Ben Jonson and Self-love


Book Description

Despite an inauspicious origin as the adopted son of a London bricklayer and such misadventures as imprisonment for murder, Ben Jonson rose to prominence in England's literary scene at the beginning of the 17th century. Even in an age of versatile literary figures, Jonson's life as actor, playwright, poet, critic, translator and scholar was a remarkable one.




Cynthia ́s Revels


Book Description

Reproduction of the original: Cynthia ́s Revels by Ben Jonson




Cynthia's Revels; Or, The Fountain of Self-Love


Book Description

"Cynthia's Revels; Or, The Fountain of Self-Love" by Ben Jonson In the play, the goddess, Cynthia, has ordained a "solemn revels" in the valley of Gargaphie in Greece. The gods Cupid and Mercury appear, and they too start to argue. Mercury has awakened Echo, who weeps for Narcissus, and states that a drink from Narcissus's spring causes the drinkers to "Grow dotingly enamored of themselves." Asotus, a foolish spendthrift who longs to become a courtier and a master of fashion and manners, also drinks from the spring; emboldened by vanity and self-love, he challenges all comers to a competition of "court compliment." The competition is held, in four phases, and the courtiers are beaten.




The Ben Jonson Encyclopedia


Book Description

Friend and rival of Shakespeare, Ben Jonson was one of the most learned and interesting men of his age. Throughout his fascinating life, he served not only as a bricklayer but also a soldier, an adventurer, an actor, a poet, and a playwright. The breadth of his experiences, acquaintances, friends, and enemies was legendary, and his literary canon is equally as diverse. The Ben Jonson Encyclopedia covers in detail the works, life, and times of this seminal figure of the English Renaissance. The cross-referenced entries include summaries of all Jonson’s plays, masques, and entertainments, as well as sketches of Jonson’s friends, enemies, patrons, disciples, actors, and fellow writers. In addition, the book identifies historical figures, mythological characters, and classical authors, as well as Jonson’s contemporaries and London place names mentioned in the works. Individuals who danced or participated in the masques and entertainments or tournaments for which Jonson wrote speeches are noted, as are the main actors known to have acted in the plays. All major scholars—from Jonson’s own day until the twenty-first century—who have commented on Jonson or his works are also included. An extensive bibliography completes this invaluable scholarly reference tool. Because of Jonson’s centrality to—and influence in and beyond—his age, this encyclopedia provides a dynamic, unparalleled vision of the English Renaissance literary scene. Capturing the depth and breadth of Jonson’s understanding of early Modern England, The Ben Jonson Encyclopedia will be especially useful for students, librarians, and academics interested in the literary and cultural scene from 1500 to 1650.




The Complete Critical Guide to Ben Jonson


Book Description

This volume offers the broadest range of information on Jonson and his works, from background on contexts to details of recent interpretations of his plays.




Ben Jonson


Book Description

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.










Renaissance psychologies


Book Description

A thorough and scholarly study of Spenser and Shakespeare and their contrary artistry, covering themes of theology, psychology, the depictions of passion and intellect, moral counsel, family hierarchy, self-love, temptation, folly, allegory, female heroism, the supernatural and much more. Renaissance psychologies examines the distinct and polarised emphasis of these two towering intellects and writers of the early modern period. It demonstrates how pervasive was the influence of Spenser on Shakespeare, as in the "playful metamorphosis of Gloriana into Titania" in A Midsummer Night's Dream and its return from Spenser's moralizing allegory to the Ovidian spirit of Shakespeare's comedy. It will appeal to students and lecturers in Spenser studies, Renaissance poetry and the wider fields of British literature, social and cultural history, ethics and theology.




Ben Jonson and the Art of Secrecy


Book Description

Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays. Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His Fall; Volpone, or the Fox; Epicoene, or the Silent Woman; The Alchemist; Catiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays. Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England. Equally rejecting the position that Jonson was a renegade subverter of the arcana imperii and that he was a thorough-going court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.