Automotive Art Volume One


Book Description

Automotive Art Volume One is the first book by award winning Artist and Image Maker Bill Pack.People who love automobiles know, a car is never just a car. It's a vessel for story. A sense-memory of an era long past in leather and metal that begins with a designer's vision, and continues as the vehicle is imprinted with the narrative of its owner and its passage through time and terrain. "Painting with Light" offers car enthusiasts (and anyone who loves design) a way to capture the beauty, essence and sentiment of their favorite make, model or memory.Automotive Art Volume One is the exploration of Bill's unique style of lighting and design with rare and classic cars. The book has been designed to showcase the rich, black high-contrast images through the use of the 12"x12" square format that lends itself to wide dramatic images as they expand across the spread. The full-page crops accentuate each image's beauty, emotion, and detail.The pagination flow of single and double page images has been intentional to maintain the reader's interest while exploring the book. Bare white pages are used as a visual respite from the various spread images and also to highlight single-page images. White borders are interspersed in the layout to add a luxurious feel and more visual variety.The hardcover 172 page book is sewn-bound with an exposed spine that reflects and highlights the craftsmanship and stitching details of classic cars. This sewn binding allows the book to lay perfectly flat for the best viewing of the images and layout.Covers have a tactile quality with debossed detailing that adds to the luxurious lay flat handling experience. A limited quantity of books has a leather-wrapped slipcase that also features the debossed detailing matching the book's covers.




Afas


Book Description

"'A CELEBRATION OF AUTOMOTIVE ART' by Gerry Drunell: The Automotive Fine Arts Society and Automobile Quarterly have published the best automotive art book that's ever crossed my desk. Published to commemorate the 20th Anniversary of the AFAS annual art exhibition at the Pebble Beach Concours d'Elegance, Gerry Durnell and the staff of AQ spent eight months assembling and designing 'A Celebration of Automotive Art'. The result is a masterpiece that will become one of the most treasured books in your collection. You'll find yourself carefully removing this 316 page epic from its sturdy slipcase on a regular basis to treat yourself to some of the most beautiful images of classic and racing cars ever produced. Profiles of all 29 active artists of the AFAS are followed by a portfolio of their best work. Artists such as Bill Neale, Jay Koka, Peter Hearsey, Lawrence Braun, Ken Dallison, James Dietz, Charles Maher, Jack Juratovic, Dennis Hoyt are joined by past masters such as Walter Gotschke, John Burgess, Carlo Demand and Peter Helck."--website.




Out of Picture


Book Description

An anthology of illustrated short stories (graphic novels) by an international group of artists who have worked together at Blue Sky Studios at various times.




The Art of Sneakers


Book Description

A unique collection of works from 20 very different creative minds, THE ART OF SNEAKERS shines a light on the next-level creativity springing from the Jordan Generation. Sneaker culture is one of the most dynamic forces in the world. It courses through the zeitgeist via fashion, sports, music, and especially art. Creators operating in a wide range of mediums-from sculpture and graphic design to origami and food-have been inspired by footwear fandom. The Art of Sneakers(@theartofsneakers) shines a light on the next-level creativity springing from the Jordan generation and is a celebration of sneaker art and artists. One artist deconstructs the most sought-after, exclusive sneakers in the world and turns them into dizzyingly intricate masks. Another uses nothing more than pencil, paper, and an insane amount of patience to create stunning, photorealistic drawings of her favorite shoes. Yet another takes shoeboxes and cuts them into hundreds of pieces, shaping them into something like life-size cardboard taxidermy. With all the incredible offerings, thisbook brings together an unparalleled celebration of sneaker culture and the incredible art inspired by themovement. The Art of Sneakersis presented by snkrINC (@snkrinc)-a media brand representing global sneaker culture. A stunning work of art in and of itself, the coffee table collector's book is meant to serve as an inspiration for all artists, present and future, to make something beautiful from their passions.




The Automotive Art of Alan Fearnley


Book Description

Alan Fearnley is one of the world's foremost automotive artists. His paintings have won praise from critics and enthusiasts alike who appreciate his ability to create detailed and technically accurate scenes, infused with a tangible sense of atmosphere and emotion. This collection of more than 75 paintings and 60 drawings encompasses a variety of automotive subjects from the great Silver Arrows of the 1930s to the sports racers of the 1950s and modern Formula One. Each painting is accompanied by a commentary from the artist describing his inspiration and mode of working. Further insight into the art of Alan Fearnley is provided by the current owners of his works and comments from his subjects, including the legendary, Sir Stirling Moss. Alan Fearnley's paintings are full of atmosphere, technical skill, originality, and humor. This collection is a must for every fan of motor sports, classic cars, and automotive art!




