Oceania


Book Description

Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.




How to Read Oceanic Art


Book Description

An engaging explanation of Oceanic art and an important gateway to wider appreciation of Oceanic heritage and visual culture




Art in Oceania


Book Description

Masks and figural sculptures are the most familiar examples of the visual culture of Oceania, yet they provide only a glimpse of the fascinating art of this expansive and diverse region. The artisans of the Pacific Islands have produced objects ranging from stained and beaten fabric, rock engravings, and woven containers to tattooed and painted bodies, drawings on sand and paper, and contemporary installation art. This sweeping survey looks at the full range of objects created over several millennia, spanning the settlement of Oceania in the prehistoric period to the present day.




Oceania


Book Description

"Encompassing thousands of islands from the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, Oceania is one of the world's most extraordinary and diverse regions. This book, accompanying the spectacular exhibition at the Royal Academy opening this September, showcases Oceanic art and the subsequent migrations of people, cultures and objects from the Pacific around the world, from the unrivalled navigational feats of the first settlers who traversed the open ocean in wooden canoes to the explorations of Captain Cook 250 years ago. Bringing together the most up-to-date scholarship by experts in the field, this book presents Oceania through the eyes of its own people - artists, poets and photographers - who explore the legacy of the past and the future of a world and way of life threatened by a changing climate. Featuring over 300 colour illustrations, and text from Peter Brunt, Senior Lecturer at Victoria University of Wellington; Nicholas Thomas, Director of the Museum of Archaeology and Anthropology, University of Cambridge; Noelle M.K.Y. Kahanu, Emmanuel Kasarhérou, Deputy Director of the Department of the Department of Heritage and Collections at Musée du quai Branly-Jacques Chirac, Paris; Sean Mallon, Senior Curator of Pacific Cultures at the Museum of New Zealand/Te Papa Tongarewa, Wellington; Michael Mel, Manager for Pacific and International Collections at the Australian Museum, Sydney; and Dame Anne Salmond DBE, Professor of Maori Studies at the University of Auckland."--Royal Academy of Arts website (accessed 26/10/2018).







Oceanic Art


Book Description

"Lavishly illustrated analysis and guide discusses the significance of art for the people of the Pacific Islands. Examines the art forms and practices of particular regions, for example, Maori ancestral carvings, and rituals of exchange and warfare in the Solomon Islands. Discusses topics such as maternal symbolism and male cults, and also provides a chapter on narrative art and tourism. Includes a bibliography, references and an index." - product description.




Arts of Africa, Oceania, and the Americas


Book Description

By focusing on the original scholarly contributions, rather than secondary description, this reader in tribal arts exposes the reader to the best original scholarship of 29 noted scholars in anthropology and art history. Each scholarly essay is well-illustrated, often with original field photographs as well as museum objects. For artists, art historians, sociologists, and all those interested in the arts of the fourth world.




Power and Prestige: the Art of Clubs in Oceania


Book Description

A fresh look at the many meanings and forms of the club across two centuries of Oceanic culture Featuring more than 150 clubs made in the 18th and 19th centuries from across a vast geographical and cultural span, Power and Prestige explores a fascinating Oceanic object form that has long been misunderstood by Western scholars. From Australia, Polynesia, Melanesia and New Zealand to Hawaii, Easter Island and the Marquesas Islands, carved clubs have played many roles beyond combat in Oceanic cultures. The range in the size of works presented here--from 15 inches to more than six feet, and made in materials ranging from nephrite and wood to whalebone--points to this diversity of utility and form. In this abundantly illustrated volume, essays detail the clubs' use as ritual and religious objects, mediums of exchange, status symbols and more. Other texts break down the specific function clubs performed within each culture, as well as the symbolic meaning of the beautiful images and patterns inscribed on them.







Art as Technology


Book Description