The Organic Artist


Book Description

This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.




Heat Waves in a Swamp


Book Description

A comprehensive overview of the artist's work focuses on Burchfield's expressive watercolors and includes drawing from his 1917 sketchbook, camouflage designs from his tour in the army, and wallpaper designs from the 1920s.




Heat Waves in a Swamp


Book Description

A comprehensive overview of the artist's work focuses on Burchfield's expressive watercolors and includes drawing from his 1917 sketchbook, camouflage designs from his tour in the army, and wallpaper designs from the 1920s.




Accalia and the Swamp Monster


Book Description

As the author and artist of a heroine's surreal journey through a haunting southern landscape, Kelli Scott Kelley reveals the mastery of her craft and the strong narrative ability of her artwork. Borrowing from Roman mythology, Jungian analysis, and the psychology of fairy tales, Kelley presents a story of family dysfunction, atonement, and transformation. Reproductions of her artwork -- mixed-media paintings executed on repurposed antique linens -- punctuate the tale of Accalia, who is tasked with recovering the arms of her father from the belly of the swamp monster. Visually and metaphorically, Accalia's odyssey enchants and displaces as Kelley delicately balances the disquieting with the familiar. Rich in symbolism and expertly composed, Accalia and the Swamp Monster pulls readers into the physical realm through Kelley's chimerical imagery and then pushes them towards the inner world of the subconscious. To that end, Kelley's story is accompanied by essays from Jungian analyst Constance Romero and art historian Sarah Bonner. A culmination of nearly a decade of work, introspection, and research, Accalia and the Swamp Monster is both an entrancing display of Kelley's art and an affirmation of the transformative power of fairy tales.




Martine Syms: Neural Swamp


Book Description

New commissioned work by an important American contemporary artist using a multidisciplinary approach to examine issues of race and identity Produced for the Future Fields Commission in Time-Based Media by the multidisciplinary artist Martine Syms (b. 1988), Neural Swamp is an immersive video installation that builds upon Syms's interest in the proliferation, circulation, and consumption of images, as well as her continued research into machine systems that erase or make invisible Black bodies, voices, and narratives. The publication documents this new work, offering in-depth analysis and a visual essay that reflects the specific approach to images and text characterizing Syms's practice. Neural Swamp's multichannel presentation reveals its characters through their reading of a continually changing script, the variations determined by a text-generating model. Through these dynamic interactions, along with the installation's physical elements, Syms creates a kaleidoscopic view of the world and our complex relationship with one another and with technology.




Absolute Swamp Thing by Alan Moore Vol. 2


Book Description

Before the groundbreaking graphic novel Watchmen, Alan Moore made his debut in the U.S. comic book industry with the revitalization of the horror comic book Swamp Thing. His deconstruction of the classic monster stretched the creative boundaries of the medium and became one of the most spectacular series in comic book history. With modern-day issues explored against a backdrop of horror, Swamp Thing's stories became commentaries on environmental, political and social issues, unflinching in their relevance. Includes the story The Anatomy Lesson, a haunting origin story that reshapes Swamp Thing mythology with terrifying revelations that begin a journey of discovery and adventure that will take him across the stars and beyond. Author Alan Moore and illustrators Stephen Bissette, John Totleben, Rick Veitch, Shawn McManus, Ron Randall and Dan Day join together to rise from the swamps in slipcased hardcover edition, Absolute Swamp Thing by Alan Moore Vol. 2. This collects Saga of the Swamp Thing #35-49 with brand-new coloring.




Shrek


Book Description

The main characters dish all the dirt about the movie and its sequel, while the films' animators, directors and designers weight in on the finer points of the creative process.




Swamp Thing (1972-) #4


Book Description

The lord and lady of a castle take in Matt Cable and Abby Arcane after a plane crash. But their intentions are anything but altruistic as they intend to use Matt in an experiment to cure their son of being a werewolf.




Swamp


Book Description

Throughout history, swamps have been idealized and demonized, purged and protected. Today, they are simultaneously considered metaphorical places of evil, pestilence, and death, and treasured as diverse biological ecosystems teeming with life. Covering not only swamps and bogs but also marshes and wetlands, Swamp ventures into the cultural and ecological histories of these mysterious, mythologized, and misunderstood landscapes. Anthony Wilson takes readers into swamps across the globe, from the freshwater marshes of Botswana’s tremendous Okavango delta, to the notable swamps between the Tigris and Euphrates rivers, to the peat bogs in Russia, the British Isles, and Scandinavia, which have been used as energy sources for centuries. It explores ideas and representations of wetlands across centuries, cultures, and continents, considering legend and folklore, mythology, literature, film, and natural and cultural history. As it plumbs the murky depths of swamps from the distant past to an uncertain future, Swamps provides an engaging, accessible, informative, and lavishly illustrated journey into these fascinating landscapes.




Art and Art-Attempts


Book Description

Although few philosophers agree about what it is for something to be art, most, if not all, agree on one thing: art must be in some sense intention dependent. Art and Art Attempts is about what follows from taking intention dependence seriously as a substantive necessary condition for something's being art. Christy Mag Uidhir argues that from the assumption that art must be the product of intentional action, along with basic action-theoretic account of attempts (goal-oriented intention-directed activity), follows a host of sweeping implications for philosophical enquiry into the nature of art and its principal relata such as authorship, art forms, and art ontology: e.g., · An informative distinction between art, non-art, and failed-art that any viable theory of art must capture. · A far more productive minimal framework for authorship not only capable of systematically addressing issues of collective authorship appropriation, etc. but also one according to which artists just are authors. · A coherent and structurally precise account of art forms based upon the relation between artists, artworks, and the sortal properties thereof. · A unified and far less metaphysically suspect ontology of art according to which if there are such things as artworks, then artworks must be concrete things. Ultimately, Mag Uidhir aims neither to propose nor to defend any particular, precise answer to the question "What is art?" Instead, he shows the ways in which taking intention-dependence seriously as a substantive necessary condition for being art can be profoundly revelatory, and perhaps even radically revisionary, as to the scope and limits of what any particular, precise answer to such a question could viably be.