Audre Lorde's Transnational Legacies


Book Description

Among the most influential and insightful thinkers of her generation, Audre Lorde (1934--1992) inspired readers and activists through her poetry, autobiography, essays, and her political action. Most scholars have situated her work within the context of the women's, gay and lesbian, and black civil rights movements within the United States. However, Lorde forged coalitions with women in Europe, the Caribbean, Canada, Australia, New Zealand, and Africa, and twenty years after her passing, these alliances remain largely undocumented and unexplored. Audre Lorde's Transnational Legacies is the first book to systematically document and thoroughly investigate Lorde's influence beyond the United States. Arranged in three thematically interrelated sections -- Archives, Connections, and Work -- the volume brings together scholarly essays, interviews, Lorde's unpublished speech about Europe, and personal reflections and testimonials from key figures throughout the world. Using a range of interdisciplinary approaches, contributors assess the reception, translation, and circulation of Lorde's writing and activism within different communities, audiences, and circles. They also shed new light on the work Lorde inspired across disciplinary borders. In addition the volume editors, contributors include Sarah Cefai, Cassandra Ellerbe-Dueck, Paul M. Farber, Tiffany N. Florvil, Katharina Gerund, Alexis Pauline Gumbs, Gloria Joseph, Jackie Kay, Marion Kraft, Christiana Lambrinidis, Zeedah Meierhofer-Mangeli, Rina Nissim, Chantal Oakes, Lester C. Olson, Pratibha Parmar, Peggy Piesche, Dagmar Schultz, Tamara Lea Spira, and Gloria Wekker.




A Wall of Our Own


Book Description

The Berlin Wall is arguably the most prominent symbol of the Cold War era. Its construction in 1961 and its dismantling in 1989 are broadly understood as pivotal moments in the history of the last century. In A Wall of Our Own, Paul M. Farber traces the Berlin Wall as a site of pilgrimage for American artists, writers, and activists. During the Cold War and in the shadow of the Wall, figures such as Leonard Freed, Angela Davis, Shinkichi Tajiri, and Audre Lorde weighed the possibilities and limits of American democracy. All were sparked by their first encounters with the Wall, incorporated their reflections in books and artworks directed toward the geopolitics of division in the United States, and considered divided Germany as a site of intersection between art and activism over the respective courses of their careers. Departing from the well-known stories of Americans seeking post–World War II Paris for their own self-imposed exile or traveling the open road of the domestic interstate highway system, Farber reveals the divided city of Berlin as another destination for Americans seeking a critical distance. By analyzing the experiences and cultural creations of "American Berliner" artists and activists, Farber offers a new way to view not only the Wall itself but also how the Cold War still structures our thinking about freedom, repression, and artistic resistance on a global scale.




Transnational Feminisms and Art’s Transhemispheric Histories


Book Description

In this second book of her trailblazing trilogy, Marsha Meskimmon proposes that decolonial, ecocritical, feminist art’s histories can unravel the anthropocentric legacies of Eurocentric universalism, to create transformative conversations between and across many and more-than-human worlds. Engaging with the ecologies and genealogies – worlds and stories – that constitute the plural knowledge projects of transnational feminisms and art’s transhemispheric histories, the book is written through two critical figurations: transcanons and trans-scalar ecologies. Materializing art’s histories as radical practices of disciplinary disobedience, the volume demonstrates how planetary feminisms can foster interdependent flourishing as they story pluriversal worlds, and world pluriversal stories, with art. This is essential reading for students and researchers in art history, theory and practice, visual culture studies, feminism and gender studies, environmental humanities and cultural geography. The Trilogy:Transnational Feminisms, Transversal Politics and Art: Entanglements and Intersections Transnational Feminisms and Art’s Transhemispheric Histories: Ecologies and Genealogies Transnational Feminisms and Posthuman Aesthetics: Resonance and Riffing Please see the first book in this series here.




Naming a Transnational Black Feminist Framework


Book Description

By writing Black feminist texts into the international relations (IR) canon and naming a common Black feminist praxis, this text charts a path toward a Transnational Black Feminist (TBF) Framework in IR, and outlines why a TBF Framework is a much needed intervention in the field. Situated at the intersection of IR and Black feminist theory and praxis, the book argues that a Black feminist tradition of engaging the international exists, has been neglected by mainstream IR, and can be written into the IR canon using the TBF Framework. Using research within the Black indigenous Garifuna community of Honduras, as well as the scholarship of feminists, especially Black feminist anthropologists working in Brazil, the author illustrates how five TBF guiding principles—intersectionality, solidarity, scholaractivism, attention to borders/boundaries, and radically transparent author positionality—offer a critical alternative for engaging IR studies. The text calls on IR scholars to engage Black feminist scholarship and praxis beyond the written page, through its living legacy. This interdisciplinary volume will be of interest to feminist scholars, international relations students, and grassroots activists. It will also appeal to students of related disciplines including anthropology, sociology, global studies, development studies, and area studies.




