A French and English Dictionary, Composed by M. Randle Cotgrave: with Another in English and French. Whereunto are Added Sundry Animadversionis, with Supplements of Many Hundreds of Words Never Before Printed; with Accurate Castigations Throughout the Whole Work, and Distinctions of the Obsolete Words Fron Those that are Now in Use. Together with a Large Grammar, and a Dialogue Consisting of All Gallicismes, with Additions of the Most Useful and Significant Proverbs, with Other Refinements According to Cardinal Richelieu's Late Academy. For the Furtherance of Young Learners, and the Advantage of All Others that Endeavour to Arrive to the Most Exact Knowledge of the French Language, this Work is Exposed to Publick, by James Howell Esq; Inter Eruditos Cathedram Habeat Polyglottes


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Distant Voices Still Heard


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This book seeks to satisfy a pedagogical need. It is designed for the new graduate student in England and elsewhere, although it may profitably be used by the enterprising final year undergraduate. Its aim is to introduce the modern student to readings of French Renaissance literature, drawing on the perspectives of contemporary literary theories. The volume is organised by paired readings of five major sixteenth-century French writers, with interpretations covering, among others, structuralism, semiotics, feminism and psychoanalysis. Linking these interpretations is a constant interest in problems such as the role of the reader, the nature of the text and the question of gender. The Introduction contextualises the encounter between literary theory and Renaissance texts by using the contributions as pivotal points in the development of critical thinking about this period in early modern literature. All foreign language quotations are translated into English, and the book is intended to be of practical interest to a wide range of readers, from modern linguists to those studying critical theory, comparative literature or cultural history.




Rape and Writing in the Heptaméron of Marguerite de Navarre


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Marguerite de Navarre (1492–1549), the sister of the French king François I, composed the Heptaméron as a complex collection of seventy-two novellas, creating one of the first examples of realistic, psychological fiction in French literature. These novellas, framed by debates among ten storytellers, all noble lords and ladies, reveal the author’s desire to depart from the purely masculine voice of the age. Cholakian contends that this Renaissance text is characterized by feminine writing. She reads the text as the product of the author’s personal experience. Beginning her study with the rape narrative in the autobiographical novella 4, she examines how the Heptaméron interacts with male literary traditions and narrative conventions about gender relations. She analyzes such words as rape, and honor, noting how they are defined differently by men and women and how these differences in perception affect the development of both plot and character.




Autour du "Dictionarie of the French and English Tongues" de Randle Cotgrave (1


Book Description

Le Dictionarie of the French and English Tongues de Randle Cotgrave (1611), fort de ses 48000 entrées, constitue un chef-d'œuvre méconnu de la lexicographie bilingue français-anglais. En 2011, à l'occasion du 400e anniversaire du dictionnaire, un colloque international a été organisé autour de ce dictionnaire, rassemblant des spécialistes de plusieurs disciplines (linguistique, histoire des dictionnaires, histoire de l'alimentation, histoire des idées), dont ce volume présente les textes.




Encounters in the Arts, Literature, and Philosophy


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Encounters in the Arts, Literature, and Philosophy focuses on chance and scripted encounters as sites of tensions and alliances where new forms, ideas, meanings, interpretations, and theories can emerge. By moving beyond the realm of traditional hermeneutics, Jérôme Brillaud and Virginie Greene have compiled a volume that vitally illustrates how reading encounters represented in artefacts, texts, and films is a vibrant and dynamic mode of encountering and interpreting. With contributions from esteemed academics such as Christie McDonald, Pierre Saint-Amand, Susan Suleiman, and Jean-Jacques Nattiez, this book is a multidisciplinary collaboration between scholars from a range of disciplines including philosophy, literature, musicology, and film studies. It uses examples chiefly from French culture and covers the Early Modern era to the twentieth century, while providing a thorough and representative array of theoretical and hermeneutical approaches.