Black Stars of the Harlem Renaissance


Book Description

AFRICAN AMERICAN HISTORY COMES TO LIFE Discover why young people all over the country are reading the Black Stars biographies of African American heroes. Here is what you want to know about the lives of great black men and women during the fabulous Harlem Renaissance: louis "satchmo" armstrong eubie blake thomas andrew dorsey w. e. b. du bois duke ellington james reese europe jessie redmon fauset marcus garvey w. c. handy fletcher henderson langston hughes zora neale hurston hall johnson henry johnson oscar micheaux philip payton jr. gertrude "ma" rainey paul robeson augusta savage noble sissle bessie smith james van der zee dorothy west carter g. woodson "The books in the Black Stars series are the types of books that would have really captivated me as a kid." -Earl G. Graves, Black Enterprise magazine "Inspiring stories that demonstrate what can happen when ingenuity and tenacity are paired with courage and hard work." -Black Books Galore! Guide to Great African American Children's Books "Haskins has chosen his subjects well . . . catching a sense of the enormous obstacles they had to overcome. . . . Some names are familiar, but most are little-known whom Haskins elevates to their rightful place in history." -Booklist "The broad coverage makes this an unusual resource-a jumping-off point for deeper studies." -Horn Book




Black Stars Of The Harlem Renaissance


Book Description

Explains the history of the Harlem Renaissance through biographies of prominent African Americans living in the era, such as Louis Armstrong, Duke Ellington, Zora Neale Hurston, and Dorothy West.




Rhapsodies in Black


Book Description

Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.




Gay Voices of the Harlem Renaissance


Book Description

"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.




Carl Van Vechten and the Harlem Renaissance


Book Description

By the time of his death in 1964, Carl Van Vechten had been a far-sighted journalist, a best-selling novelist, a consummate host, an exhaustive archivist, a prescient photographer, and a Negrophile bar non. A white man with an abiding passion for blackness.




Harlem's Little Blackbird


Book Description

From Caldecott Honor winner Christian Robinson and acclaimed author Renee Watson, comes the inspiring true story of Florence Mills. Born to parents who were both former slaves, Florence Mills knew at an early age that she loved to sing, and that her sweet, bird-like voice, resonated with those who heard her. Performing catapulted her all the way to the stages of 1920s Broadway where she inspired everyone from songwriters to playwrights. Yet with all her success, she knew firsthand how prejudice shaped her world and the world of those around her. As a result, Florence chose to support and promote works by her fellow black performers while heralding a call for their civil rights. Featuring a moving text and colorful illustrations, Harlem's Little Blackbird is a timeless story about justice, equality, and the importance of following one's heart and dreams. A CARTER G. WOODSON ELEMENTARY HONOR BOOK (awarded by the National Council for the Social Studies, 2013)




Lost Plays of the Harlem Renaissance, 1920-1940


Book Description

A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context.




Black Culture and the Harlem Renaissance


Book Description

Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it. First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come. With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.




Black Music in the Harlem Renaissance


Book Description

Paper edition of the 1990 Greenwood Press work which was initiated as a special issue of Black Music Research Journal but grew too big for that format. Ten essays address a variety of subjects connected with African-American music of the 1920s, e.g. vocal concert music, musical theater, Duke Ellington, and the relationship of the music to literature and art. Includes an extensive bibliography of works composed during the period. Annotation copyright by Book News, Inc., Portland, OR




A History of the Harlem Renaissance


Book Description

The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.