Author : Howard Beeth
Publisher :
Page : 324 pages
File Size : 18,34 MB
Release : 1992
Category : History
ISBN :
Sections, the book covers a broad range of both time and subjects. The first section analyzes the development of scholarly consciousness and interest in the history of black Houston; slavery in nineteenth-century Houston is covered in the second section; economic and social development in Houston in the era of segregation are looked at in the third section; and segregation, violence, and civil rights in twentieth-century Houston are dealt with in the final section.
Author : Timothy B. Tyson
Publisher : Univ of North Carolina Press
Page : 413 pages
File Size : 43,78 MB
Release : 2009-11-15
Category : Biography & Autobiography
ISBN : 0807899011
This book tells the remarkable story of Robert F. Williams--one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, as president of the Monroe, North Carolina, branch of the NAACP, Williams and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating "armed self-reliance" by blacks, Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba--where he broadcast "Radio Free Dixie," a program of black politics and music that could be heard as far away as Los Angeles and New York City--and then China, Williams remained a controversial figure for the rest of his life. Historians have customarily portrayed the civil rights movement as a nonviolent call on America's conscience--and the subsequent rise of Black Power as a violent repudiation of the civil rights dream. But Radio Free Dixie reveals that both movements grew out of the same soil, confronted the same predicaments, and reflected the same quest for African American freedom. As Robert Williams's story demonstrates, independent black political action, black cultural pride, and armed self-reliance operated in the South in tension and in tandem with legal efforts and nonviolent protest.
Author : Howard L. Sacks
Publisher : University of Illinois Press
Page : 292 pages
File Size : 35,19 MB
Release : 2003
Category : Music
ISBN : 9780252071607
Who really wrote the classic song "Dixie"? A white musician, or an African American family of musicians and performers?
Author : Gregory J. W. Urwin
Publisher : SIU Press
Page : 308 pages
File Size : 27,21 MB
Release : 2005-08-29
Category : History
ISBN : 9780809326785
Black Flag over Dixie: Racial Atrocities and Reprisals in the Civil War highlights the central role that race played in the Civil War by examining some of the ugliest incidents that played out on its battlefields. Challenging the American public’s perception of the Civil War as a chivalrous family quarrel, twelve rising and prominent historians show the conflict to be a wrenching social revolution whose bloody excesses were exacerbated by racial hatred. Edited by Gregory J. W. Urwin, this compelling volume focuses on the tendency of Confederate troops to murder black Union soldiers and runaway slaves and divulges the details of black retaliation and the resulting cycle of fear and violence that poisoned race relations during Reconstruction. In a powerful introduction to the collection, Urwin reminds readers that the Civil War was both a social and a racial revolution. As the heirs and defenders of a slave society’s ideology, Confederates considered African Americans to be savages who were incapable of waging war in a civilized fashion. Ironically, this conviction caused white Southerners to behave savagely themselves. Under the threat of Union retaliation, the Confederate government backed away from failing to treat the white officers and black enlisted men of the United States Colored Troops as legitimate combatants. Nevertheless, many rebel commands adopted a no-prisoners policy in the field. When the Union’s black defenders responded in kind, the Civil War descended to a level of inhumanity that most Americans prefer to forget. In addition to covering the war’s most notorious massacres at Olustee, Fort Pillow, Poison Spring, and the Crater, Black Flag over Dixie examines the responses of Union soldiers and politicians to these disturbing and unpleasant events, as well as the military, legal, and moral considerations that sometimes deterred Confederates from killing all black Federals who fell into their hands. Twenty photographs and a map of massacre and reprisal sites accompany the volume. The contributors are Gregory J. W. Urwin, Anne J. Bailey, Howard C. Westwood, James G. Hollandsworth Jr., David J. Coles, Albert Castel, Derek W. Frisby, Weymouth T. Jordan Jr., Gerald W. Thomas, Bryce A. Suderow, Chad L. Williams, and Mark Grimsley.
