Best Plays of the Modern American Theatre
Author : John Gassner
Publisher :
Page : 774 pages
File Size : 31,18 MB
Release : 1955
Category :
ISBN :
Author : John Gassner
Publisher :
Page : 774 pages
File Size : 31,18 MB
Release : 1955
Category :
ISBN :
Author : Jeffrey Sweet
Publisher : Yale University Press
Page : 336 pages
File Size : 14,10 MB
Release : 2014-05-27
Category : Performing Arts
ISBN : 0300195575
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
Author : David Adjmi
Publisher : Bloomsbury Publishing
Page : 526 pages
File Size : 11,36 MB
Release : 2013-03-28
Category : Drama
ISBN : 1472503430
The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.
Author : August Wilson
Publisher : Theatre Communications Grou
Page : 54 pages
File Size : 35,66 MB
Release : 2001
Category : Biography & Autobiography
ISBN : 9781559361873
August Wilson's radical and provocative call to arms.
Author : Julia A. Walker
Publisher : Cambridge University Press
Page : 314 pages
File Size : 18,76 MB
Release : 2005-06-30
Category : Drama
ISBN : 1139446274
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
Author :
Publisher :
Page : 616 pages
File Size : 25,11 MB
Release : 1971
Category : American drama
ISBN :
Author : C. W. E. Bigsby
Publisher : Cambridge University Press
Page : 476 pages
File Size : 19,41 MB
Release : 2000-12-21
Category : Drama
ISBN : 9780521794107
New edition of Modern American Drama completes the survey and comes up to 2000.
Author : Stephanie Coen
Publisher :
Page : 200 pages
File Size : 39,42 MB
Release : 2003
Category : Drama
ISBN :
Audition monologues selected from plays first published in American theatre magazine since 1985.
Author :
Publisher :
Page : 818 pages
File Size : 14,1 MB
Release : 1947
Category : American drama
ISBN :
Author : Anton Chekhov
Publisher : Dell
Page : 514 pages
File Size : 38,23 MB
Release : 1956-02-15
Category : Drama
ISBN : 0440379849
Here are six plays that stand as landmarks of the modern drama: Chekhov’s THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben’s THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw’s MRS. WARREN’S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O’Casey’s RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland—and in man. Williams’s THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller’s ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays “modern.” But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless.