Author : Dragos Gheorghiu
Publisher : Archaeopress Publishing Ltd
Page : 192 pages
File Size : 14,95 MB
Release : 2019-02-28
Category : Social Science
ISBN : 1789691419
This volume – which has come about through a collaborative venture between Dragos Gheorghiu (archaeologist and professional visual artist) and Theodor Barth (anthropologist) – aims at expanding the field of archaeological research with an anthropological understanding of practices that include artistic methods.
Author : Dragos Gheorghiu
Publisher : Archaeopress Archaeology
Page : 190 pages
File Size : 11,1 MB
Release : 2019-02-28
Category : Art
ISBN : 9781789691405
'Artistic Practices and Archaeological Research' aims to expand the field of archaeological research with an anthropological understanding of practices which include artistic methods. The project has come about through a collaborative venture between Dragos Gheorghiu (archaeologist and professional visual artist) and Theodor Barth (anthropologist). This anthology contains articles from professional archaeologists, artists and designers. The contributions cover a scale ranging from theoretical reflections on pre-existing archaeological finds/documentation, to reflective field-practices where acts of 'making' are used to interface with the site. These acts feature a manufacturing range from ceramics, painting, drawing, type-setting and augmented reality (AR). The scope of the anthology - as a book or edited whole - has accordingly been to determine a comparative approach resulting in an identifiable set of common concerns. Accordingly, the book proceeds from a comparative approach to research ontologies, extending the experimental ventures of the contributors, to the hatching of artistic propositions that demonstrably overlap with academic research traditions, of epistemic claims in the making. This comparative approach relies on the notion of transposition: that is an idea of the makeshift relocation of methodological issues - research ontologies at the brink of epistemic claims - and accumulates depth from one article to the next as the reader makes her way through the volume. However, instead of proposing a set method, the book offers a lighter touch in highlighting the role of operators between research and writing, rather entailing a duplication of practice, in moving from artistic ideas to epistemic claims. This, in the lingo of artistic research, is known as exposition. Emphasising the construct of the 'learning theatre' the volume provides a support structure for the contributions to book-project, in the tradition of viewing from natural history. The contributions are hands-on and concrete, while building an agenda for a broader contemporary archaeological discussion.
Author : Ian Alden Russell
Publisher : Springer Science & Business Media
Page : 250 pages
File Size : 20,23 MB
Release : 2013-11-19
Category : Social Science
ISBN : 1461489903
This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to ‘art’ and ‘archaeology’ so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.
Author : Ian Dawson
Publisher : Routledge
Page : 226 pages
File Size : 37,3 MB
Release : 2021-12-28
Category : Aesthetics, Modern
ISBN : 9780367486556
The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.
Author : Corrado Pedelì
Publisher : Getty Publications
Page : 170 pages
File Size : 28,80 MB
Release : 2014-02-01
Category : Art
ISBN : 1606061585
The relationship between archaeology and conservation has long been complex and, at times, challenging. Archaeologists are often seen as interested principally in excavation and research, while conservators are concerned mainly with stabilization and the prevention of deterioration. Yet it is often initial conservation in the field that determines the long-term survival and intelligibility of both moveable artifacts and fixed architectural features. This user-friendly guide to conservation practices on archaeological excavations covers both structures and artifacts, starting from the moment when they are uncovered. Individual chapters discuss excavation and conservation, environmental and soil issues, deterioration, identification and condition assessment, detachment and removal, initial cleaning, coverings and shelters, packing, and documentation. There are also eight appendixes. Geared primarily for professionals engaged in the physical practice of excavation, this book will also interest archaeologists, archaeological conservators, site managers, conservation scientists, museum curators, and students of archaeology and conservation.
Author : John H. Jameson (Jr.)
Publisher : University of Alabama Press
Page : 278 pages
File Size : 12,7 MB
Release : 2003-05-06
Category : Art
ISBN : 0817312749
Known widely in Europe as "interpretive narrative archaeology", the practice of using creative methods to interpret and present current knowledge of the past is gaining popularity in North America. This is a compilation of international case studies of the various artistic methods used in this new form of education. Plays, opera, visual art, stories, poetry, performance dance, music, sculpture, digital imagery - all can effectively communicate archaeological processes and cultural values to public audiences. The 23 contributors to this volume are a diverse group of archaeologists, educators and artisans who have direct experience in schools, museums and at archaeological sites. Citing specific examples, such as the film, "The English Patient", science fiction mysteries and hypertext environments, they explain how creative imagination and the power of visual and audio media can personalize, contextualize and demystify the research process
Author : Helen Chittock
Publisher : Archaeopress Publishing Ltd
Page : 196 pages
File Size : 39,54 MB
Release : 2016-12-12
Category : Social Science
ISBN : 1784914932
Based on a 2013 Theoretical Archaeology Group (TAG) conference session, this book aims to merge the perspectives of artists and archaeologists on making art. It explores the relationship between archaeology and art practice, the interactions between materials and practitioners, and the processes that result in the objects and images we call ‘art’.
Author : Dragos Gheorghiu
Publisher : Oxbow Books
Page : 207 pages
File Size : 14,30 MB
Release : 2020-02-02
Category : Social Science
ISBN : 1789253535
The book discusses the creative mental processes of the prehistoric and contemporaryartists, as well as of the archaeologists studying them from the perspective ofcognition and art. Its intention is to highlight the artistic thinking within theimagination of the archaeologist, as well as to discuss the concepts of imagination andart in the current scientific research.From this perspective the book suggests a type of research closer to the complexity ofthe human nature and human thinking that can approach cultural and psychologicalsubjects ignored until now.It is hoped that one of the results of the book will be the formulation of new meaningsfor art from the perspective of archaeology.Responding to the recent ongoing growing interest in the art-archaeology interaction,the editor has carefully selected papers written by a series of eminent European andAmerican scholars with a background in ancient and contemporary art, symbolicthinking, semiotics, and archaeological imagination, with the intention of introducingnew arguments and discussions into the emerging art-archaeology discourse. Thebook is composed of three parts: “Art and the ancient mind”, “Experiencing theancient mind”, and “Exploring the act of creation”.
Author : Colin Renfrew
Publisher : McDonald Institute Monographs
Page : 184 pages
File Size : 47,75 MB
Release : 2004
Category : Art
ISBN :
Contemporary art and modern archaeology are increasingly seen to share much common ground yet their interactions have yet to be fully investigated. This innovative volume explores key themes, including the role of display in art, in the practice of archaeology and in daily life, and the material transformations which underlie the physical reality of the archaeological record as much as the creative processes of the contemporary artist. Prominent practising artists Simon Callery and Antony Gormley provide seminal papers considering the role of materiality and embodiment in their own work, exploring issues that are directly relevant to current archaeological thinking. They are joined by archaeologists actively involved with visual approaches, including Anwen Cooper, Christopher Evans, Steven Mithen, Joshua Pollard, Nicholas Saunders, Aaron Watson and the editorial trio. The book is lavishly illustrated in colour.
Author : Bruno David
Publisher :
Page : 1185 pages
File Size : 49,78 MB
Release : 2018
Category : Art
ISBN : 0190607351
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
