Pepysian Meditations on the Passion of Christ


Book Description

The Middle English prose ‘Pepysian Meditations on the Passion of Christ’ (PMPC) survives uniquely in Cambridge, Magdalene College, MS Pepys 2125 and has not previously been published. It is one of several Middle English translations of the Passion sequence of the pseudo-Bonaventuran Latin ‘Meditationes Vitae Christi’ (MVC). This part of the MVC circulated independently and in this form is known in modern scholarship as the ‘Meditationes de Passione Christi’ (MPC). The editors argue that although the Middle English version in Pepys 2125 followed the model of the MPC, it is probable that the translation derives directly from a recension of the MPC. Although the translator handles the original with a degree of freedom, the text is not indebted to other sources. The Introduction includes an extensive description of the manuscript which is a late medieval devotional miscellany, and a detailed account of the language of the PMPC. It also addresses the textual tradition out of which the PMPC grew and the work of the translator. The edited text is followed by a commentary, glossary and bibliography.




Middle English Texts in Transition


Book Description

Chaucer, Gower and Langland -- Lyrics and romances -- Devotional writings -- Owners and users of medieval books -- A tribute to Professor Takamiya










Bibliotheca Pepysiana


Book Description

Samuel Pepys (1633-1703) was a student of Magdalene College, Cambridge, and bequeathed his personal library of 3000 volumes to the College on condition that the contents remained intact and unaltered; they remain there, in his original bookcases, to this day. In the early twentieth century, a project to produce a complete catalogue was begun, and four volumes were published between 1914 and 1940. Volume 3 lists 51 volumes of medieval manuscripts, some of them consisting of several items bound together. The author, the outstanding palaeographer and prolific writer of catalogues M. R. James, remarks on the almost total absence of Latin liturgical and theological manuscripts, and calls attention to the historical, literary and scientific writings in English and French, several picture-books, an interesting 'scrapbook' and a unique copybook from 1400 included in Pepys' collection. This book continues to be a valuable resource for medievalists and Pepys scholars alike.




The New Cambridge Bibliography of English Literature: Volume 1, 600-1660


Book Description

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.




Cambridge Music Manuscripts, 900-1700


Book Description

This volume marks the exhibition 'Cambridge Music Manuscripts, 900-1700', mounted in the Fitzwilliam Museum in 1982. It draws together fifty-three manuscripts of polyphony and monophony from the college and university libraries of Cambridge, all selected for their textual and historical importance. A full technical description of each source is followed by a critical appraisal, and in most cases at least one illustration is provided. Many of these manuscripts have never been adequately described in print, and this book will be a valuable work of reference for musicologists, historians and paleographers. Its plates will also provide a varied selection of transcription exercises for students of notation.