Ettore Sottsass


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The brilliant architect and designer Ettore Sottsass "made glass" from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass's works in glass and crystal




Czech Glass


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Chinese Ceramics


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Thomas Stearns at Venini


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Thomas Stearns and his collaboration with the Venini glassworks in the early Sixties in the new chapter of the series "Le Stanze del Vetro". The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962. Thomas Stearns designed elegant blown-glasspieces with irregular features using various materials. Stearns was the first American to design for Venini; he won a on Fulbright Travel Grant, left Cranbrook Academy, and showed up in Murano with new ideas, but absolutely no knowledge of the Italian language. But, from this potentially disastrous situation grew a collection of ground-breaking designs that actually won the "Best of Show" award at the Venice Bienale of 1962. When the judges found out that the winner was not Italian, but a monolingual American, they actually rescinded the award. By then, however, it was pretty impossible to deny that Thomas Stearns had created something really special. Stearns' amazing designs proved too difficult to put into mass production, which made them even more special.




The Art of Not Making


Book Description

Can an artist claim that an object is a work of art if it has been made for him or her by someone else? If so, who is the author of such a work? And just what is the difference between a work of art and a work of craft? In the first book of its kind, Michael Petry tackles these questions head on.




The Complete Book of Glass Beadmaking


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A guide to the popular craft offers beadmakers instructions for how to torch, wind, and cool beads; directions for creating various designs, including barrels, cones, and discs; and strategies for achieving a variety of colors and patterns.




Kaj Franck


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The Jewels of Lalique


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Showcases the work of the Art Nouveau glass craftsman and jewelry designer.




Michael Glancy


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Michael Glancy is widely recognised as a prominent innovator in the field of studio glass. After studying with the critically acclaimed glass artist Dale Chihuly, he found his own artistic personality by combining different techniques: Glancy works with




Caterpillar Club Survivor


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Spitfire pilot Ross Smith Stagg was one of 33 Allied airmen to defend Darwin against Japanese invasion on May 2, 1943. As one of 14 pilots shot down or experience mechanical failure in the ensuing battle, he parachuted into the sea 18 km from land, 100 km southwest of Darwin in the Fogg Bay area. He reached the shore in a dinghy. For the next 15 days he trudged through inhospitable country in a futile attempt to return to Strauss airbase. What should have been a few days walk turned into his worst possible nightmare as he stumbled aimlessly through mosquito and crocodile infested swamps. "It was almost six days I'd been without sleep, apart from a short period of unconsciousness and those few moments before I fell out of that tree," he said. " I became demented by the cavalcade of mosquitoes and hallucinating badly". His experience was only to worsen - he waded halfway across a tidal river to be confronted by a large saltie. Darwin historian John Haslett help Stagg map the original route by retracing his steps, even managing to relocate an American Kittyhawk Stagg found crashed in the middle of nowhere.