Gendering Knowledge in Africa and the African Diaspora


Book Description

Cover -- Title -- Copyright -- Dedication -- Contents -- List of illustrations -- Notes on contributors -- Preface -- Introduction: gendering knowledge in Africa and the African Diaspora -- PART I (Re- )writing gender in African and African Diaspora history -- 1 The Bantu Matrilineal Belt: reframing African women's history -- 2 REMAPping the African Diaspora: place, gender and negotiation in Arabian slavery -- 3 Communicating feminist ethics in the age of New Media in Africa -- PART II Gender, migration and identity -- 4 Transnational feminist solidarity, Black German women and the politics of belonging -- 5 Beyond disability: the Trans-Atlantic Slave Trade and female heroism in Manu Herbstein's Ama -- 6 Reverse migration of Africans in the Diaspora: foregrounding a woman's quest for her roots in Tess Akaeke Onwueme's Legacies -- PART III Gender, subjection and power -- 7 Queens in flight: Fela Kuti's Afrobeat Queens and the performance of "Black" feminist Diasporas -- 8 Women and tfu in Wimbum Community, Cameroon -- 9 Women's agency and peacebuilding in Nigeria's Jos crises -- 10 Contesting the notions of "thugs and welfare queens": combating Black derision and death -- 11 Culture of silence and gender development in Nigeria -- 12 Emasculation, social humiliation and psychological castration in Irene's More than Dancing -- Index




Unsettling the Bildungsroman


Book Description

Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examines the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde.




Rwandan Women Rising


Book Description

In the spring of 1994, the tiny African nation of Rwanda was ripped apart by a genocide that left nearly a million dead. Neighbors attacked neighbors. Family members turned against their own. After the violence subsided, Rwanda's women—drawn by the necessity of protecting their families—carved out unlikely new roles for themselves as visionary pioneers creating stability and reconciliation in genocide's wake. Today, 64 percent of the seats in Rwanda's elected house of Parliament are held by women, a number unrivaled by any other nation. While news of the Rwandan genocide reached all corners of the globe, the nation's recovery and the key role of women are less well known. In Rwandan Women Rising, Swanee Hunt shares the stories of some seventy women—heralded activists and unsung heroes alike—who overcame unfathomable brutality, unrecoverable loss, and unending challenges to rebuild Rwandan society. Hunt, who has worked with women leaders in sixty countries for over two decades, points out that Rwandan women did not seek the limelight or set out to build a movement; rather, they organized around common problems such as health care, housing, and poverty to serve the greater good. Their victories were usually in groups and wide ranging, addressing issues such as rape, equality in marriage, female entrepreneurship, reproductive rights, education for girls, and mental health. These women's accomplishments provide important lessons for policy makers and activists who are working toward equality elsewhere in Africa and other postconflict societies. Their stories, told in their own words via interviews woven throughout the book, demonstrate that the best way to reduce suffering and to prevent and end conflicts is to elevate the status of women throughout the world.




Contradictory Woolf


Book Description

Edited collection from acclaimed contemporary Woolf scholars, exploring the theme of contradiction in Virginia Woolf’s writing.




Gale Researcher Guide for: Audre Lorde, Gloria Anzaldúa, and New Feminist Visions


Book Description

Gale Researcher Guide for: Audre Lorde, Gloria Anzaldúa, and New Feminist Visions is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.




Skye Papers


Book Description

Twentysomething and restless, Skye flits between cities and stagnant relationships until she meets Scottie, a disarming and disheveled British traveler, and Pieces, an enigmatic artist living in New York. The three recognize each other as kindred spirits—Black, punk, whimsical, revolutionary—and fall in together, leading Skye on an unlikely adventure across the Atlantic. They live a glorious, subterranean existence in 1990s London: making multimedia art, throwing drug-fueled parties, and eking out a living by busking in Tube stations, until their existence is jeopardized by the rise of CCTV and policing. In fluid and unrelenting prose, Jamika Ajalon's debut novel explores youth, poetry, and what it means to come terms with queerness. Skye Papers is an imaginative, episodic group portrait of a transatlantic art scene spearheaded by people of color—and of the fraught, dystopian reality of increasing state surveillance.