All Sides to an Oval


Book Description

This is the only book dedicated to the Geometry of Polycentric Ovals. It includes problem solving constructions and mathematical formulas. For anyone interested in drawing or recognizing an oval, this book gives all the necessary construction and calculation tools. More than 30 basic construction problems are solved, with references to Geogebra animation videos, plus the solution to the Frame Problem and solutions to the Stadium Problem. A chapter (co-written with Margherita Caputo) is dedicated to totally new hypotheses on the project of Borromini’s oval dome of the church of San Carlo alle Quattro Fontane in Rome. Another one presents the case study of the Colosseum as an example of ovals with eight centres. The book is unique and new in its kind: original contributions add up to about 60% of the whole book, the rest being taken from published literature (and mostly from other work by the same author). The primary audience is: architects, graphic designers, industrial designers, architecture historians, civil engineers; moreover, the systematic way in which the book is organised could make it a companion to a textbook on descriptive geometry or on CAD.




Borromini (Revised)


Book Description

At first glance, Borromini's architecture is a flight of Baroque fantasy, the product of limitless imagination. A closer look reveals an almost ruthlessly logical geometry underlying his creation. Blunt shows how the combination of revolutionary inventiveness and intellectual control gives Borromini's work its great appeal.




Finding San Carlino


Book Description

The church of San Carlo alle Quattro Fontane, also called San Carlino, is an architectural artefact that continues to attract numerous hypotheses and geometric analyses attempting to explain its form and meaning. Numerous investigations have attempted to reveal its underlying geometrical principles, without, however, reaching a consensus. Finding San Carlino presents an edited collection of perspectives on Borromini’s famous Baroque church from a range of established and emerging scholars in architectural history and theory, including Werner Oechslin, Karsten Harries, Michael Hill and Lauren Jacobi amongst others. This book offers the reader different means of engaging with, enjoying and articulating San Carlino’s complexity, non-consensus and ambiguity. It is precisely such a unique disposition that motivates this book to explore multiple modes of architectural enquiry and delve into a series of theoretical and historiographical questions such as: why was Borromini not able to post-rationalize his architecture with his drawings? What is San Carlino’s exemplary value, and why does it continually engender exegetical and hermeneutic desire? What is the role of geometry in architecture, in history and today? Written for researchers, scholars and postgraduate students in architectural history and theory, the book uses San Carlino as an enigmatic centering point for a set of significant contemporary voices to explore new modes of confrontation and comparison.




Graphic Imprints


Book Description

This is the Proceedings of the International Congress of Graphic Design in Architecture, EGA 2018, held in Alicante, Spain, May 30-June 1, 2018. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.




What's So Great About the Eiffel Tower?


Book Description

Why do we find the idea of a multi-colored Parthenon so shocking today? Why was the Eiffel Tower such a target for hatred when it was first built? Is the Sagrada Família a work of genius or kitsch? Why has Le Corbusier, one of the greatest of all architects, been treated as a villain? This book examines the critical legacy of both well known and either forgotten or underappreciated highpoints in the history of world architecture. Through 70 engaging, thought-provoking, and often amusing debates, Jonathan Glancey invites readers to take a fresh look at the reputations of the masterpieces and great architects in history. You may never look at architecture in the same way again!




Log 31


Book Description

[Spring / Summer 2014] New Ancients recognizes the sudden reappearance of history in the work of an emerging group of architects, curators, theorists, and, of course, historians. Drawing a parallel with the 17th-century quarrel between the Ancients and Moderns at the Academie française, guest editors Dora Epstein Jones and Bryony Roberts present the work of practitioners who explore the contemporary possibilities of history. This Spring/Summer 2014 issue particularly emphasizes drawing that synthesizes technology and precedent, including a Piranesi-inspired digital reimagining of Istanbul and an animated analytic drawing of Borromini¿s San Carlo alle Quattro Fontane linked via a QR code in the magazine.










Experiencing Architecture, second edition


Book Description

A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”