Visual Arts and the Law


Book Description

This essential handbook offers art professionals and collectors an accessible legal analysis of important principles in art law, as well as a practical guide to legal rights when creating, buying, selling and collecting art in a global market. Although the book is international in scope, there is a particular focus on the US as a major art centre and the site of countless key international court cases. This authoritative but accessible and wide-ranging volume is essential reading for arts advisors, collectors, dealers, auction houses, museums, investors, artists, attorneys and students of art and law.




Models of Integrity


Book Description

Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, and documents. The law—a primary institution subject to intense moral and political scrutiny—was a widely recognized source of authority to audiences inside the art world and out. Artists frequently engaged with the law in ways that signaled a recuperation of the integrity that they believed had been compromised by the very institutions entrusted with establishing standards of just conduct. These artists sought to convey the social purpose of an artwork without overstating its political impact and without losing sight of how aesthetic decisions compel audiences to see their everyday world differently. Addressing the role that law plays in enabling artworks to function as social and political forces, this important book fills a gap in the field of law and the humanities, and will serve as a practical “how-to” for contemporary artists.




Legal Emblems and the Art of Law


Book Description

The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.




Art and law 2017


Book Description




A Tragic Fate


Book Description

The organized theft of fine art by Nazi Germany has captivated worldwide attention in the last twenty years. As much as any other topic arising out of World War Two, stolen art has proven to be an issue that simply will not go away. Newly found works of art pit survivors and their heirs against museums, foreign nations, and even their own family members. These stories are enduring because they speak to one of the core tragedies of the Nazi era: how a nation at the pinnacle of fine art and culture spawned a legalized culture of theft and plunder. A Tragic Fate is the first book to seriously address the legal and ethical rules that have dictated the results of restitution claims between competing claimants to the same works of art. It provides a history of Art and Culture in German-occupied Europe, an introduction to the most significant collections in Europe to be targeted by the Nazis, and a narrative of the efforts to reclaim looted artwork in the decades following the Holocaust through profiles of some of the art world's most famous and influential restitution cases.




The Art of Law


Book Description

The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.




Art Law and the Business of Art


Book Description

In this fully revised and updated second edition of Art Law and the Business of Art, Martin Wilson, an art lawyer with more than 20 years’ experience in the field, provides a comprehensive and practical guide to the application of UK law to transactions and disputes in the art world. New to this Edition: • Thoroughly revised guidance on new anti-money laundering requirements • Updated discussion in the context of Brexit and the impact of the Covid-19 pandemic • New coverage of the emerging issues such as the treatment of NFTs and the increased use of internet auctions




Kunst & Recht 2017 / Art & Law 2017 - Referate zur gleichnamigen Veranstaltung der Juristischen Fakultät der Universität Basel vom 16. Juni 2017


Book Description

Der vorliegende Tagungsband enthält die Referate der 8. Basler Kunstrechtstagung Kunst & Recht | Art & Law vom 16. Juni 2017. Der erste Teil befasst sich mit der Thematik der Erhaltung von Kulturgütern respektive der Bekämpfung derer Zerstörung in Kriegszeiten. Prof. Thomas Dreier beschliesst ihn mit einem hochaktuellen Thema, der Darlegung der anwendbaren Grundsätze für den Betrieb des Digitalen Museums. Der zweite Teil ist aktuellen Problemen des Sammelns und des Kunsthandelns gewidmet. Dr. Joëlle Becker erörtert die Problematik des Interessenkonflikts des Auktionshauses als Vermittler zwischen Einlieferer und Käufer. Dr. Yaniv Benhamou legt die Grundsätze dar für die Schöpfung der Posthumous Replication.




The Art of Law


Book Description

Featuring 20 top pieces from the collection of the Groeninge Museum in Bruges, combined with more than 80 exquisite works from collections around the world, this book sheds new light on the depiction of justice from the 15th to the 17th century. This book provides an historical approach that will appeal to both the expert and the art lover. The inclusion of famous pieces, such as 'The Judgment of Cambyses' by Gerard David and 'The Last Judgment' by Pieter Pourbus and Jan Provoost, make this book an homage to art as well as to the practices of law in society. AUTHOR: Vanessa Paumen works at the Groeningemuseum in Bruges as the coordinator of the Flemish Research Center for the Arts in the Burgundian Netherlands. She earned a BA degree, cum laude and an MA degree in Art History, with a focus on European Art at the University of Texas in Austin (USA). In her Master's thesis, 'Judged, Beheaded, Burned: Dieric Bouts, The Justice of Emperor Otto III within the Context of Fifteenth-Century Punitive Practices', she looked at how justice paintings functioned in 15th century Flemish society. 120 colour




Art Law in a Nutshell


Book Description

Art Law in a Nutshell presents an overview of the legal issues concerning art. It covers the definition of art, and the theft and movement of art in wartime and peacetime. It examines the business of art for artists, dealers, museums, and collectors, including art as an investment, auctions, authentication, insurance, tax issues for artists and collectors, working artist issues, and aid to the arts. It also explains the intellectual property issues of copyright, trademark, moral rights and economic rights, right of publicity, and First Amendment freedom of expression rights. The latest introduction was written by a Ninth Circuit Court of Appeals judge who actually wrote at least one of the opinions discussed in the book.