book, Elisabeth Lasch-Quinn offers a fresh solution: a return to classic philosophy and the cultivation of an inner life. The ancient Roman philosopher Cicero wrote that philosophy is ars vitae, the art of living. Today, signs of stress and duress point to a full-fledged crisis for individuals and communities while current modes of making sense of our lives prove inadequate. Yet, in this time of alienation and spiritual longing, we can glimpse signs of a renewed interest in ancient approaches to the art of living. In this ambitious and timely book, Elisabeth Lasch-Quinn engages both general readers and scholars on the topic of well-being. She examines the reappearance of ancient philosophical thought in contemporary American culture, probing whether new stirrings of Gnosticism, Stoicism, Epicureanism, Cynicism, and Platonism present a true alternative to our current therapeutic culture of self-help and consumerism, which elevates the self’s needs and desires yet fails to deliver on its promises of happiness and healing. Do the ancient philosophies represent a counter-tradition to today’s culture, auguring a new cultural vibrancy, or do they merely solidify a modern way of life that has little use for inwardness—the cultivation of an inner life—stemming from those older traditions? Tracing the contours of this cultural resurgence and exploring a range of sources, from scholarship to self-help manuals, films, and other artifacts of popular culture, this book sees the different schools as organically interrelated and asks whether, taken together, they can point us in important new directions. Ars Vitae sounds a clarion call to take back philosophy as part of our everyday lives. It proposes a way to do so, sifting through the ruins of long-forgotten and recent history alike for any shards helpful in piecing together the coherence of a moral framework that allows us ways to move forward toward the life we want and need.




Ars Celebrandi


Book Description

Presiding over the liturgy takes more than following instructions. Good presiding is artful presiding. It is knowledgeable and inspirational. It faithfully grasps the church’s heritage and gives it personal expression. In Ars Celebrandi, Father Paul Turner offers a guide for priests in preparing for and celebrating the Mass. Building on a liturgy which adheres to the liturgical books, Turner examines styles of presiding and reflects on principles that will help the presider to foster active participation of the faithful.




ARS.


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Lemegeton


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Lemegeton, also known as The Lesser Key of Solomon the King or Clavicula Salomonis Regis, is a 17th century demonology Grimoire written by an anonymous author. It contains names of spirits/demons, other sacred names, sigils/seals, invocations and summoning techniques, spells, prayers, rituals and occult knowledge that has been obtained by the author, material which dates between the early 15th and the late 17th century. The Grimoire is divided in five parts called The Books. These are: Ars Goetia (or Goetia), Ars Theurgia Goetia (or Theurgia), Ars Paulina, Ars Almadel and Ars Notoria. Note from the Publisher: The illustrations in this book come from enhanced scans of the original seals. The scans have been painted over by hand using black ink and then re-scanned in order to improve the texture and make the lines and letters more legible, as some of the pages and illustrations of the book have deteriorated due to the manuscript's age, and they appear faded or broken. The original manuscript can be found in the British Museum.




Ovid: Ars Amatoria, Book III


Book Description

This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.




The Curé D'Ars


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How to Take Over the World


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NAMED A BEST NONFICTION BOOK OF THE YEAR BY ESQUIRE “Comic book fans will fall hard for this delightfully daffy guidebook. . . . Exuberant, optimistic, and just plain fun, How to Take Over the World will both surprise and delight.” —Esquire A book this informative should be a crime! Taking over the world is a lot of work. Any supervillain is bound to have questions: What’s the perfect location for a floating secret base? What zany heist will fund my wildly ambitious plans? How do I control the weather, destroy the internet, and never, ever die? Bestselling author and award-winning comics writer Ryan North has the answers. In this introduction to the science of comic-book supervillainy, he details a number of outlandish villainous schemes that harness the potential of today’s most advanced technologies. Picking up where How to Invent Everything left off, his explanations are as fun and elucidating as they are completely absurd. You don’t have to be a criminal mastermind to share a supervillain’s interest in cutting-edge science and technology. This book doesn’t just reveal how to take over the world—it also shows how you could save it. This sly guide to some of the greatest threats facing humanity accessibly explores emerging techniques to extend human life spans, combat cyberterrorism, communicate across millennia, and finally make Jurassic Park a reality.




Ars antiqua


Book Description

The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.




ARS-NC.


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ARS-S.


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