Art and Auctions
Author :
Publisher :
Page : 312 pages
File Size : 18,94 MB
Release : 1969
Category : Art
ISBN :
Author :
Publisher :
Page : 312 pages
File Size : 18,94 MB
Release : 1969
Category : Art
ISBN :
Author : Gillian Wilson
Publisher : Getty Publications
Page : 721 pages
File Size : 18,91 MB
Release : 2021-03-30
Category : Design
ISBN : 1606066323
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author :
Publisher : Macmillan Reference USA
Page : 632 pages
File Size : 25,38 MB
Release : 1987
Category : Antiques & Collectibles
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1062 pages
File Size : 42,46 MB
Release : 1960
Category : Art
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.). Library
Publisher :
Page : 1060 pages
File Size : 24,29 MB
Release : 1960
Category : Art
ISBN :
Author :
Publisher :
Page : 664 pages
File Size : 35,55 MB
Release : 1937
Category : Art
ISBN :
The magazine of the arts for connoisseurs and collectors.
Author : Johns Hopkins University. Peabody Institute. Library
Publisher :
Page : 842 pages
File Size : 35,63 MB
Release : 1898
Category : Catalogs, Dictionary
ISBN :
Author : Carter E. Foster
Publisher : Hudson Hills
Page : 170 pages
File Size : 26,29 MB
Release : 2001
Category : Art
ISBN : 9780940717671
Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Author : Detroit Institute of Arts
Publisher :
Page : 280 pages
File Size : 15,32 MB
Release : 1996
Category : Art
ISBN :
Anna Thomson Dodge, heiress to the automotive fortune, built a great home and decorated it with one of the finest groups of 18th-century French decorative arts in America. Here are more than 130 pieces of furniture, sculpture, metalwork, tapestries, Sevres porcelain, and paintings, many from royal collections.
Author : Caroline Weber
Publisher : Vintage
Page : 754 pages
File Size : 42,56 MB
Release : 2019-11-26
Category : History
ISBN : 0345803124
From the author of the acclaimed Queen of Fashion--a brilliant look at the glittering world of turn-of-the-century Paris through the first in-depth study of the three women Proust used to create his supreme fictional character, the Duchesse de Guermantes. Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style." All well but unhappily married, these women sought freedom and fulfillment by reinventing themselves, between the 1870s and 1890s, as icons. At their fabled salons, they inspired the creativity of several generations of writers, visual artists, composers, designers, and journalists. Against a rich historical backdrop, Weber takes the reader into these women's daily lives of masked balls, hunts, dinners, court visits, nights at the opera or theater. But we see as well the loneliness, rigid social rules, and loveless, arranged marriages that constricted these women's lives. Proust, as a twenty-year-old law student in 1892, would worship them from afar, and later meet them and create his celebrated composite character for The Remembrance of Things Past.