Blood Empire


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Blood of Empire


Book Description

As their final battle approaches, a sellsword, a spy, and a general must find unlikely and dangerous allies in order to turn the tides of war in the final book of Brian McClellan's epic fantasy trilogy. The Dynize have unlocked the Landfall Godstone, and Michel Bravis is tasked with returning to Greenfire Depths to do whatever he can to prevent them from using its power; from sewing dissension among the enemy ranks to rallying the Palo population. Ben Styke's invasion of Dynize is curtailed when a storm scatters his fleet. Coming ashore with just twenty lancers, he is forced to rely on brains rather than brawn -- gaining new allies in a strange land on the cusp of its own internal violence. Bereft of her sorcery and physically and emotionally broken, Lady Vlora Flint now marches on Landfall at the head of an Adran army seeking vengeance against those who have conspired against her. While allied politicians seek to undo her from within, she faces insurmountable odds and Dynize's greatest general. Continue the epic fantasy series by the author whose debut novel Brandon Sanderson called "just plain awesome!" Gods of Blood and PowderSins of EmpireWrath of EmpireBlood of Empire For more from Brian McClellan, check out: Powder MagePromise of BloodThe Crimson CampaignThe Autumn Republic




Empire's End


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The fall of the Spanish Empire: that period in the nineteenth century when it lost its colonies in Spanish America and the Philippines. How did it happen? What did the process of the "end of empire" look like? Empire's End considers the nation's imperial legacy beyond this period, all the way up to the present moment. In addition to scrutinizing the political, economic, and social implications of this "end," these chapters emphasize the cultural impact of this process through an analysis of a wide range of representations—literature, literary histories, periodical publications, scientific texts, national symbols, museums, architectural monuments, and tourist routes—that formed the basis of transnational connections and exchange. The book breaks new ground by addressing the ramifications of Spain's imperial project in relation to its former colonies, not only in Spanish America, but also in North Africa and the Philippines, thus generating new insights into the circuits of cultural exchange that link these four geographical areas that are rarely considered together. Empire's End showcases the work of scholars of literature, cultural studies, and history, centering on four interrelated issues crucial to understanding the end of the Spanish empire: the mappings of the Hispanic Atlantic, race, human rights, and the legacies of empire.




Empire's Proxy


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Part of the American Literatures Initiative Series In the late nineteenth century, American teachers descended on the Philippines, which had been newly purchased by the U.S. at the end of the Spanish-American War. Motivated by President McKinley’s project of “benevolent assimilation,” they established a school system that centered on English language and American literature to advance the superiority of the Anglo-Saxon tradition, which was held up as justification for the U.S.’s civilizing mission and offered as a promise of moral uplift and political advancement. Meanwhile, on American soil, the field of American literature was just being developed and fundamentally, though invisibly, defined by this new, extraterritorial expansion. Drawing on a wealth of material, including historical records, governmental documents from the War Department and the Bureau of Insular Affairs, curriculum guides, memoirs of American teachers in the Philippines, and 19th century literature, Meg Wesling not only links empire with education, but also demonstrates that the rearticulation of American literary studies through the imperial occupation in the Philippines served to actually define and strengthen the field. Empire’s Proxy boldly argues that the practical and ideological work of colonial dominance figured into the emergence of the field of American literature, and that the consolidation of a canon of American literature was intertwined with the administrative and intellectual tasks of colonial management.




Empire's End


Book Description

The dead refuse to stay dead. The Reaper is here to put them down. As winter sets in and America’s survivors struggle to rebuild a semblance of civilization, terrifying new enemies are gathering—both in the lawless badlands and within the walls of the safe zone. Most fearsome of all is the “King of the Dead.” His zombified troupe of sideshow curiosities is but a fraction of his growing pack. The Reaper’s quest to safeguard the humans he has befriended places him on the trail of these feral undead. But he is sorely unprepared for the return of the zombie transformed by his own flesh, the Omega—a fiend driven by something more sinister than any virus. Meanwhile, Death’s questions about his origin haunt him, and he is close to the answers... but the worst of both the living and the dead are rising in his path, and he’ll have to cut them all down to reach the cosmic endgame.