Author : Mark Speltz
Publisher : Getty Publications
Page : 164 pages
File Size : 43,29 MB
Release : 2016-11-01
Category : History
ISBN : 160606505X
The history of the civil rights movement is commonly illustrated with well-known photographs from Birmingham, Montgomery, and Selma—leaving the visual story of the movement outside the South remaining to be told. InNorth of Dixie, historian Mark Speltz shines a light past the most iconic photographs of the era to focus on images of everyday activists who fought campaigns against segregation, police brutality, and job discrimination in Chicago, Detroit, Los Angeles, Philadelphia, and many other cities. With images by photojournalists, artists, and activists, including Bob Adelman Charles Brittin, Diana Davies, Leonard Freed, Gordon Parks, and Art Shay, North of Dixie offers a broader and more complex view of the American civil rights movement than is usually presented by the media.North of Dixie also considers the camera as a tool that served both those in support of the movement and against it. Photographs inspired activists, galvanized public support, and implored local and national politicians to act, but they also provided means of surveillance and repression that were used against movement participants. North of Dixie brings to light numerous lesser-known images and illuminates the story of the civil rights movement in the American North and West.
Author : Alton Hornsby
Publisher :
Page : 0 pages
File Size : 13,11 MB
Release : 2009
Category : African Americans
ISBN : 9780813032825
Atlanta stands out among southern cities for many reasons, not least of which is the role African Americans have played in local politics. This work offers the first comprehensive study of black politics in the city.
Author : Glenda Elizabeth Gilmore
Publisher : W. W. Norton & Company
Page : 689 pages
File Size : 33,38 MB
Release : 2009-08-10
Category : Biography & Autobiography
ISBN : 0393335321
"Remarkable…an eye-opening book [on] the freedom struggle that changed the South, the nation, and the world." —Washington Post The civil rights movement that looms over the 1950s and 1960s was the tip of an iceberg, the legal and political remnant of a broad, raucous, deeply American movement for social justice that flourished from the 1920s through the 1940s. This rich history of that early movement introduces us to a contentious mix of home-grown radicals, labor activists, newspaper editors, black workers, and intellectuals who employed every strategy imaginable to take Dixie down. In a dramatic narrative Glenda Elizabeth Gilmore deftly shows how the movement unfolded against national and global developments, gaining focus and finally arriving at a narrow but effective legal strategy for securing desegregation and political rights.
Author : Brent M.S. Campney
Publisher : University of Illinois Press
Page : 297 pages
File Size : 47,6 MB
Release : 2015-08-30
Category : Social Science
ISBN : 0252097610
Often defined as a mostly southern phenomenon, racist violence existed everywhere. Brent M. S. Campney explodes the notion of the Midwest as a so-called land of freedom with an in-depth study of assaults both active and threatened faced by African Americans in post–Civil War Kansas. Campney's capacious definition of white-on-black violence encompasses not only sensational demonstrations of white power like lynchings and race riots, but acts of threatened violence and the varied forms of pervasive routine violence--property damage, rape, forcible ejection from towns--used to intimidate African Americans. As he shows, such methods were a cornerstone of efforts to impose and maintain white supremacy. Yet Campney's broad consideration of racist violence also lends new insights into the ways people resisted threats. African Americans spontaneously hid fugitives and defused lynch mobs while also using newspapers and civil rights groups to lay the groundwork for forms of institutionalized opposition that could fight racist violence through the courts and via public opinion. Ambitious and provocative, This Is Not Dixie rewrites fundamental narratives on mob action, race relations, African American resistance, and racism's grim past in the heartland.
Author : Veronica L. Womack
Publisher :
Page : 0 pages
File Size : 14,40 MB
Release : 2013
Category : Biography & Autobiography
ISBN : 9780881464405
The Black Belt region has been described as America's third world. Although this region has been defined historically by eminent scholars such as W.E.B Du Bois, Booker T. Washington, and Arthur Raper, a new twenty-first-century definition is needed to address current conditions within the region. Womack specifically focuses on the rural African-American population as it explores the history and experiences of this group. This group remains ravaged by poverty in the twenty-first century and continues a legacy for many that began with the importation of enslaved Africans into the region many centuries ago. Womack addresses the interdependence of political ideology, history, culture, public policy, and present-day social, political, and economic conditions that influence and encompass the Black Belt experience. A fascinating look into the political history of the region and the creation of a distinct Black Belt political culture, Veronica Womack focuses on the development of both nonviolent and Black nationalistic political ideologies, the rise of African-American elected officials, as well as the influence of political conservatism and the Republican Party to explain the creation of a distinct rural sociopolitical experience. -- from back cover.
Author : John Shelton Reed
Publisher : LSU Press
Page : 346 pages
File Size : 47,82 MB
Release : 2012-09-17
Category : History
ISBN : 0807147664
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
