Bhatkhande's Contribution to Music


Book Description

On the work of Vishnu Narayan Bhatkhande, 1860-1936, exponent of Hindustani music.




Sitar Compositions in Ome Swarlipi


Book Description

For practitioners and enthusiasts of Indian Classical Music, compositions for string instruments - Sitar, Sarod and Vichitra Veena - are hard to find. For the first time, 8 raga-s have been documented and presented in an easy to read and play notation system: Ome Swarlipi. A treasure trove of compositions, tana-s and toda-s for raga-s such as Yaman, Des, Khamaja, Bihaga, and Kafi, this book brings Misrabani style, one especially suited to string instruments, to the English-speaking world in a universal script which address the limitations of traditional Indian music notation systems.




The Music of India


Book Description

The Classical Music Of The India-Pakistan-Bangladesh Subcontinent Is One Of The New Ancient Art Forms Still Widely Practised Today. In Recent Years It Has Been Much Appreciated All Over The World. This Book, Written By Indian Writers, Serves To Deepen That Appreciation To Understanding. It Covers The Philosophy And History Of Indian Music Clearly And Concisely And Relates Its Growth And Development To Social, Cultural, Religious And Political Factors. India S Musical Contacts With The East And West Are Also Discussed And Their Value Assessed. The Technical Chapters Explain The Raga And Tala Systems, The Numerous Instruments From North And South Are Described In Detail With The Help Of Excellent Line Drawings By Eilean Pearcey, And The Glossary Of Terms Illumines The Subject In An Interesting Way. Short Biographies Of Established Musicians, Composers And Musicologists Place On Record Their Various Achievements. Apart From A Selective Bibliography And Discography For The Reader S Guidance There Is Also A List Of Useful Addresses. The Music Of India Will Prove Invaluable To The Student And Specialist Who Requires A Ready Handbook On The Subject. For The General Reader It Contains A Mine Of Information On The Musical Life Of An Entire Subcontinent. Ravi Shankar, In His Foreword, Recommends This Book To All Who Wish To Be Introduced To India S Music, Her Culture And Her Peoples. This Is A Work Of Scholarship; Lively, At Times Even Witty And Never Dull




Two Men and Music


Book Description

A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.




The Rāgs of North Indian Music


Book Description




Hindustānī Gata's Compilation


Book Description

The present work covers 454 gata-s on 164 raga-s. The core of this compilation comes from late Pandit Lal Mani Misra, Dr K. C. Gangrade, his late guru-s, Ustad Rustam Khan, Pt Dinkar Rao Patwardhan and Pt Shankar Rao Telang, whose traditional gata-s of the Gwalior gharana and Amirkhani-s are truly outstanding. Other gata-s proceed from my doctorate compositions, famous transcribed vocal bandisa-s and from various instrumentalists. They have all been written down in Bhatkhandeji's music notation system - svarlipi. For non-Hindi speaking readers, i twill be quite easy and fast to learn the mere twelve symbols needed to fully understand the themes (7 notes and 5 metric terms). This will also also the reader to browse through main Hindi literature on raga. The most challenging task will be to decode the skeletal form of the themes to bring them to life - to make them sing on the instrument. Although, in an Indian context, a " good " theme incorporates all the raga lakshana-s - characteristics, reader will have to recall in memory the rules of the raga it belongs, getting deeper and deeper into its form and spirit. Then only, its notes and movements will progressively come to life, making of the raga a living melodic being.




Religious Experience in the Hindu Tradition


Book Description

This book is a printed edition of the Special Issue Religious Experience in the Hindu Tradition that was published in Religions




Music and Orientalism in the British Empire, 1780s–1940s


Book Description

Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.




Musicking Bodies


Book Description

Indian vocalists trace intricate shapes with their hands while improvising melody. Although every vocalist has an idiosyncratic gestural style, students inherit ways of shaping melodic space from their teachers, and the motion of the hand and voice are always intimately connected. Though observers of Indian classical music have long commented on these gestures, Musicking Bodies is the first extended study of what singers actually do with their hands and voices. Matthew Rahaim draws on years of vocal training, ethnography, and close analysis to demonstrate the ways in which hand gesture is used alongside vocalization to manifest melody as dynamic, three-dimensional shapes. The gestures that are improvised alongside vocal improvisation embody a special kind of melodic knowledge passed down tacitly through lineages of teachers and students who not only sound similar, but who also engage with music kinesthetically according to similar aesthetic and ethical ideals. Musicking Bodies builds on the insights of phenomenology, Indian and Western music theory, and cultural studies to illuminate not only the performance of gesture, but its implications for the transmission of culture, the conception of melody, and the very nature of the musicking body.




Master Musicians of India


Book Description

Beginning with Ravi Shankar and Ali Akbar Khan, Indian art music is renowned internationally for its improvised raga performance. This ancient tradition has for centuries been transmitted orally within the seclusion of hereditary families. Few such families remain today, and not enough is known about their central contribution to the life of Indian music. Master Musicians of India reveals this rich world through profiles and interviews of key musicians from this tradition.