Empire's Violent End


Book Description

In Empire's Violent End, Thijs Brocades Zaalberg and Bart Luttikhuis, along with expert contributors, present comparative research focused specifically on excessive violence in Indonesia, Algeria, Vietnam, Malaysia, Kenya, and other areas during the wars of decolonization. In the last two decades, there have been heated public and scholarly debates in France, the United Kingdom, and the Netherlands on the violent end of empire. Nevertheless, the broader comparative investigations into colonial counterinsurgency tend to leave atrocities such as torture, execution, and rape in the margins. The editors describe how such comparisons mostly focus on the differences by engaging in "guilt ranking." Moreover, the dramas that have unfolded in Algeria and Kenya tend to overshadow similar violent events in Indonesia, the very first nation to declare independence directly after World War II. Empire's Violent End is the first book to place the Dutch-Indonesian case at the heart of a comparison with focused, thematic analysis on a diverse range of topics to demonstrate that despite variation in scale, combat intensity, and international dynamics, there were more similarities than differences in the ways colonial powers used extreme forms of violence. By delving into the causes and nature of the abuse, Brocades Zaalberg and Luttikhuis conclude that all cases involved some form of institutionalized impunity, which enabled the type of situation in which the forces in the service of the colonial rulers were able to use extreme violence.




The Ikessar Falcon


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"Intricate, intimate, and intensely plotted." - Nicholas Eames on The Wolf of Oren-yaro "The Ikessar Falcon retains the excellent characterization and intrigue of The Wolf of Oren-yaro while expanding both its world and the plot at a head-spinning rate. It does everything the middle book of a trilogy should with an uncommon degree of authorial skill, and is a thoroughly entertaining read in its own right."―BookPage The stunning sequel to The Wolf of Oren-yaro where the queen of a divided land struggles to unite her people. Even if they despise her. K. S. Villoso is a "powerful new voice in fantasy." (Kameron Hurley) The spiral to madness begins with a single push. Abandoned by her people, Queen Talyien's quest takes a turn for the worst as she stumbles upon a plot deeper and more sinister than she could have ever imagined, one that will displace her king and see her son dead. The road home beckons, strewn with a tangled web of deceit and impossible horrors that unearth the nation's true troubles - creatures from the dark, mad dragons, and men with hearts hungry for power. To save her land, Talyien must confront the myth others have built around her: Warlord Yeshin's daughter, symbol of peace, warrior and queen, and everything she could never be. The price of failure is steep. Her friends are few. And a nation carved by a murderer can only be destined for war. The Chronicles of the Wolf Queen The Wolf of Oren-yaro The Ikessar Falcon The Dragon of Jin-Sayeng




Postal Pleasures


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In 1889 uniformed post-boys were discovered moonlighting in a West End brothel frequented by men of the upper classes. "The Cleveland Street Scandal" erupted and Victorian Britain faced the possibility that the Post Office-a bureaucratic backbone of nation and empire-was inspiring and servicing subversive sexual behavior. However, the unlikely alliance between sex and the postal service was not exactly the news the sensational press made it out to be. Postal Pleasures explores the relationship between illicit sex and the Royal Mail from reforms initiated in 1840 up to the imperial end of the nineteenth century. With a combination of historical details and literary analyses, Kate Thomas illustrates how the postal network, its uniformed employees, and its material trappings-envelopes, postmarks, stamps-were used to signal and circulate sexual intrigue. For many, the idea of an envelope promiscuously jostling its neighbors in a post boy's bag, or the notion that secrets passed through the eyes and fingers of telegraph girls, was more stimulating than the actual contents of correspondence. Writers like Anthony Trollope, Eliza Lynn Lynton, Henry James, Oscar Wilde, Arthur Conan Doyle, and others, invoked the postal system as both an instrument and a metaphor for sexual relations that crossed and double-crossed lines of class, marriage, and heterosexuality. Postal Pleasures adds a new dimension to studies of the era as it uncovers the unlikely linkage between the Victorian Post Office and the queer networks it inspired.




The Renaissance


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The Investors Review


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