B: The Beginning Artworks


Book Description

We are proud to present this definitive art book of B the Beginning, a Japanese animation series produced by Production I.G and directed by Kazuto Nakazawa. Production I.G. is most notable for creating Anime series like Ghost in the Shell and Psycho-Path. B the Beginning was Nakazawa's first full-length animation series and season one started on March 2018 on Netflix. This book collects rare, never-before-seen production materials from B the Beginning, the first season, such as character model sheets, story boards, still images, rough background illustrations, and layout drawings, all of which will sure to be a treasure trove for hardcore fans. The text is translated into English but the original Japanese handwriting (instructions) remain on the layout and story boards.




B


Book Description

We are proud to present this definitive art book of B the Beginning, a Japanese animation series produced by Production I.G and directed by Kazuto Nakazawa. Production I.G. is most notable for creating Anime series like Ghost in the Shell and Psycho-Path. B the Beginning was Nakazawa’s first full-length animation series and season one started on March 2018 on Netflix. This dream collaboration between Production I.G., Kazuto Nakazawa, and Netflix was a big success and both Production I.G and Kazuto Nakazawa became hugely famous and established their brand internationally. This success boosted Production I.G. and Kazuto Nakazawa’s popularity in the international market and gained hardcore fans worldwide. This book collects rare, never-before-seen production materials from B the Beginning, the first season, such as character model sheets, storyboards, still images, rough background illustrations, and layout drawings, all of which will sure to be treasures trove for hardcore fans. The text is translated into English but the original Japanese handwriting (instructions) remains on the layout and storyboard. ・"Material Book" is the blueprint for creating an Anime. ・It is an instruction document shared with assistant animators by the director. The documents mainly consist from ・ "character model sheets", explains the features for each character. ・ "Rough background illustrations" & "layout drawings" explain how certain landscapes and scenes should be. ・"Storyboards", same with making movies this tells us how the scenes should be told. ・"Material Book" is the ultimate pass to the front-line of Anime production.




All the Beauty in the World


Book Description

"A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard"--




Wait, Later this Will be Nothing


Book Description

Catalog of an exhibition held Feb. 13-June 24, 2013.




Yana Toboso Artworks Black Butler 1


Book Description

In this first-ever full-color illustration collection by manga artist Yana Toboso, the New York Times bestselling manga series Black Butler comes to vivid life. Starting at the beginning of the tale of Earl Ciel Phantomhive and his inimitable butler, Sebastian, the collection focuses on the series through the immensely popular Circus Arc. In addition to these glorious color cuts are illustrations from her debut work, Rust Blaster, as well as promotional art from Black Butler and the artist's own tribute illustrations for other popular manga series. As anyone picking up this gorgeous beribboned hardcover tome will realise, black is a colour of many facets, indeed!




Introduction to Art: Design, Context, and Meaning


Book Description

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics




The Story of Art Without Men


Book Description

Instant New York Times bestseller The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the “readymade.” Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it’s never been told before.




Book from the Ground


Book Description

A book without words, recounting a day in the life of an office worker, told completely in the symbols, icons, and logos of modern life. Twenty years ago I made Book from the Sky, a book of illegible Chinese characters that no one could read. Now I have created Book from the Ground, a book that anyone can read. —Xu Bing Following his classic work Book from the Sky, the Chinese artist Xu Bing presents a new graphic novel—one composed entirely of symbols and icons that are universally understood. Xu Bing spent seven years gathering materials, experimenting, revising, and arranging thousands of pictograms to construct the narrative of Book from the Ground. The result is a readable story without words, an account of twenty-four hours in the life of “Mr. Black,” a typical urban white-collar worker. Our protagonist's day begins with wake-up calls from a nearby bird and his bedside alarm clock; it continues through tooth-brushing, coffee-making, TV-watching, and cat-feeding. He commutes to his job on the subway, works in his office, ponders various fast-food options for lunch, waits in line for the bathroom, daydreams, sends flowers, socializes after work, goes home, kills a mosquito, goes to bed, sleeps, and gets up the next morning to do it all over again. His day is recounted with meticulous and intimate detail, and reads like a postmodern, post-textual riff on James Joyce's account of Bloom's peregrinations in Ulysses. But Xu Bing's narrative, using an exclusively visual language, could be published anywhere, without translation or explication; anyone with experience in contemporary life—anyone who has internalized the icons and logos of modernity, from smiley faces to transit maps to menus—can understand it.




AP® Art History Crash Course Book + Online


Book Description

REA's Crash Course for the AP® Art History Exam - Gets You a Higher Advanced Placement® Score in Less Time 2nd Edition - Completely Revised for the New 2016 Exam Crash Course is perfect for the time-crunched student, the last-minute studier, or anyone who wants a refresher on the subject. Are you crunched for time? Have you started studying for your Advanced Placement® Art History exam yet? How will you memorize everything you need to know before the test? Do you wish there was a fast and easy way to study for the exam AND boost your score? If this sounds like you, don't panic. REA's Crash Course for AP® Art History is just what you need. Our Crash Course gives you: Targeted, Focused Review - Study Only What You Need to Know The Crash Course is based on an in-depth analysis of the new AP® Art History course description outline and actual AP® test questions. It covers only the information tested on the exam, so you can make the most of your valuable study time. Written by an AP® Art History teacher, the targeted review prepares students for the 2016 test by focusing on the new framework concepts and learning objectives tested on the redesigned AP® Art History exam. Easy-to-read review chapters in outline format cover all the artistic traditions students need to know, including Global Prehistory, Ancient Mediterranean, Europe and the Americas, Asia, Africa, and more. The book also features must-know Art History terms all AP® students should know before test day. Expert Test-taking Strategies Our experienced AP® Art History teacher shares detailed question-level strategies and explains the best way to answer the multiple-choice and free-response questions you'll encounter on test day. By following our expert tips and advice, you can boost your overall point score! FREE Practice Exam After studying the material in the Crash Course, go to the online REA Study Center and test what you've learned. Our free practice exam features timed testing, detailed explanations of answers, and automatic scoring analysis. The exam is balanced to include every topic and type of question found on the actual AP® exam, so you know you're studying the smart way. Whether you're cramming for the test at the last minute, looking for extra review, or want to study on your own in preparation for the exams - this is the study guide every AP® Art History student must have. When it's crucial crunch time and your Advanced Placement® exam is just around the corner, you need REA's Crash Course for AP® Art History!




Testing the Canon of Ancient Near Eastern Art and Archaeology


Book Description

Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.