Television and Radio in the United Kingdom
Author : Burton Paulu
Publisher : U of Minnesota Press
Page : 492 pages
File Size : 23,52 MB
Release : 1981
Category : Business & Economics
ISBN : 1452911819
Author : Burton Paulu
Publisher : U of Minnesota Press
Page : 492 pages
File Size : 23,52 MB
Release : 1981
Category : Business & Economics
ISBN : 1452911819
Author : Richard Haynes
Publisher : Springer
Page : 349 pages
File Size : 23,60 MB
Release : 2016-11-17
Category : History
ISBN : 1137455012
This book provides the first detailed account of the formative decades of BBC televised sport when it launched its flagship programmes Sportsview, Grandstand and Match of the Day. Based on extensive archival research in the BBC’s written archives and interviews with leading producers, editors and commentators of the period, it provides a ‘behind-the-scenes’ narrative history of this major institution of British cultural life. In 2016 the BBC celebrated the fiftieth anniversary of its television coverage of England’s World Cup victory. Their coverage produced one of the most oft-played moments in the history of television, Kenneth Wolstenholme’s famous line: ‘Some people are on the pitch, they think it’s all over ... it is now!’ as Geoff Hurst scored England’s fourth goal, securing England’s 4-2 victory. It was a landmark in English football as well as a watershed in the BBC’s highly professionalised approach to televised sport. How the BBC reached this peak of television expertise, and who was behind their success in developing the techniques of televised sport, is the focus of this book.
Author : Sue Harper
Publisher : OUP Oxford
Page : 436 pages
File Size : 11,25 MB
Release : 2003-09-11
Category : Performing Arts
ISBN : 0191541648
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Author : Peter Elfed Lewis
Publisher : London ; New York : Longman
Page : 296 pages
File Size : 46,28 MB
Release : 1981
Category : Drama
ISBN :
Author : Alban Webb
Publisher : A&C Black
Page : 259 pages
File Size : 43,81 MB
Release : 2014-06-19
Category : History
ISBN : 1472515021
From its inception in 1932, overseas broadcasting by the BBC quickly became an essential adjunct to British diplomatic and foreign policy objectives. For this reason, the World Service was considered the primary means of engaging with attitudes and opinions behind the Iron Curtain during the Cold War. Although funded by government Grant-in-Aid, the Service's editorial independence was enshrined in the BBC's Charter, Licence and Agreement. London Calling explores the delicate balance of power that lay in the relations between Whitehall and the World Service during the Cold War. This book also assesses the nature and impact of the World Service's programmes on listeners living in the Eastern bloc countries. In doing so, it traces the evolution of overseas broadcasting from Britain alongside the political, diplomatic and fiscal challenges that the country faced right up to the Suez crisis and the 1956 Hungarian uprising. These were defining experiences for the United Kingdom's international broadcaster that, as a consequence, helped shape and define the BBC World Service as we know it today. London Calling is an important study for anyone interested in the media and foreign policy histories of Great Britain or the history of the Cold War more generally. Winner of the Longman History Today Book of the Year Award 2015
Author : M. Moore
Publisher : Springer
Page : 289 pages
File Size : 39,49 MB
Release : 2006-10-31
Category : Social Science
ISBN : 0230625541
Virtually every government communication in a modern democracy is formulated and evaluated in the context of spin. Based on original, archival research, this book explodes the notion that information management is a recent phenomenon.
Author : Burton Paulu
Publisher : U of Minnesota Press
Page : 471 pages
File Size : 19,43 MB
Release : 1956
Category : Radio broadcasting
ISBN : 1452909547
Author : United States. Office of Education
Publisher :
Page : 794 pages
File Size : 50,10 MB
Release : 1952
Category : Education
ISBN :
Author : British Information Services
Publisher :
Page : 36 pages
File Size : 36,12 MB
Release : 1956
Category : Art and state
ISBN :
Author : Lance Pettitt
Publisher : Syracuse University Press
Page : 360 pages
File Size : 41,35 MB
Release : 2023-06-12
Category : Performing Arts
ISBN : 0815655304
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.