Artpark


Book Description




Artpark 1984


Book Description




Artpark


Book Description

Published on the occasion of an exhibition on view at the UB Art Gallery, Center for the Arts, Buffalo, N.Y., Sept. 25-Dec. 18, 2010.







Stackhouse


Book Description

Trained at the University of South Florida, Robert Stackhouse was born in Bronxville, New York in 1942. By the 1980s Robert Stackhouse was regarded as one of America's most prominent young sculptors and his massive, ribbed installations were known nationwide. He taught at the Corcoran gallery and later returned to live in New York; by the 1990s his installations were going in large public places nationwide, then worldwide. --Covers the first thirty years of Stackhouse's rise to prominence 1969-1999 --Provides an early biography along with a progression of his work --Offers family pictures that personalize this catalog --His work is in the permanent collections of the Art Institute and The Museum of Contemporary Art in Chicago, and the Australian National Gallery in Canberra




Annual Report


Book Description

Reports for 1980- include also the Annual report of the National Council on the Arts.




Things Reconstructed


Book Description

A lively look at the work of the artist, including public commissions and small, private works.




Art and the city


Book Description

Urbanisme et art contemporain.




Martin Puryear


Book Description

Over the last 30 years, Martin Puryear has created a body of work that defies categorization, creating sculpture that looks at identity, culture & history. This book accompanies an exhibition at The Museum of Modern Art that follows Puryear's development from his first solo show to works being presented for the first time.




Thinking with the Harrisons


Book Description

Helen Mayer Harrison and Newton Harrison, known as ‘the Harrisons’, dedicated five decades to exploring and demonstrating a new approach to artistic practice, centred on “doing no work that does not attend to the wellbeing of the web of life.” Their collaborative practice pioneered a way of drawing together art and ecology. They closely observed, often with irony and humour, how human intervention disrupts the dynamics of life as a web of interrelationships. The authors of this book ‘think with’ the Harrisons, critically tracing their poetics as a reimaging and reconfiguring of the arts in response to the unfolding planetary crisis. They draw parallels between the artists’ poetics and rethinking in the philosophy of science, particularly drawing on the work of Isabelle Stengers and Alfred North Whitehead. Thinking with the Harrisons is for anyone concerned with the implications of ecology as part of a reimagining of public life, including through the interaction of art and science. Throughout their joint practice, the Harrisons sought to engage policy makers, governments, ecologists, artists, and inhabitants of specific places, sensitizing us to the crises that emerge from grounded experiences of place and time.