Boris Godunov and Other Dramatic Works


Book Description

James E. Falen's verse translation consists of 'Boris Godunov', 'A Scene from Faust', the four 'Little Tragedies' and 'Rusalka'. The text features an introduction on Russia's most cosmopolitan playwright.







Boris Godunov, Little Tragedies, and Others


Book Description

The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry.




Staging the End of the World


Book Description

This book is a brief history of the end of the world as seen through the eyes of theatre. Since its inception, theatre has staged the fall of empires, floods, doomsdays, shipwrecks, earthquakes, plagues, environmental degradations, warfare, nuclear annihilation, and the catastrophic effects of climate change. Using a wide range of plays alongside contemporary thinkers, this study helps guide and galvanize the reader in grappling with the climate crisis. Kulick divides this litany of theatrical cataclysms into four distinct historical phases: the Ancients, including Euripides and Bhasa, the legendary Sanskrit dramatist; the Age of Belief, with the anonymous authors of the medieval mystery cycles, Shakespeare, and Pushkin; the Moderns, with Ibsen, Chekhov, Brecht, Beckett, and Bond; and, finally, the way the world might end now, encompassing Caryl Churchill, Tony Kushner, and Anne Washburn. In tandem with the insights gleaned from these playwrights, the book draws upon the work of contemporary scientists, ecologists, and ethicists to further tease out the philosophical implications of such plays and their relevance to our own troubled times. In the end, Kulick shows how each of these ages and their respective authors have something essential to say, not only about humanity's potential end, but, more importantly, about the possibility for our collective continuance.




Novels, Tales, Journeys


Book Description

From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.




The Historical Novel in Nineteenth-Century Europe


Book Description

Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.




Alexander Pushkin's Little Tragedies


Book Description

Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays-"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."




Hermeneutics and Its Problems


Book Description

This book details a history of the methodology of textual interpretation from Ancient Greece to the 20th century. It presents a complete English translation of Hermeneutics and Its Problems, written by Russian philosopher Gustav Gustavovich Shpet, along with insightful commentary. Written in 1918, Shpet's text remained unpublished in its original Russian until the collapse of the Soviet Union. This engaging translation will be of value to anyone interested in early phenomenology, Russian intellectual history, as well as the divergence of phenomenology and the analytic philosophy of language. The volume also features translations of five key essays written by Shpet. The first presents an extended elaboration of a non-egological conception of consciousness on Husserlian grounds that considerably predates the well-known arguments of early Sartre and Gurwitsch. The second details the rudiments of a phenomenological philosophy of history that traces a central theme back to Parmenides. The next two reveal Shpet’s abiding philosophical interest in combating skepticism and what he took to be the reigning neo-Kantian model by which philosophy is a handmaiden to mathematical physics. The final one features a terse statement of Shpet’s overall philosophical viewpoint, written during the early years of the Stalinist period. Shpet offers an example of one facet of philosophy from a phenomenological viewpoint, demonstrating the progress as well as the deficiencies of successive eras along the historical journey. In doing so, he also gradually reveals the need for a theory of signs, interpretation, and understanding. This collection brings together key documents for assessing Shpet’s hermeneutic phenomenology and his perceived need to develop a phenomenological philosophy of language.




Rock, Paper, Scissors


Book Description

The first English-language collection of a contemporary Russian master of the short story. Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.




The Daughter of the Commandant


Book Description

My father, Andréj Petróvitch Grineff, after serving in his youth under Count Münich, had retired in 17—with the rank of senior major. Since that time he had always lived on his estate in the district of Simbirsk, where he married Avdotia, the eldest daughter of a poor gentleman in the neighbourhood. Of the nine children born of this union I alone survived; all my brothers and sisters died young. I had been enrolled as sergeant in the Séménofsky regiment by favour of the major of the Guard, Prince Banojik, our near relation. I was supposed to be away on leave till my education was finished. At that time we were brought up in another manner than is usual now. From five years old I was given over to the care of the huntsman, Savéliitch, who from his steadiness and sobriety was considered worthy of becoming my attendant. Thanks to his care, at twelve years old I could read and write, and was considered a good judge of the points of a greyhound. At this time, to complete my education, my father hired a Frenchman, M. Beaupré, who was imported from Moscow at the same time as the annual provision of wine and Provence oil. His arrival displeased Savéliitch very much. "It seems to me, thank heaven," murmured he, "the child was washed, combed, and fed. What was the good of spending money and hiring a 'moussié,' as if there were not enough servants in the house?" Beaupré, in his native country, had been a hairdresser, then a soldier in Prussia, and then had come to Russia to be "outchitel," without very well knowing the meaning of this word. He was a good creature, but wonderfully absent and hare-brained. [...]