Book Auction Records


Book Description

A priced and annotated annual record of international book auctions.







ABHB Annual Bibliography of the History of the Printed Book and Libraries


Book Description

The history of printing, books, and libraries, is confined only to a limited extent within the boundaries of individual countries. There are, indeed, few historical developments which have played a more universal role, in reaction against all kinds of particularism, than type design, printing, book production, publishing, illustration, binding, librarianship, journal ism, and related subjects. Their history should be assessed and studied primarily in an international, not in a local, context. The bibliographical resources, however, which the historian of these sub jects has at his disposal correspond hardly at all to the essentially inter national character of the object of his studies. Since the appearance of the retrospective bibliography of BIG MORE and WYMAN, covering the subject comprehensively up to r88o, the only current bibliography has been the lnternationale Bibliographie des Buck-und Bi bliothekswesens. Covering a representative part of newly published liter ature, it appeared from rgz8, but did not survive the Second World War. More recently, several useful, but limited, bibliographies have appeared.




Catalogue


Book Description







Catalogue


Book Description




Jews in an Illusion of Paradise


Book Description

These further six chapters of Jews in an Illusion of Paradise now focus on individual exemplary figures and clusters of poets, dramatists, critics, journalists, art historians—Jews whose achievements were once celebrated, but now are almost all but forgotten, not because of changes in aesthetic taste or style but because of social, political and other ideological issues. The book continues to examine the clash between their conscious and unconscious self-presentation as Jews in a culture that wilfully or inadvertently misunderstood or rejected this aspect of “otherness” the men and women represented from the mid-nineteenth to the mid-twentieth centuries. Whereas the first volume concentrated on the themes, images and rhetorical motifs of this awkward status of Jewish intellectuals and artists, here the ambiguous personalities and repressed anxieties of the exemplary figures are stressed. For millennia, Jews were considered outside of normal history, passive victims of persecution; then suddenly, with Emancipation, they fell into history and out of their mythical place in the scheme of things. Everything seemed to crumble into dust and ashes.