Bad Girls of Japan


Book Description

Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? The authors in this volume propose shifts in our perceptions of bad girls by providing new ways to understand them through the case of Japan. By tracing the concept of the bad girl as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. Bad Girls of Japan explores deviancy in richly diverse media: mountain witches, murderers, performance artists, cartoonists, schoolgirls and shoppers gone wild are all part of the terrain.




Bad Girls


Book Description

Kim’s gang had better watch out! Tanya’s my friend now, and she’ll show them! Mandy has been picked on at school for as long as she can remember, so she is delighted when cheeky, full-of-fun Tanya befriends her. Mum isn’t happy – she thinks Tanya’s a “bad girl” and a bad influence. Is she or isn’t she?




Bad Youth


Book Description

"Bad Youth draws from official sources as well as press accounts, novels, songs, and films. Throughout, Ambaras demonstrates that juvenile protection remained contested terrain marked by complex negotiations among reformers, young people, and the adults in their lives, for whom the promises and perils of modernity could assume starkly different meanings."--BOOK JACKET.




The Bad Girl's Guide to Getting What You Want


Book Description

This hilarious follow-up to the wildly popular Bad Girl's Guide to the Open Road is the ultimate guide to getting itanything and everythingin Bad Girl style. Delayed gratification is a thing of the past with this inspired collection of tips and tricks for scoring love, fame, money, power, parking spaces, and other essentials. With sure-fire schemes for everything from free food and airline miles to insider lingo for paving pesky resume gaps, The Bad Girl's Guide to Getting What You Want shows how to fake it fabulously. But spin and strategy are just the beginningthe truth can be an even more wicked weapon. Learn the secrets of men's hair, the landlord's Achilles' heel, and the maitre d's darkest desires, and the dream date, great apartment, and best table are yours! Racy bad-girl confessions and edgy illustrations make this indispensable volume even dishier. Ethics are overratedit's the results that count! Pack this sassy package in your purse and knowing what you want is as good as getting it.




Tokyo Grindhouse


Book Description

Between 1970 and 1974, numerous Japanese film companies in particular Nikkatsu and Toei produced dozens of films in a new sub-genre which combined action, sex, violence and crime, and was dominated by ruthless and deadly delinquent females. This sub-genre, which Toei would eventually dominate and define, is now known as pinky violence. contains an extensive introductory history by Jack Hunter, as well as illustrated sections on all the main pinky violence series and one-offs. There are 140 rare images of film posters and publicity.




Girl Reading Girl in Japan


Book Description

Girl Reading Girl provides the first overview of the cultural significance of girls and reading in modern and contemporary Japan with emphasis on the processes involved when girls read about other girls. The collection examines the reading practices of real life girls from differing social backgrounds throughout the twentieth century while a number of chapters also consider how fictional girls read attention is given to the diverse cultural representations of the girl, or shôjo, who are the objects of the reading desires of Japan’s real life and fictional girls. These representations appear in various genres, including prose fiction, such as Yoshiya Nobuko’s Flower Stories and Takemoto Nobara’s Kamikaze Girls, and manga, such as Yoshida Akimi’s The Cherry Orchard. This volume presents the work of pioneering women scholars in the field of girl studies including translations of a ground-breaking essay by Honda Masuko on reading girls and Kawasaki Kenko’s response to prejudicial masculine critiques of best-selling novelist, Yoshimoto Banana. Other topics range from the reception of Anne of Green Gables in Japan to girls who write and read male homoerotic narratives.




Tokyo Cinegraphix Two


Book Description

Film poster art and design from Japan is renowned as being among the most striking and dynamic in the world, with kanji logograms adding an extra dimension of graphic integration for the Western eye. TOKYO CINEGRAPHIX is a new high-quality book series which aims to represent some of the very best film posters created in Japan, both for indigenous films and also for foreign imports. Each volume includes 100 full-colour, full-page reproductions. TOKYO CINEGRAPHIX TWO focuses solely on Japanese cinema, and its infamous "bad girl" or "pinky violence" blend of sex and crime - from murdered strippers to female assassins, yakuza molls, delinquent highschool girls, sword-wielding female gamblers, killer prostitutes, female prisoners, girl gangs and tattooed she-bikers.




Japan's Far More Female Future


Book Description

Through analysis of trends and policy options, combined with interviews with 21 female role models from business to the arts, Bill Emmott takes an optimistic look at how a society with an extreme level of gender inequality, an ageing population, and slow economic growth can achieve greater social justice and sustainable prosperity for the future.




Contemporary Japanese Women’s Theatre and Visual Arts


Book Description

This book traces the history of 'girls' aesthetics,' where adult Japanese women create art works about 'girls' that resist motherhood, from the modern to the contemporary period and their manifestation in Japanese women's theatrical and dance performance and visual arts including manga, film, and installation arts.




Sexual Abuse and Education in Japan


Book Description

Bringing together two voices, practice and theory, in a collaboration that emerges from lived experience and structured reflection upon that experience, O’Mochain and Ueno show how entrenched discursive forces exert immense influence in Japanese society and how they might be most effectively challenged. With a psychosocial framework that draws insights from feminism, sociology, international studies, and political psychology, the authors pinpoint the motivations of the nativist right and reflect on the change of conditions that is necessary to end cultures of impunity for perpetrators of sexual abuse in Japan. Evaluating the value of the #MeToo model of activism, the authors offer insights that will encourage victims to come out of the shadows, pursue justice, and help transform Japan’s sense of identity both at home and abroad. Ueno, a female Japanese educator and O’Mochain, a non-Japanese male academic, examine the nature of sexual abuse problems both in educational contexts and in society at large through the use of surveys, interviews, and engagement with an eclectic range of academic literature. They identify the groups within society who offer the least support for women who pursue justice against perpetrators of sexual abuse. They also ask if far-right ideological extremists are fixated with proving that so called “comfort women” are higaisha-buru or “fake victims.” Japan would have much to gain on the international stage were it to fully acknowledge historical crimes of sexual violence, yet it continues to refuse to do so. O’Mochain and Ueno shed light on this puzzling refusal through recourse to the concepts of ‘international status anxiety’ and ‘male hysteria.’ An insightful read for scholars of Japanese society, especially those concerned about its treatment of women.