Attachment, Place, and Otherness in Nineteenth-Century American Literature


Book Description

This interdisciplinary study examines the role interpersonal and place attachment bonds play in crafting a national identity in American literature. Although there have been numerous ecocritical studies of and psychoanalytic approaches to American literature, this study seeks to integrate the language of empirical science and the physical realities of place, while also investigating non-human agency and that which exists beyond the material realm. Murphy considers how writers in the early American Republic constructed modernity by restructuring representations of interpersonal and place attachments, which are subsequently reimagined, reconfigured, and sometimes even rejected by writers in the long nineteenth century. Within each narrative American perceptions of otherness are pathologized as a result of insecure human-to-human and human-to-place attachments, resulting in a restructuring of antiquated notions of difference. Throughout, Murphy argues that in order to understand fully the contextually varied framework of human bonding, it is important to emphasize America’s "attachment" to various constructions of otherness. Historically, people of color, women, ethnic groups, and lower class citizens have been relegated—socially, politically, and culturally—to a place of subordination. Refugees escaping the French and Haitian Revolutions to American cities encouraged writers to transform social, cultural, and political attachments in ways that the American Revolution did not. The United States has always been part of an extended global network that provides fertile ground from which to imagine a future American identity; this book thus gestures toward future readers, educators, and scholars who seek to explore new fields and new approaches to understand the underlying human motivations that continually inspire the American imagination.




Victorian Ecocriticism


Book Description

Victorian Ecocriticism: The Politics of Place and Early Environmental Justice aims to take up the challenge that Lawrence Buell lays out in The Future of Environmental Criticism: Environmental Crisis and Literary Imagination (2005). Buell decries: “For in order to bring ‘environmental justice into ecocriticism,’ a few more articles or conference sessions won’t suffice. There must be ‘a fundamental rethinking and reworking of the field as a whole’” (Buell 113). While discussions about nature conservation and preservation have been important within the context of ecocriticism, Buell asserts that the holy grail for the field is actually how literary critics engage in discourse about questions of place as space humanized for the purpose of tracing, disclosing, and advancing the important issue of environmental justice—as it applies to human beings, animals, and plants. The “fundamental reworking” or shift in the field of Victorian Studies really has to do with the dearth of ecocritical publishing about seminal authors and literary texts. Victorian Ecocriticism aims to participate in filling that vacuum, lack, or lacuna by featuring current research about the Victorian era from an ecocritical perspective. Victorian Ecocriticism hopes to identify, establish, and organize its content based on six themes: Ecocrisis, Ecofeminism, Ecogothicism, Ecohistoricism, Ecotheology, and Ecological Interdependence. The edited collection, thus, has two aims. First, selected places among others featured in the edition will provide environmental contexts, often with political implications: American rural landscape (e.g., Walden Pond), Australian mines, British hill-country, metropolis, mill towns, the sea, and the woods. Second, the edition includes discussions about various instances of early environmental justice evident during the mid-nineteenth century such as, but not limited to: anti-railway campaigns, biological egalitarianism, labor disputes due to adverse working conditions, patterns of displacement, reactions to Victorian scientism, resistance to enclosure, and working class education. Victorian Ecocriticism is an interdisciplinary edition. It focuses on Victorian literature as the foundational discipline linked to various disciplines such as ecology, evolutionary biology, natural history, and soil science. The topics are wide-ranging, significant, and contemporary discussing the politics of place as well as early environmental justice.




The Power of Place in Place Attachment


Book Description

This book provides geographical perspectives on the complex and multifaceted relationship between people and their lived environments. Scholars with varied regional, theoretical, and topical specialties offer chapters that explore different aspects of a phenomenon so pervasive that no conception of social or political action can afford to ignore it. In the process of spatial organization and differentiation, people develop emotional attachments to specific places, as well as people, objects, and practices associated with those places. Place attachments thereby shape everyday routines (e.g., routes to work, shopping, social interactions), major life choices (e.g., places of residence, education, and vacations), and identities (e.g., civic, national, and religious). These attachments occur across multiple scales from personal dwellings to community, region, and homeland. It is our hope that this book reveals synergies between geography and other disciplines engaging with place attachment whilst invigorating research on the topic. The Power of Place in Place Attachment will be of great value to researchers and scholars of geography, identity, mobility, and urban landscape change. The chapters in this book were originally published as a special issue of Geographical Review.




Gendered Ecologies


Book Description

Gendered Ecologies considers the value of interrelationships that exist among human, nonhuman species, and inanimate objects, featuring observations by women writers as recorded in texts. The edition presents a case for transnational women writers, participating in the discourse of natural philosophy from the late eighteenth through the early twentieth centuries.




The Nadir and the Zenith


Book Description




Modern Political Aesthetics from Romantic to Modernist Fiction


Book Description

In this new research monograph, Tudor Balinsteanu draws on concepts of dance to demonstrate how the nonhuman is dealt with in terms of practical politics, that is, choreographies of social performance which emerge at the intersection of literature, art, and embodied life. Drawing on a number of influential texts by William Wordsworth, Joseph Conrad, W. B. Yeats, and James Joyce, this truly interdisciplinary monograph explores the relations between the human and the nonhuman across centuries of literature and as demonstrated in philosophical concepts and social experiments.




Provincializing the Bible


Book Description

Why, in our supposedly secular age, does the Bible feature prominently in so many influential and innovative works of contemporary U.S. literature? More pointedly, why would a book indelibly allied with a long history of institutionalized oppressions play a supporting role—and not simply as an object of critique—in a wide variety of landmark literary representations of marginalized subjectivities? The answers to these questions go beyond mere playful re-appropriations or subversive resignifications of biblical themes, figures, and forms. This book shows how certain contemporary authors invoke the Bible in ways that undermine clear distinctions between "subversive" and "traditional"—indeed, that undermine clear distinctions between "secular" and "sacred." By tracing a key source of such complex literary invocations of the Bible back to William Faulkner’s major novels, Provincializing the Bible argues that these literary works, which might be termed postsecular, ironically provincialize the Bible as a means of reevaluating and revalorizing its significance in contemporary American culture.




Avant-Garde Pieties


Book Description

Avant-Garde Pieties tells a new story about innovative poetry; it argues that the avant-garde-now more than a century old-persists in its ability to nurture interesting, provocative, meaningful, and moving poems, despite its profound cultural failings and its self-devouring theoretical compulsions. It can do so because a humanistic strain of its radical poetics compels adherents to argue over the meaning of their shared political and aesthetic beliefs. In ways that can be productively thought of as religious in structure, this process fosters a perpetual state of crisis and renewal, always returning innovative poetry to its founding modernist commitments as a way to debate what the avant-garde is-what it should and does look like, and what it should and does value. Consequently, Avant-Garde Pieties makes way for a radical poetics defined not by formal gestures, but by its debate with itself about itself. It is a debate that honors the tradition's intellectual founding as well as its cultural present, which includes aesthetic multiformity, racialized and gendered modes of authorship, experiences of the sacred, political activism, and generosity in critical disagreement.




Spatial Modernities


Book Description

This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity’s spatial transformations, which have taken on new urgency in today’s world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of ‘early’ and ‘high’ modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations. The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space.




Shame and Modern Writing


Book Description

Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.