Korean Art from the 19th Century to the Present


Book Description

Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.




Armoured Warfare in the Korean War


Book Description

After the Second World War, military analysts thought that the only place significant armored forces were ever likely to confront each other again was in central Europe where the Nato alliance would fend off the Soviet Red Army. Then during the Korean War of 1950-53 both sides deployed large numbers of armored fighting vehicles, and this neglected aspect of the conflict is the subject of Anthony Tucker-Jones s photographic history. Korea, with its rugged mountains, narrow passes, steep valleys and waterlogged fields was not ideal tank country so the armor mainly supported the infantry and rarely engaged in battles of maneuver. Yet the wide variety of armor supporting UN and North Korean forces played a vital if unorthodox role in the swiftly moving campaigns. For this fascinating book over 180 contemporary photographs have been selected to show Soviet-built T-34/85s and Su-76s, American M4 Shermans, M26 Pershings and M46 Pattons, and British Cromwells and Centurions in action in one of the defining conflicts of the Cold War."




See You Again in Pyongyang


Book Description

A "close-up look at the cloistered country" (USA Today), See You Again in Pyongyang is American writer Travis Jeppesen's "probing" and "artful" (New York Times Book Review) chronicle of his travels in North Korea--an eye-opening portrait that goes behind the headlines about Trump and Kim, revealing North Koreans' "entrepreneurial spirit, and hidden love of foreign media, as well as their dreams and fears" (Los Angeles Times). In See You Again in Pyongyang, Travis Jeppesen, the first American to complete a university program in North Korea, culls from his experiences living, traveling, and studying in the country to create a multifaceted portrait of the country and its idiosyncratic capital city in the Kim Jong Un Era. Anchored by the experience of his five trips to North Korea and his interactions with citizens from all walks of life, Jeppesen takes readers behind the propaganda, showing how the North Korean system actually works in daily life. He challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture. With unique personal insight and a rigorous historical grounding, Jeppesen goes beyond the media cliches, showing North Koreans in their full complexity. See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating and mysterious places.




Cross-border Interactions and Encounters between Germany and Korea


Book Description

Cross-Border Interactions and Encounters between Germany and Korea undertakes an interdisciplinary, comprehensive exploration of the multifaceted dimensions of Korea and Germany’s relationships. Offering fresh perspectives and insights into the development and transformations of these cross-border interactions, this book comes as a welcome examination of a relatively underrepresented research area.




Contemporary Korean Art


Book Description

A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. In this full-color, richly illustrated account--the first of its kind in English--Joan Kee provides a fresh interpretation of the movement's emergence and meaning that sheds new light on the history of abstraction, twentieth-century Asian art, and contemporary art in general.




The Real North Korea


Book Description

In The Real North Korea, Lankov substitutes cold, clear analysis for the overheated rhetoric surrounding this opaque police state. Based on vast expertise, this book reveals how average North Koreans live, how their leaders rule, and how both survive




The Journal of Korean Studies, Volume 21, Number 2 (Fall 2016)


Book Description

The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies.




The Interrogation Rooms of the Korean War


Book Description

Traditional histories of the Korean War have long focused on violations of the thirty-eighth parallel, the line drawn by American and Soviet officials in 1945 dividing the Korean peninsula. But The interrogation rooms of the Korean War presents an entirely new narrative, shifting the perspective from the boundaries of the battlefield to inside the interrogation room. Upending conventional notions of what we think of as geographies of military conflict, Monica Kim demonstrates how the Korean War evolved from a fight over territory to one over human interiority and the individual human subject, forging the template for the U.S. wars of intervention that would predominate during the latter half of the twentieth century and beyond. Kim looks at how, during the armistice negotiations, the United States and their allies proposed a new kind of interrogation room: one in which POWs could exercise their "free will" and choose which country they would go to after the ceasefire. The global controversy that erupted exposed how interrogation rooms had become a flashpoint for the struggles between the ambitions of empire and the demands for decolonization, as the aim of interrogation was to produce subjects who attested to a nation's right to govern. The complex web of interrogators and prisoners -- Japanese-American interrogators, Indian military personnel, Korean POWs and interrogators, and American POWs -- that Kim uncovers contradicts the simple story in U.S. popular memory of "brainwashing" during the Korean War




Contemporary Korean Photography


Book Description

"In recent years, a generation of photographers from South Korea who can justifiably be referred to as pioneers has caused quite a sensation on the global photo scene. Since the late 1980s, the visual arts in South Korea have quantitatively expanded against the background of rapid economic growth. The seventy-seven photographic artists selected in this project observe and interpret social and cultural changes in Korea from their own perspectives. Korea is expressed through intense portraits, beautiful sceneries, strategic cityscapes, records of daily life, and digitally reconstructed time and space. It is marked by a fascinating variety that has been captured in the volume 'Contemporary Korean photography': the meditative black-and-white nature studies by Bien-U BAE contrast strongly with the pseudo-American plastic world of Sungsoo KOO; the psychologizing, intense portraits by Soonchoel BYUN respond to Sanghyun LEE and his garish, ironizing quotes of Korean history"--Publisher.