Art and Anatomy in Renaissance Italy
Author : Bernard Schultz
Publisher :
Page : 288 pages
File Size : 24,37 MB
Release : 1985
Category : Anatomy, Artistic
ISBN :
Author : Bernard Schultz
Publisher :
Page : 288 pages
File Size : 24,37 MB
Release : 1985
Category : Anatomy, Artistic
ISBN :
Author : Domenico Laurenza
Publisher : Metropolitan Museum of Art
Page : 52 pages
File Size : 28,10 MB
Release : 2012
Category : Anatomy, Artistic
ISBN : 1588394565
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author : Domenico Laurenza
Publisher :
Page : 48 pages
File Size : 36,53 MB
Release : 2012
Category :
ISBN :
Author : Bernard Schultz
Publisher : Books on Demand
Page : 276 pages
File Size : 47,10 MB
Release : 1985-01-01
Category : Art
ISBN : 9780835719544
Author : Bosiljka Raditsa
Publisher : Metropolitan Museum of Art
Page : 225 pages
File Size : 15,45 MB
Release : 2000
Category : Art, Renaissance
ISBN : 0870999532
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Author : Rinaldo Fernando Canalis
Publisher : Cursor Mundi
Page : 325 pages
File Size : 13,55 MB
Release : 2018-05-31
Category : History
ISBN : 9782503576237
Andreas Vesalius's fame derive from his writing of what is perhaps the most famous book in the history of medical science, De humanis corporis fabrica (1543), a treatise that within a few years transformed the imperfect art of anatomy into a modern science. This extraordinary work, however, came into being not just because of its author's genius and industry, but for other reasons that remain (despite a vast body of scholarship) inadequately explored. These questions, the historical moment from which they stem, and the setting in which Vesalius produced the Fabrica, form the core of this volume. Some of these significant factors include the short time during which De fabrica was produced, the debated authorship of its illustrations, and its immediate and subsequent impact on the teaching of anatomy. The book's significance within the context of present day views of its historical value, and the ever increasing fascination it evokes among scholars and collectors alike, are also examined.
Author : John Bernard Schultz
Publisher :
Page : 304 pages
File Size : 46,61 MB
Release : 1982
Category : Anatomy, Artistic
ISBN :
Author : Stephen J. Campbell
Publisher :
Page : 722 pages
File Size : 38,64 MB
Release : 2017
Category : Art
ISBN : 9780500293348
A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
Author : Leonardo da Vinci
Publisher : Courier Corporation
Page : 66 pages
File Size : 21,59 MB
Release : 2012-03-08
Category : Art
ISBN : 0486140660
Da Vinci was able to produce remarkably accurate depictions of the "ideal" human figure. This exceptional collection reprints 59 sketches of the skeleton, skull, upper and lower extremities, embryos, and other subjects.
Author : Rebekah Compton
Publisher : Cambridge University Press
Page : 637 pages
File Size : 46,36 MB
Release : 2021-03-11
Category : Art
ISBN : 1108916058
In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.