BLACK [AF]: Devil's Dye


Book Description

This latest BLACK [AF] collected mini-series is written by breakout star Vita Ayala (X-Men: Children Of The Atom, Morbius, Bitch Planet, The Wilds) and rising star artist Liana Kangas (She Said Destroy). When a new drug called VANTA hits the streets, word is it's the hottest thing since Ecstacy. For regular people, it has all the highs and none of the lows of traditional drugs. There is some fine print, however - for empowered Black folks, the drug causes a total and violent loss of control. The Project sends Indigo to investigate, and it soon becomes apparent that this is more than just a new designer distraction for the masses. Indigo, together with former Detective Ellen Waters race to find the source of the substance poisoning their people, before it's too late! The superhero universe where only black people have super powers continues to expand, for the first time with a new creative team building onto the exciting world created by Kwanza Osajyefo, Tim Smith 3, Jamal Igle & Khary Randolph. Collects issues 1-4.




Multiplicity and Cultural Representation in Transmedia Storytelling


Book Description

This book explores the relationship between multiplicity and representation of non-European and European-American cultures, with a focus on comics and superheroes. The author employs a combination of research methodologies, including close reading of transmedia texts and interviews with transmedia storytellers and audiences, to better understand the way in which diverse cultures are employed as agents of multiplicity in transmedia narratives. The book addresses both commercial franchises such as superhero narratives, as well as smaller indie projects, in an attempt to elucidate the way in which key cultural symbols and concepts are utilized by writers, designers, and producers, and how these narrative choices affect audiences – both those who identify as members of the culture being represented and those who do not. Case studies include fan fiction based on Marvel’s Black Panther (2018), fan fiction and art created for the Moana (2016) and Mulan (2020) films, and creations by both U.S.-based and international indie comics artists and writers. This book will appeal to scholars and students of new media, narrative theory, cultural studies, sociocultural anthropology, folkloristics, English/literary studies, and popular culture, transmedia storytelling researchers, and both creators and fans of superhero comics.




She Said Destroy


Book Description

STAR WARS meets The Wicked + The Divine! The Morrigan, Goddess of Death, is the last thing standing between her sister Brigid and total domination of the solar system. As their forces prepare for a final battle, the Morrigan must destroy everything to save anything. A WAR BETWEEN SISTERS, WAGED OVER EONS, COMES TO A CLOSE. Over millenniums, Brigid, Goddess of the Sun, has conquered and converted the entire solar system into worshipping her and her alone, save one space colony. The witches of Fey are the last believers of The Morrigan, Goddess of Death, Brigid's sister and the only other God left. As Brigid's forces prepare for one final battle, The Morrigan prepares to do what she does best: Destroy! Collects the complete five issue series.




The Wilds


Book Description

After a cataclysmic plague sweeps across America, survivors come together to form citystate-like communities for safety. Daisy Walker is a Runner for The Compound, a mix of post-apocalyptic postal service and black market salvaging operation. It is a Runner's job to ferry items and people between settlements, and on occasion scavenge through the ruins of the old world. Daisy is the best there is at what she does. Out beyond the settlement walls are innumerable dangers: feral animals, crumbling structures, and Abominations - those that were touched by the plague and became something other. After a decade of surviving, Daisy isn't phased by any of it - until her lover, another Runner named Heather, goes missing on a job. Desperate to find her, Daisy begins to see that there may be little difference between the world inside the walls and the horrors beyond. From writer Vita Ayala (X-Men: Children Of The Atom, Bitch Planet: Triple Feature, Morbius) and Emily Pearson (Snap Flash Hustle) with a cover by Natasha Alterici (Heathen), comes this bold tale of surviving in bleak times. Collects issues 1-5. "With a beautiful and horrific twist on the classic zombie at the heart, Ayala and Pearson craft a bold new dystopia that can't be missed." - James Tynion IV (Batman, Something Is Killing The Children, Department Of Truth) "The Wilds is the kind of book that stays with you long after you read it. The characters, the world, the images, all leave you desperate to read more. It's haunting in the best possible way." -Matthew Rosenberg (4 Kids Walk Into A Bank, Uncanny X-Men) "Mad Max meets Day Of The Dead, with the beautiful impressionistic style of Tarsem Singh... this is The Wilds. A pitch-perfect callback to the metaphorical heart of apocalypse fiction that began with Night Of The Living Dead, with the action you need waiting beneath the cover." -Steve Orlando (Midnighter, Supergirl, Justice League of America) “The Wilds is that rare book you open to page one and know immediately you’ve found something special. A dark, creeping garden of story full of wonders and terrors... With the Wilds, Ayala has crafted a gripping, poetic and deeply scary, post apocalyptic world like none other." –Scott Snyder (Batman, Wytches)




