Bella's Devil Doc


Book Description

Bella Matthews comes into the County Emergency room looking to get a nasty cut on her hand treated and leave, not to fall in love. She is a woman who is tired of doctors who either focus on her weight or ignoring the underlying reasons as why she has come to the doctor. When she meets a doctor who listens to her and treats her like a person. Doctor Daniel Walker isn't your typical doctor. He doesn't like to see patients waiting in his emergency room for a doctor to see them. When he sees Bella sitting in the patient room, her beauty sweeps him away. He figures that she's just a patient whom he won't see again. When they run into each other in a bar, Daniel proves just how different a doctor he is. Sparks fly and Bella proves to Daniel how unlike his usual flings she is. Will their relationship survive everything life throws at them?




Bella's Devil Doc


Book Description

Bella Matthews comes into the County Emergency room looking to get a nasty cut on her hand treated and leave, not to fall in love. She is a woman who is tired of doctors who either focus on her weight or ignoring the underlying reasons as why she has come to the doctor. When she meets a doctor who listens to her and treats her like a person. Doctor Daniel Walker isn't your typical doctor. He doesn't like to see patients waiting in his emergency room for a doctor to see them. When he sees Bella sitting in the patient room, her beauty sweeps him away. He figures that she's just a patient whom he won't see again. When they run into each other in a bar, Daniel proves just how different a doctor he is. Sparks fly and Bella proves to Daniel how unlike his usual flings she is. Will their relationship survive everything life throws at them?




The Oxford Handbook of Children's Musical Cultures


Book Description

The Oxford Handbook of Children's Musical Cultures is a compendium of perspectives on children and their musical engagements as singers, dancers, players, and avid listeners. Over the course of 35 chapters, contributors from around the world provide an interdisciplinary enquiry into the musical lives of children in a variety of cultures, and their role as both preservers and innovators of music. Drawing on a wide array of fields from ethnomusicology and folklore to education and developmental psychology, the chapters presented in this handbook provide windows into the musical enculturation, education, and training of children, and the ways in which they learn, express, invent, and preserve music. Offering an understanding of the nature, structures, and styles of music preferred and used by children from toddlerhood through childhood and into adolescence, The Oxford Handbook of Children's Musical Cultures is an important step forward in the study of children and music.




The Devil’s Dictionary


Book Description

“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.




School of Darkness


Book Description




White Devil


Book Description

The amazing true story of the only white man to rise to the top of the Chinese mafia. In August 2013, "Bac Guai" John Willis, also known as the "White Devil" because of his notorious ferocity, was sentenced to 20 years for drug trafficking and money laundering. Willis, according to prosecutors, was "the kingpin, organizer and leader of a vast conspiracy," all within the legendarily insular and vicious Chinese mafia. It started when John Willis was 16 years old . . . his life seemed hopeless. His father had abandoned his family years earlier, his older brother had just died of a heart attack, and his mother was dying. John was alone, sleeping on the floor of his deceased brother's home. Desperate, John reached out to Woping, a young Chinese man Willis had rescued from a bar fight weeks before. Woping literally picks him up off the street, taking him home to live among his own brothers and sisters. Soon, Willis is accompanying Woping to meet his Chinese mobster friends, and starts working for them. Journalist Bob Halloran tells the tale of John Willis, aka White Devil, the only white man to ever rise through the ranks in the Chinese mafia. Willis began as an enforcer, riding around with other gang members to "encourage" people to pay their debts. He soon graduated to even more dangerous work as a full-fledged gang member, barely escaping with his life on several occasions. As a white man navigating an otherwise exclusively Asian world, Willis was at first an interesting anomaly, but his ruthless devotion to his adopted culture eventually led to him emerging as a leader. He organized his own gang of co-conspirators and began an extremely lucrative criminal venture selling tens of thousands of oxycodone pills. A year-long FBI investigation brought him down, and John pleaded guilty to save the love of his life from prosecution. He has no regrets. White Devil explores the workings of the Chinese mafia, and he speaks frankly about his relationships with other gang members, the crimes he committed, and why he'll never rat out any of his brothers to the cops. Told to Halloran from Willis's prison cell, White Devil is a shocking portrait of a man who was allowed access into a secret world, and who is paying the price for his hardened life.










The Devil You Know


Book Description

INSTANT NEW YORK TIMES BESTSELLER A New York Times Editor’s Choice | A Kirkus Best Nonfiction Book of the Year The Inspiration for the HBO Original Documentary South to Black Power From journalist and New York Times bestselling author Charles Blow comes a powerful manifesto and call to action, "a must-read in the effort to dismantle deep-seated poisons of systemic racism and white supremacy" (San Francisco Chronicle). Race, as we have come to understand it, is a fiction; but, racism, as we have come to live it, is a fact. The point here is not to impose a new racial hierarchy, but to remove an existing one. After centuries of waiting for white majorities to overturn white supremacy, it seems to me that it has fallen to Black people to do it themselves. Acclaimed columnist and author Charles Blow never wanted to write a “race book.” But as violence against Black people—both physical and psychological—seemed only to increase in recent years, culminating in the historic pandemic and protests of the summer of 2020, he felt compelled to write a new story for Black Americans. He envisioned a succinct, counterintuitive, and impassioned corrective to the myths that have for too long governed our thinking about race and geography in America. Drawing on both political observations and personal experience as a Black son of the South, Charles set out to offer a call to action by which Black people can finally achieve equality, on their own terms. So what will it take to make lasting change when small steps have so frequently failed? It’s going to take an unprecedented shift in power. The Devil You Know is a groundbreaking manifesto, proposing nothing short of the most audacious power play by Black people in the history of this country. This book is a grand exhortation to generations of a people, offering a road map to true and lasting freedom.




Magic Realism


Book Description

Since the 1930s, Latin American writers have used magic realism to transcend the limits of the fantastic and illuminate social problems within the culture. The author considers five modern Latin American novels. Starting with two canonical texts of magic realism, Alejo Carpentier's El reino de este mundo (1949) and Garcia Marquez's Cien a-os de soledad (1967), the author argues that Los Sangurimas (1934), by the Ecuadorian Jos de la Cuadra, is a seminal work due to de la Cuadra's new approach to reality and his use of marvelous and hyperbolic elements. The author shows the continuation of this example in Ecuador in Demetrio Aguilera-Malta's Siete lunas y siete serpientes (1970) and Alicia Y nez Coss'o's Bruna, soroche y los tios (1972), which elucidate social problems of race, class, and gender through use of magic realism. In selecting for her study well-known writers such as Carpentier, Garcia Marquez, and others, less well-known such as de la Cuadra, Aguilera-Malta and Y nez Coss'o, the author demonstrates that both canonical and noncanonical writers for many years have been working on this new way of writing to interpret in fiction the highly complex Latin American reality.