Audacious Eroticism


Book Description




Audacious Eroticism


Book Description




Audacious Eroticism


Book Description







Radical Eroticism


Book Description

In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.




Erotic Revolutionaries


Book Description

This book steers black sexual politics toward a more sex-positive trajectory, navigating the uncharted spaces where social constructionism, third-wave feminism, and black popular culture collide to locate a new site for sexuality studies that is theoretically innovative, politically subversive, and stylistically chic.




Audacious Eroticism


Book Description




Appealing Erotic Compilation


Book Description

Are you ready to indulge in 30 steamy, dirty sex stories that will leave you breathless and wanting more? This collection of sensual tales is guaranteed to set your pulse racing and ignite your wildest fantasies. From forbidden trysts to passionate encounters, each story promises to captivate you with its raw, unbridled passion. Immerse yourself in a world where desire knows no bounds and inhibitions are left at the door. With each turn of the page, you’ll find yourself transported into a realm of uninhibited pleasure, where every encounter leaves you craving for more. Whether it’s the allure of forbidden romance or the thrill of secret rendezvous, these stories will awaken your senses and leave you yearning for an electrifying connection like never before. Indulge in 30 tantalizing narratives that explore the depths of human desire in all its primal glory. Let go of inhibition as you delve into these captivating love stories that promise to exhilarate and arouse your innermost cravings. Get ready for a scintillating journey through passion-filled escapades that are sure to leave an indelible mark on your mind and soul.




Being Gorgeous


Book Description

Being Gorgeous explores the ways in which extravagance, flamboyance and dressing up can open up possibilities for women to play around anarchically with familiar stereotypical tropes of femininity. This is protest through play - a pleasurable misbehaviour that reflects a feminism for the twenty first century. Willson discusses how, whether through pastiche, parody, or pure pleasure, artists, artistes and indeed the spectators themselves can operate in excess of the restrictive images which saturate our visual culture. By referring to a wide spectrum of examples, including Sofia Coppola's Marie Antoinette, Matthew Barney, Dr Sketchy's, Audacity Chutzpah, Burly Q and Carnesky's Ghost Train, Being Gorgeous demonstrates how contemporary female performers embody, critique and thoroughly relish their own representation by inappropriately re-appropriating femininity.




Largesse


Book Description

In 1990 the Department of Graphic Arts at the Louvre made their holdings available to guest curators for a program called Parti Pris, or "Taking Sides". In this program, major cultural figures outside of the discipline of art history organized exhibitions based on the department's collection. Within its first several years, this novel collaboration produced exhibitions curated by philosopher Jacques Derrida and filmmaker Peter Greenaway. Jean Starobinski, noted literary critic and intellectual historian from the University of Geneva, was selected as the third curator in the program. In his exhibition and accompanying essay, Starobinski explores the theme of largesse in its broadest sense. Arguing that gift giving and receiving are fundamental human gestures, he examines graphic and textual representations from the offering of the apple to Eve to Salome's gift of the head of John the Baptist, from the giving of laws to the gift of death. Charity, the poetic gift, and the benefits of Fortune all play a role in Starobinski's extended meditation on the act of donation. Lavishly illustrated and dazzling in its scope and imagination, Largesse is an exemplar of the rich intellectual work that can result from crossing disciplinary boundaries and considering history as a dense network of themes and allusions.