Ben Hadden


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Reproduction of the original: Ben Hadden by W.H.G Kingston




Ben Hadden, or, Do Right Whatever Comes of It


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On the east coast of England, there is a small hamlet surrounded by high sand-hills, with scarcely a blade of grass or even a low shrub to be seen in its neighbourhood. The only vegetable productions, indeed, which can flourish in that light soil, are the pale green rushes, whose roots serve to bind the sand together, and to prevent the high easterly winds, so constantly blowing on that coast, affecting it as much as they would otherwise do. Even in spite of the opposition of the rushes, several deserted huts have been almost entirely covered up by the drifting sand. See Note 1. The population of the village consists of seafaring people and their families. The men form the crews of the numerous vessels employed in the herring fisheries which belong to the various fishing-places on the coast. Nowhere along the shores of England are finer sea-boats or more hardy crews to be found. Most of the herring vessels are luggers, from thirty to forty tons burden, and entirely decked over. Each carries from eight to ten men. They are divided below into compartments, or tanks: in one compartment, salt is stowed; into another, the herrings, as soon as caught, are thrown; in a third they are salted, and are then packed away in lockers, on either side of the vessel, till she is full. She is then steered for the shore to the point nearest to a railway, or where there is a market. Each vessel has several long nets: the upper part of the net floats close to the surface of the water, buoyed up by bladders; the lower part is kept down by small bits of lead, and one end is moored to the bottom by a heavy weight. The fish, as they swim in large shoals, strike against the net as against a wall, and are caught in the meshes. Herring fishing is carried on at night, when the fish cannot see the nets. When a vessel or boat has cast out her nets, she hangs on to the lee (See note 2) end of them till the morning.




Little Ben Hadden


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Timescanner


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In this awkwardly-paced thriller the future has gone amuck. A Christian group terrorizes the west. Boy Scouts are listed as a subversive hate group. Whooping cranes come back with a vengeance and are eating the Ridley turtles. The poles shift and the North Pole ends up in Libya. U.S. capitalists seek political asylum in Russia. Most Americans are in a stupor from their implanted entertainment systems/GPS locators. NASA mistakenly uses centimetres instead of astronomical units in a major space program. Some outlaw Linton clones accidentally knock a hole in the fabric of time and space. Finally a war breaks out between computers that completely gridlocks all electronic communication. Rapture comes but the massive amount of electronic noise interferes with the transmission so that most people are missed on the first try. What the future holds is unsettling and perhaps dangerously familiar! But in spite of all this, we still have the right to life, liberty and to file suit for unhappiness.




Ben Hadden


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Joseph Conrad and the Imperial Romance


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Linda Dryden places Almayer's Folly, An Outcast of the Islands , 'Karain', and Lord Jim in the context of the nineteenth-century imperial romance. Through the thwarted dreams and aspirations of his central characters she argues that Conrad exposes the empty promises of such fiction and challenges assumptions about the superiority of European imperialists and the imperial venture itself. Using illustrations from and references to many well-known novels of Empire, Dryden demonstrates how Conrad's Malay fiction alludes to the conventions and stereotypes of popular imperial fiction.




Victorian Coral Islands of Empire, Mission, and the Boys’ Adventure Novel


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Attending to the mid-Victorian boys’ adventure novel and its connections with missionary culture, Michelle Elleray investigates how empire was conveyed to Victorian children in popular forms, with a focus on the South Pacific as a key location of adventure tales and missionary efforts. The volume draws on an evangelical narrative about the formation of coral islands to demonstrate that missionary investments in the socially marginal (the young, the working class, the racial other) generated new forms of agency that are legible in the mid-Victorian boys’ adventure novel, even as that agency was subordinated to Christian values identified with the British middle class. Situating novels by Frederick Marryat, R. M. Ballantyne and W. H. G. Kingston in the periodical culture of the missionary enterprise, this volume newly historicizes British children’s textual interactions with the South Pacific and its peoples. Although the mid-Victorian authors examined here portray British presence in imperial spaces as a moral imperative, our understanding of the "adventurer" is transformed from the plucky explorer to the cynical mercenary through Robert Louis Stevenson, who provides a late-nineteenth-century critique of the imperial and missionary assumptions that subtended the mid-Victorian boys’ adventure novel of his youth.







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