Author : Jill Lane
Publisher : University of Pennsylvania Press
Page : 294 pages
File Size : 32,17 MB
Release : 2005-06-22
Category : History
ISBN :
This is a critical history of the relation between racial impersonation, national sentiment, and the emergence of an anticolonial public sphere in 19th century Cuba.
Author :
Publisher : U of Minnesota Press
Page : 313 pages
File Size : 40,20 MB
Release :
Category :
ISBN : 1452901740
Author : Theatre History Studies
Publisher : University of Alabama Press
Page : 190 pages
File Size : 36,13 MB
Release : 2007-09-30
Category : Performing Arts
ISBN : 0817354409
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
Author : David Horn
Publisher : Bloomsbury Publishing USA
Page : 937 pages
File Size : 45,36 MB
Release : 2017-10-05
Category : Music
ISBN : 1501326104
See:
Author : Mary K. Coffey
Publisher : Duke University Press
Page : 360 pages
File Size : 17,11 MB
Release : 2020-02-28
Category : Art
ISBN : 1478003308
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Author : Lisa Yun
Publisher : Temple University Press
Page : 336 pages
File Size : 35,14 MB
Release : 2008-04-22
Category : History
ISBN : 1592135838
Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom. Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.
Author : Kristina Wirtz
Publisher : University of Chicago Press
Page : 344 pages
File Size : 49,69 MB
Release : 2014-06-05
Category : Social Science
ISBN : 022611919X
Visitors to Cuba will notice that Afro-Cuban figures and references are everywhere: in popular music and folklore shows, paintings and dolls of Santería saints in airport shops, and even restaurants with plantation themes. In Performing Afro-Cuba, Kristina Wirtz examines how the animation of Cuba’s colonial past and African heritage through such figures and performances not only reflects but also shapes the Cuban experience of Blackness. She also investigates how this process operates at different spatial and temporal scales—from the immediate present to the imagined past, from the barrio to the socialist state. Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.
Author : Lillian Manzor
Publisher : Taylor & Francis
Page : 306 pages
File Size : 18,88 MB
Release : 2022-07-29
Category : Performing Arts
ISBN : 1000625605
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Author : Edward Wright-Rios
Publisher : UNM Press
Page : 407 pages
File Size : 37,23 MB
Release : 2014-12-01
Category : History
ISBN : 082634660X
In the mid-nineteenth century prophetic visions attributed to a woman named Madre Matiana roiled Mexican society. Pamphlets of the time proclaimed that decades earlier a humble laywoman foresaw the nation’s calamitous destiny—foreign invasion, widespread misery, and chronic civil strife. The revelations, however, pinpointed the cause of Mexico’s struggles: God was punishing the nation for embracing blasphemous secularism. Responses ranged from pious alarm to incredulous scorn. Although most likely a fiction cooked up amid the era’s culture wars, Madre Matiana’s persona nevertheless endured. In fact, her predictions remained influential well into the twentieth century as society debated the nature of popular culture, the crux of modern nationhood, and the role of women, especially religious women. Here Edward Wright-Rios examines this much-maligned—and sometimes celebrated—character and her position in the development of a nation.
Author : Ana Sabau
Publisher : University of Texas Press
Page : 332 pages
File Size : 24,15 MB
Release : 2022-02-08
Category : History
ISBN : 1477324224
Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country. Riot and Rebellion in Mexico traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatan’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today.
