Biblical Poetry Through Medieval Jewish Eyes


Book Description

Translated excerpts from 17 Judeo-Arabic and Hebrew commentaries on biblical poetry, written between the 9th and the 17th centuries. Annotation copyrighted by Book News, Inc., Portland, OR




On Biblical Poetry


Book Description

On Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout. The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies.




Exegesis and Poetry in Medieval Karaite and Rabbanite Texts


Book Description

This collection of essays offers an inquiry into the complex interaction between exegesis and poetry that characterized medieval and early modern Karaite and Rabbanite treatment of the Bible in the Islamic world, the Byzantine Empire, and Christian Europe. Discussing a variety of topics that are usually associated with either exegesis or poetry in conjunction with the two fields, the authors analyze a wide array of interactions between biblical sources and their interpretive layers, whether in prose exegesis or in multiple forms of poetry and rhymed prose. Of particular relevance are mechanisms for the production and transmission of exegetical traditions, including the participation of Jewish poets in these processes, an issue that serves as a leitmotif throughout this collection.




The Bible and Jews in Medieval Spain


Book Description

The Bible and Jews in Medieval Spain examines the grammatical, exegetical, philosophical and mystical interpretations of the Bible that took place in Spain during the medieval period. The Bible was the foundation of Jewish culture in medieval Spain. Following the scientific analysis of Hebrew grammar which emerged in al-Andalus in the ninth and tenth centuries, biblical exegesis broke free of homiletic interpretation and explored the text on grammatical and contextual terms. While some of the earliest commentary was in Arabic, scholars began using Hebrew more regularly during this period. The first complete biblical commentaries in Hebrew were written by Abraham Ibn ‘Ezra, and this set the standard for the generations that followed. This book analyses the approach and unique contributions of these commentaries, moving on to those of later Christian Spain, including the Qimhi family, Nahmanides and his followers and the esoteric-mystical tradition. Major topics in the commentaries are compared and contrasted. Thus, a unified picture of the whole fabric of Hebrew commentary in medieval Spain emerges. In addition, the book describes the many Spanish Jewish biblical manuscripts that have remained and details the history of printed editions and Spanish translations (for Jews and Christians) by medieval Spanish Jews. This book will appeal to scholars and students of medieval Spain, as well as those interested in the history of religion and cultural history.




Introduction to the Literary Art of the Gospel of John


Book Description

The Gospel of John is a magnificent book. Intricate fabrics interweave its beautiful robe and its material is a finely twisted linen of many colors. Throughout the history of the church, interpreters have long been captivated by its loveliness and power. Many modern interpreters, however, would not hesitate to call it puzzling, confusing, or ridden with riddles at least. “What is John?” is therefore a fascinating question that lingers. During the last half century, literary theories have been brought into the study of the Fourth Gospel with varying degrees of success. New analytical lenses are cast over the Gospel to render its secrets, but it feels as if only those who are initiated into its mystery have the knowledge. Reading and rereading strategies are offered, but the path out of the vast labyrinth is difficult to find. The Gospel of John, however, surprisingly reads much like the Old Testament. In fact, its form is deeply imbued in the styles of Old Testament poetry, narratives, and prophets, that when they are properly understood together, John’s message comes across clearly. Taking a comprehensive view of the styles of the Old Testament, this book takes you to see John in its grand design.




Beyond Religious Borders


Book Description

The medieval Islamic world comprised a wide variety of religions. While individuals and communities in this world identified themselves with particular faiths, boundaries between these groups were vague and in some cases nonexistent. Rather than simply borrowing or lending customs, goods, and notions to one another, the peoples of the Mediterranean region interacted within a common culture. Beyond Religious Borders presents sophisticated and often revolutionary studies of the ways Jewish, Christian, and Muslim thinkers drew ideas and inspiration from outside the bounds of their own religious communities. Each essay in this collection covers a key aspect of interreligious relationships in Mediterranean lands during the first six centuries of Islam. These studies focus on the cultural context of exchange, the impact of exchange, and the factors motivating exchange between adherents of different religions. Essays address the influence of the shared Arabic language on the transfer of knowledge, reconsider the restrictions imposed by Muslim rulers on Christian and Jewish subjects, and demonstrate the need to consider both Jewish and Muslim works in the study of Andalusian philosophy. Case studies on the impact of exchange examine specific literary, religious, and philosophical concepts that crossed religious borders. In each case, elements native to one religious group and originally foreign to another became fully at home in both. The volume concludes by considering why certain ideas crossed religious lines while others did not, and how specific figures involved in such processes understood their own roles in the transfer of ideas.




Edinburgh Companion to the Bible and the Arts


Book Description

An authoritative assessment of the changing relationship between the Bible and the artsIn this unique Companion, 35 scholars, from world-famous to just beginning, explore the role of the Bible in art and of artistic motifs in the Bible. The specially commissioned chapters demonstrate that just as the arts have portrayed biblical stories in a variety of ways and media over the centuries, so what we call 'the' Bible is not actually a single entity but has been composed of fiercely contested translations of texts in many languages, whose selection has depended historically on a variety of cultural pressures, theological, social, and, not least, aesthetic. Key Features:* Divided into 3 sections, Inspiration and Theory, Art and Architecture, and Literature* Generously illustrated * Covers aesthetic interpretations of specific biblical books; of the Hebrew and Christian Bibles as a whole; the transmission of biblical texts; various bindings and illustrations of Bibles - in response to pressures as diverse as Islamic craftsmanship and the English Reformation* Includes pieces on biblical influences on poetry, painting, church architecture, decoration, and stained glass; on poetry, hymns, novels, plays, and fantasy literature* Spans the earliest days of the Christian era to the present




God's Word for Our World, Vol. 1


Book Description

This two-volume work in biblical studies is a commemorative presentation to Simon John DeVries, noted Old Testament Scholar. Volume one offers a series of essays on issues in Hebrew bible studies. The topics addressed include the nature of Yahweh as God of Israel, a reexamination of the Exodus tradition, the Priestly code and practices, prophets and revelation, biblical poetry, issues in biblical linguistics, dramatic narrative in Hebrew Bible tradition and Yahweh's deliverance as redemption in Israel.




The Oxford Handbook of Biblical Studies


Book Description

The Oxford Handbooks series is a major new initiative in academic publishing. Each volume offers an authoritative and up-to-date survey of original research in a particular subject area. Specially commissioned essays from leading figures in the discipline give critical examinations of the progress and direction of debates. Biblical studies is a highly technical and diverse field. Study of the Bible demands expertise in fields ranging from Archaeology, Egyptology, Assyriology, and Linguistics through textual, historical, and sociological studies to Literary Theory, Feminism, Philosophy, and Theology, to name only some. This authoritative and compelling guide to the discipline will, therefore, be an invaluable reference work for all students and academics who want to explore more fully essential topics in Biblical studies.




Reading the Poetry of First Isaiah


Book Description

This book shows that Isaiah 1-39 contains one of the most remarkable and provocative poetic voices in the Hebrew Bible, and that attention to its poetic style makes a significant difference to the interpretation of the text.