Domination and the Arts of Resistance


Book Description

"Play fool, to catch wise."--proverb of Jamaican slaves Confrontations between the powerless and powerful are laden with deception--the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage--what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. Scott describes the ideological resistance of subordinate groups--their gossip, folktales, songs, jokes, and theater--their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally, he identifies--with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign--the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power. His landmark work will revise our understanding of subordination, resistance, hegemony, folk culture, and the ideas behind revolt.




Street Art of Resistance


Book Description

This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.




The Art of Resistance in Islam


Book Description

Examining different forms of resistance among Shi'i women in the Middle East and Europe, this book studies the performance of sectarian and gender power relations as expressed in Shi'i ritual practices. It provides a new transnational approach to researching gender agency in contemporary Islamic movements in both the Middle East and Europe.




The War of Art


Book Description

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.




Hidden Transcripts and the Arts of Resistance


Book Description

The essays in this volume develop the highly suggestive insights and theory of James C. Scott-especially those related to patterns of domination and subordination, the role of religion in supporting or opposing the powerful, and the "arts of resistance" by the subordinated-to tackle key issues in the interpretation of Jesus and Paul. All the contributors implicitly or explicitly assume a stance sympathetic with subordinated peoples of the past and present. While all pursue primarily critical literary, historical, and social analysis on New Testament texts in historical contexts, some also examine illuminating historical or contemporary comparative materials. In addition, some even find Scott useful in critical self-examination of scholarly motives, stances, and approaches in relation to texts and their uses. The contributors are Allen Dwight Callahan, Warren Carter, Neil Elliott, Susan M. Elliott, Erik Heen, William R. Herzog II, Richard A. Horsley, Cynthia Briggs Kittredge, and Gerald West. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).




The Arts of Imprisonment


Book Description

The arts - spanning the visual, design, performing, media, musical, and literary genres - constitute an alternative lens through which to understand state-sanctioned punishment and its place in public consciousness. Perhaps this is especially so in the case of imprisonment: its nature, its functions, and the ways in which these register in public perceptions and desires, have historically and to some extent inherently been intertwined with the arts. But the products of this intertwinement have by no means been constant or uniform. Indeed, just as exploring imprisonment and its public meanings through the lens of the arts may reveal hitherto obscured instances of social control within or outside prisons, so too it may uncover a rich and possibly inspirational archive of resistance to them. This edited collection sheds light both on state use of the arts for the purposes of controlling prisoners and the broader public, and the use made of the arts by prisoners and portions of the broader public as tools of resistance to penal states. The book also includes a number of chapters that address arts-in-prisons programmes, making distinctive contributions to the literature on their philosophy, formation, operation, effectiveness, and research evaluation, as well as taking care to explore the politics surrounding and underpinning these multiple themes.




Portraits of Resistance


Book Description

A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.




The Aesthetics of Resistance, Volume II


Book Description

A major literary event, the publication of the second volume of Peter Weiss's three-volume novel The Aesthetics of Resistance makes one of the towering works of twentieth-century German literature available to English-speaking readers for the first time. The crowning achievement of Peter Weiss, the internationally renowned writer best known for his play Marat/Sade, The Aesthetics of Resistance spans the period from the late 1930s to World War II, dramatizing antifascist resistance and the rise and fall of proletarian political parties in Europe. Volume II, initially published in 1978, opens with the unnamed narrator in Paris after having retreated from the front lines of the Spanish Civil War. From there, he moves on to Stockholm, where he works in a factory, becomes involved with the Communist Party, and meets Bertolt Brecht. Featuring the narrator's extended meditations on paintings, sculpture, and literature, the novel teems with characters, almost all of whom are based on historical figures. Throughout, the narrator explores the affinity between political resistance and art—the connection at the heart of Weiss's novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.




Repressive Regimes, Aesthetic States, and Arts of Resistance


Book Description

Repressive Regimes, Aesthetic States, and Arts of Resistance investigates the tensions between politics and aesthetics by exploring the ways in which various "arts" are mobilized in the service of political repression and human emancipation. Building upon theories of the arts/politics and aesthetics/states relation, the book utilizes illuminating historical case studies to reveal the roles public arts have played in the construction of different types of "aesthetic" states: in ancient Rome during the transition from Republic to Empire, in modern Europe during the transition from feudalism to capitalism, and in the postmodern United States under the conditions of advanced capitalism. After comparing theories to practices of statecraft, the book goes on to explore contemporary arts of resistance against corrupt corporate practices and repressive political regimes. In light of these examples, it becomes evident there is an ongoing world-historical battle between those who "aestheticize the political" to perpetuate repressive regimes and those who "politicize the aesthetic" to make states less repressed and peoples more reasonable. -- Back cover.




Arts, Pedagogy and Cultural Resistance


Book Description

This collection demonstrates how physical objects, materials, space and environments teach us, and redefines practice with theory (praxis) as a more-than-human network. The contributions illustrate how the materials, process, pedagogies and theories of Arts making question and disrupt the many forms of cultural dominance that exist in our society.




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