Border Ballads


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The Churchman


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Border Folk Balladeers


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Américo Paredes distinguished himself as a journalist, novelist, short story writer, poet, folklorist, and as Professor of English and Anthropology at the University of Texas at Austin. Admired as one of the inspiring founders of Mexican American Studies in colleges and universities across the United States, Paredes’ life-long interest in Mexican-American history and culture motivated him during his early years to collect corridos from farmers and villagers living on the Lower Rio Grande, resulting in his pioneering book “With His Pistol in His Hand”: A Border Ballad and Its Hero (1958), and in other books on folklore, poetry, and narrative fiction. Border Folk Balladeers: Critical Studies on Américo Paredes is a book of significant value to scholars, teachers, students, and to the general reader interested in the history and culture of Mexicans and Mexican Americans born on both sides of the Mexico-US border. It contains a full-length introduction and eleven essays written exclusively for this volume by scholars in the fields of folklore, literary criticism, and critical race theory, and who are renowned authorities on the work of Américo Paredes. Grouped into three sections, this book includes studies on theories of the Texas Modern; the Latin American critical tradition; border writing in world literatures; ethnography in minority communities; an analysis of Texas-Mexican border jokelore; and, among other critical studies, a comprehensive probe into the international drug traffic in the Mexico-US border, with an emphasis on narcoballads and narconovels, the contemporary offshoots of the Texas-Mexican border corrido.




Graham R.


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Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made--and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet's development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism. Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man's name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce. Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.




The Literary World


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Border Ballads


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Excerpt from Border Ballads: With an Introductory Essay by Andrew Lang and Tweleve Etchings O'er his white banes, when they are bare, The wind sall blaw for evermair.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.