Art As Religious Studies
Author : Douglas G. Adams
Publisher : Wipf and Stock Publishers
Page : 257 pages
File Size : 28,89 MB
Release : 2001-04-17
Category : Religion
ISBN : 1579106358
Author : Douglas G. Adams
Publisher : Wipf and Stock Publishers
Page : 257 pages
File Size : 28,89 MB
Release : 2001-04-17
Category : Religion
ISBN : 1579106358
Author : Frank Burch Brown
Publisher : Oxford University Press
Page : 565 pages
File Size : 45,34 MB
Release : 2018
Category : Art
ISBN : 0190871199
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
Author : Gordon Graham
Publisher : Cambridge University Press
Page : 187 pages
File Size : 28,36 MB
Release : 2017-09-07
Category : Art
ISBN : 1107132223
Systematically explores the affinity and the rivalry between art and religion, focusing at length on music, visual art, literature, and architecture in turn.
Author : Jane Dillenberger
Publisher : Univ of California Press
Page : 125 pages
File Size : 23,20 MB
Release : 2014-04-17
Category : Art
ISBN : 0520276299
This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
Author : Aaron Rosen
Publisher :
Page : 0 pages
File Size : 28,48 MB
Release : 2017-01-14
Category : Art
ISBN : 9780500293034
Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.
Author : Cécile Fromont
Publisher : UNC Press Books
Page : 328 pages
File Size : 17,88 MB
Release : 2014-12-19
Category : Art
ISBN : 1469618729
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.
Author : Jae Emerling
Publisher : Routledge
Page : 248 pages
File Size : 25,4 MB
Release : 2019-06-06
Category : Art
ISBN : 1136288708
Theory for Art History provides a concise and clear introduction to key contemporary theorists, including their lives, major works, and transformative ideas. Written to reveal the vital connections between art history, aesthetics, and contemporary philosophy, this expanded second edition presents new ways for rethinking the methodologies and theories of art and art history. The book comprises a complete revision of each theorist; updated and trustworthy bibliographies on each; an informative introduction about the reception of critical theory within art history; and a beautifully written, original essay on the state of art history and theory that serves as an afterword. From Marx to Deleuze, from Arendt to Rancière, Theory for Art History is designed for use by undergraduate students in courses on the theory and methodology of art history, graduate students seeking an introduction to critical theory that will prepare them to engage the primary sources, and advanced scholars in art history and visual culture studies who are themselves interested in how these perspectives inflect art historical practice. Adapted from Theory for Religious Studies by William E. Deal and Timothy K. Beal.
Author : Earle Jerome Coleman
Publisher : SUNY Press
Page : 262 pages
File Size : 38,33 MB
Release : 1998-01-01
Category : Religion
ISBN : 9780791436998
Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.
Author : Bryan Rennie
Publisher : Routledge
Page : 310 pages
File Size : 42,23 MB
Release : 2020-02-13
Category : Art
ISBN : 1000046796
Drawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions. The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.
Author : Philip Salim Francis
Publisher : Oxford University Press
Page : 233 pages
File Size : 40,14 MB
Release : 2017
Category : Art
ISBN : 0190279761
When Art Disrupts Religion lays bare the power of encounters with the arts to unsettle and overturn deeply ingrained religious beliefs and practices. Grounded in the accounts of more than 80 Evangelicals who experienced such a sea-change of religious identity, the book bridges the gap between aesthetic theory and lived religion, while exploring the interrelationship of religion and art in the modern West.