Black Propaganda in the Second World War


Book Description

By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the ‘black’ radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of ‘black’ leaflets – perfect forgeries of German documents, with subtly altered texts – were produced, their aim to encourage malingering, desertion and sabotage.Black Propaganda looks at the variety of propaganda used in the Second World War and explains how British and Polish intelligence worked together on a number of key security issues, including the ‘Enigma’ machine and the German V-weapons programme.




The Myth and Propaganda of Black Buying Power


Book Description

This Palgrave Pivot offers a history of and proof against claims of "buying power" and the impact this myth has had on understanding media, race, class and economics in the United States. For generations Black people have been told they have what is now said to be more than one trillion dollars of "buying power," and this book argues that commentators have misused this claim largely to blame Black communities for their own poverty based on squandered economic opportunity. This book exposes the claim as both a marketing strategy and myth, while also showing how that myth functions simultaneously as a case study for propaganda and commercial media coverage of economics. In sum, while “buying power” is indeed an economic and marketing phrase applied to any number of racial, ethnic, religious, gender, age or group of consumers, it has a specific application to Black America.




Black Propaganda


Book Description

Weird fiction with a darkly sensual twist. BLACK PROPAGANDA delves deep into the dark, twisted roots of human nature and human sexuality. Using desire to dissect the delusions and dilemmas of will, choice and identity, this collection challenges genre boundaries and social conventions. Transgressive, confrontational, passionate, poignant, these sinister stories touch on every shade of black, from noir to the Lovecraftian cosmic abyss. Readers may be horrified, touched, tempted - never unmoved. This is the first short story collection from noted British poet and weird fiction writer Paul StJohn Mackintosh. Few British writers have dared trace the borderlines between lust, insanity and terror so graphically since Clive Barker and J.G. Ballard.




Black Propaganda in the Second World War


Book Description

Black propaganda appears over a fake signature, for example of a fictitious resistance organisation. In this book, the author examines the 'black arts' of Britain, Poland and the Nazis during the Second World War. By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the 'black' radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of 'black' leaflets - perfect forgeries of German documents, with subtly altered texts - were produced, their aim to encourage malingering, desertion and sabotage. Black Propaganda explains how even before the outbreak of the Second World War, British and Polish intelligence had worked closely together on a number of key security issues that included the 'Enigma' machine and the German V-weapons programme. Following the occupation of their country, the Poles also became actively involved in the dissemination of black propaganda against Germany.




Black Propaganda


Book Description




Black Reconstruction in America (The Oxford W. E. B. Du Bois)


Book Description

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literary importance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects of democracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.




Hollywood Goes to War


Book Description

The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.




Propaganda Prints


Book Description

Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.







Slavery, Propaganda, and the American Revolution


Book Description

Under the leadership of Samuel Adams, patriot propagandists deliberately and conscientiously kept the issue of slavery off the agenda as goals for freedom were set for the American Revolution. By comparing coverage in the publications of the patriot press with those of the moderate colonial press, this book finds that the patriots avoided, misinterpreted, or distorted news reports on blacks and slaves, even in the face of a vigorous antislavery movement. The Boston Gazette, the most important newspaper of the Revolution, was chief among the periodicals that dodged or excluded abolition. The author of this study shows that The Gazette misled its readers about the notable Somerset decision that led to abolition in Great Britain. She notes also that The Gazette excluded anti-slavery essays, even from patriots who supported abolition. No petitions written by Boston slaves were published, nor were any writings by the black poet Phillis Wheatley. The Gazette also manipulated the racial identity of Crispus Attucks, the first casualty in the Revolution. When using the word slavery, The Gazette took care to focus it not upon abolition but upon Great Britain's enslavement of its American colonies. Since propaganda on behalf of the Revolution reached a high level of sophistication, and since Boston can be considered the foundry of Revolutionary propaganda, the author writes that the omission of abolition from its agenda cannot be considered as accidental but as intentional. By the time the Revolution began, white attitudes toward blacks were firmly fixed, and these persisted long after American independence had been achieved. In Boston, notions of virtue and vigilance were shown to be negatively embodied in black colonists. These devil's imps were long represented in blackface in Boston's annual Pope Day parade. Although the leaders of the Revolution did not articulate a national vision on abolition, the colonial anti-slavery movement was able to achieve a degree of success, but only in drives through the individual colonies.