De la Chine


Book Description




L'art de la guerre russe


Book Description

Pourquoi l’Ukraine est en train de perdre la guerre contre la Russie ? Comment les deux camps pensent et mènent leurs opérations ? Quelles ont été les erreurs de part et d’autre ? Comment l’Occident a contribué à la défaite ukrainienne ?... Pour répondre à ces questions et à bien d’autres, Jacques Baud s’appuie sur des informations officielles, des documents américains, occidentaux et russes. Il explique la manière dont la Russie comprend et conduit la guerre. Il montre combien l’incapacité des Occidentaux à comprendre cette réalité et leur détermination à affaiblir la Russie s’est retournée contre l’Ukraine. Après les best-sellers Poutine, le maître du jeu ?, Opération Z et Ukraine entre guerre et paix dont le travail d’analyse a été salué dans le monde entier et dont les ouvrages ont été traduits dans plusieurs pays, l’auteur revient sur la guerre en Ukraine. Il expose la manière dont la Russie l’a menée et comment l’image qu’en ont donné les Occidentaux a conduit l’Ukraine vers l’échec.




Art in China


Book Description

China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.




Henri Bertin and the Representation of China in Eighteenth-Century France


Book Description

This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of "China." The central figure in this story is Henri-Léonard Bertin (1720–1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history.










Travel, Collecting, and Museums of Asian Art in Nineteenth-century Paris


Book Description

Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines transnational relations and intercultural exchange between modern Europe and Asia. At the core of the study are three major collectors: Enrico (Henri) Cernuschi, Emile Guimet, and Edmond de Goncourt, whose practices are analyzed to illuminate a larger history of East-West contact. The book takes an original approach that includes such overlooked issues as the impact of monetary histories and theories on European collections of Asian objects; the somatics of travel; collecting, writing, and display as polymorphous narratives of identity.




Chinese Art


Book Description

Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.




Collecting and Displaying China's “Summer Palace” in the West


Book Description

In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China—the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan—and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays—especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musée Chinois at the Château of Fontainebleau—tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.