Solomon Kane Volume 1: The Castle of the Devil


Book Description

Robert E. Howard's vengeance-obsessed Puritan begins his supernatural adventures in the haunted Black Forest of Germany in this adaptation of Howard's "The Castle of the Devil." When Solomon Kane stumbles upon the body of a boy hanged from a rickety gallows, he goes after the man responsible—a baron feared by the peasants for miles around. Something far worse than the devilish baron and the terrible, intelligent wolf that prowls the woods lies hidden in the ruined monastery beneath the baron's castle, where a devil-worshiping priest died in chains centuries ago. • This team's debut Kane story is available for free at myspace.com/darkhorsepresents. • "Solomon Kane is one of the toughest Robert E. Howard heroes to adapt to the comics page, but Scott Allie and Mario Guevara have done a stunning job. Unsettling, moody and eerily beautiful, their Kane is absolutely worthy of his creator."—Kurt Busiek • Collects the Solomon Kane five-issue miniseries.




Black and Slave


Book Description

The series Studies of the Bible and Its Reception (SBR) publishes monographs and collected volumes which explore the reception history of the Bible in a wide variety of academic and cultural contexts. Closely linked to the multi-volume project Encyclopedia of the Bible and Its Reception (EBR), this book series is a publication platform for works which cover the broad field of reception history of the Bible in various religious traditions, historical periods, and cultural fields. Volumes in this series aim to present the material of reception processes or to develop methodological discussions in more detail, enabling authors and readers to more deeply engage and understand the dynamics of biblical reception in a wide variety of academic fields. Further information on „The Bible and Its Reception“.




The Devil's Half Acre


Book Description

The inspiring true story of an enslaved woman who liberated an infamous slave jail and transformed it into one of the nation’s first HBCUs In The Devil’s Half Acre, New York Times bestselling author Kristen Green draws on years of research to tell the extraordinary and little-known story of young Mary Lumpkin, an enslaved woman who blazed a path of liberation for thousands. She was forced to have the children of a brutal slave trader and live on the premises of his slave jail, known as the “Devil’s Half Acre.” When she inherited the jail after the death of her slaveholder, she transformed it into “God’s Half Acre,” a school where Black men could fulfill their dreams. It still exists today as Virginia Union University, one of America’s first Historically Black Colleges and Universities. A sweeping narrative of a life in the margins of the American slave trade, The Devil’s Half Acre brings Mary Lumpkin into the light. This is the story of the resilience of a woman on the path to freedom, her historic contributions, and her enduring legacy.




BLACK [AF]: Widows And Orphans


Book Description

In a world where only black people have superpowers, what price do they fetch on the black market? From the pages of BLACK, this new story features Anansi and Hoodrat investigating a human trafficking ring that will take them across the globe and bring them face-to-face with dark pasts of abuse, child soldiers, and families torn apart. Collects issues 1-4.




BLACK [AF]: America's Sweetheart


Book Description

Can a black woman be America's first superhero? Eli Franklin is a 15-year-old girl living in rural Montana-and she just happens to be the most powerful person on the planet. In the aftermath of the world learning that only black people have superpowers, Eli makes her debut as the superhero Good Girl, on a mission to help people and quell the fear of empowered blacks. When a super-terrorist threatens to take away everything Eli has worked toward, will donning a patriotic costume be enough for her to find acceptance? America's Sweetheart expands BLACK into a universe of heroes.




Stay Black and Die


Book Description

In Stay Black and Die, I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius.




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