Beclouded Visions


Book Description

The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.




Beclouded Visions


Book Description

The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.




Visions


Book Description







Visions Beyond the Veil


Book Description

The Bakers started Adullam Rescue Mission for street children in Yunnan Province, China. The children in the home, mostly boys aged from six to eighteen, had a revival during which they had visions of heaven, Paradise, angels, and even hell. The children also had visions of the Antichrist, the Rapture, Resurrection, and Day of Judgment. Baker worked for years with little fruit and he almost gave up, until the Holy Spirit came with power, but he never put the spiritual above the Word and searched the Scriptures to make sure what was happening agreed with the Bible. This is reflected in his books as he includes Scripture references in most chapters.







Visions & The Supernatural


Book Description

The material in this book is comprised of several different short stories based on true events of a chilling reality of the beyond and is filled with the depth of anticipation, as the horrors of one's imagination befriends the anatomy of the spiritual, challenging the heart of the intellect, while pushing many far beyond the borders of their comfort, where the urgency of rationale becomes heartily sought after. But as the informing minds continues to fish for answers, a reasonable solution to our curiosities remains to be a challenge to reason.




Art from a Fractured Past


Book Description

Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, and truth that resonate throughout Latin America in the wake of "dirty wars" of the last half century. Exploring diverse works of art, including memorials, drawings, theater, film, songs, painted wooden retablos (three-dimensional boxes), and fiction, including an acclaimed graphic novel, the contributors show that art, not constrained by literal truth, can generate new opportunities for empathetic understanding and solidarity. Contributors. Ricardo Caro Cárdenas, Jesús Cossio, Ponciano del Pino, Cynthia M. Garza, Edilberto Jímenez Quispe, Cynthia E. Milton, Jonathan Ritter, Luis Rossell, Steve J. Stern, María Eugenia Ulfe, Víctor Vich, Alfredo Villar




Visions and Phophecies


Book Description




Visions


Book Description