The Arthur Rackham Art Book - Volume I


Book Description

This book forms part of a series, dedicated to the artwork of Arthur Rackham ­(1867 – 1939), one of the most celebrated artists of the British Golden Age of Illustration. Over his long and illustrious career, he contributed to over 150 books, magazines and periodicals, resulting in a vast array of original artworks. Whether producing whimsical children’s images or murkier, foreboding drawings for adults, Rackham’s unique style of illustration was (and still is) admired by countless collectors, critics and the general public. For the first time, this book brings together the entirety of Rackham’s stunning images, sourced from rare and original books, in order that the modern reader may fully appreciate his art. This first volume comprises of over 340 black and white and colour illustrations by Rackham from his works dating from 1896 – 1910, and includes images from The Zankiwank and the Bletherwitch (1896), Tales From Shakespeare (1899) Alice’s Adventures in Wonderland (1907), Grimm’s Tales (1909) and Wagner’s Ring Cycle (1910) – to name but a few. The book also contains a biography of Rackham’s personal, professional and artistic life, as well as an introduction to the fascinating ‘Golden Age’ period of illustration.




History of Art


Book Description

This classic book uses an exceptional art program, featuring impeccable accurate five-color illustrations, to introduce readers to the vast world of painting, sculpture, architecture, photography, and the minor arts. With its effectively written, balanced, and interesting narrative, this book presents art as a succession of styles--from Prehistory through the 20th century--and enlarges the readers' capacity to appreciate works of art individually. Written more than 40 years ago, this text has been constantly reworked to respond to the needs of this ever-changing field. A reference work suitable for those employed in all art media, including painters, sculptors, photographers, and architects.




Louis Vuitton: The Art of the Automobile


Book Description

"Such celebrations of automotive history and design are recalled here with magnificent photographs and previously unpublished documents, revealing the world of the automobile in all its glory."--BOOK JACKET.




Masters of Contemporary Fine Art


Book Description

"Masters of Contemporary Fine Art" is the first edition of an annual publication dedicated to the promotion and dissemination of high quality Contemporary Art. Painting, Sculpture, Drawing and Digital Art are the categories that we have chosen to publish in this art book. The vast range of expressive techniques and also the different styles in each category add value, depict fascinating rhythm and captivate diversity. The book is also a powerful tool for research, consultation or study for Artists, Collectors, Galleries, Art Dealers and Art Lovers.




Digital Art History


Book Description

This book looks at the transformation that Art and Art history is undergoing through engagement with the digital revolution. Since its initiation in 1985, CHArt (Computers and the History of Art) has set out to promote interaction between the rapidly developing new Information Technology and the study and practice of Art. It has become increasingly clear in recent years that this interaction has led, not just to the provision of new tools for the carrying out of existing practices, but to the evolution of unprecedented activities and modes of thought. This collection of papers represents the variety, innovation and richness of significant presentations made at the CHArt Conferences of 2001 and 2002. Some show new methods of teaching being employed, making clear in particular the huge advantages that IT can provide for engaging students in learning and interactive discussion. It also shows how much is to be gained from the flexibility of the digital image 'Äì or could be gained if the road block of copyright is finally overcome. Others look at the impact on collections and archives, showing exciting ways of using computers to make available information about collections and archives and to provide new accessibility to archives. The way such material can now be accessed via the internet has revolutionized the search methods of scholars, but it has also made information available to all. However the internet is not only about access. Some papers here show how it also offers the opportunity of exploring the structure of images and dealing with the fascinating possibilities offered by digitisation for visual analysis, searching and reconstruction. Another challenging aspect covered here are the possibilities offered by digital media for new art forms. One point that emerges is that digital art is not some discreet practice, separated from other art forms. It is rather an approach that can involve all manner of association with both other art practices and with other forms of presentation and enquiry, demonstrating that we are witnessing a revolution that affects all our activities and not one that simply leads to the establishment of a new discipline to set alongside others.