Botsotso 20: Drama


Book Description

The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time – largely politisized black workers and youth – with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society. Botsotso 20: Drama. The Dramas of Life is an anthology of eight South African plays drawn from the last decade (2008 -18) engages with personal dilemmas and social realities. The themes reflect the general unravelling of the 1994 political settlement as racism, poverty and inequality, patriarchy, violence against women and LGBT people, the failure to provide quality education and high levels of corruption expose widening fault lines. They display great energy and dramatic virtuosity in their exploration of these and other themes and create vivid characters who transcend the rhetorical. The plays included are "Isithunzi" by Sipho Zakwe, "Sleeping Dogs" by Simphiwe Vikilahle, "The Good Candidate" by Hans Pienaar, "Shoes and Coups" by Palesa Mazamisa, "Book Marks" by Allan Kolski Horwitz, "The Couch" by Sjaka Septembir, "Iziyalo Zikamama" by the Botsotso Ensemble and "Finding Me" by Moeketsi Kgotle.




Botsotso 20: Drama


Book Description

The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time largely politisized black workers and youth with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and languages, particularly those that are dedicated to radical expression and examinations of South Africa's complex society. Botsotso 20: Drama. The Dramas of Life is an anthology of eight South African plays drawn from the last decade (2008 -18) engages with personal dilemmas and social realities. The themes reflect the general unravelling of the 1994 political settlement as racism, poverty and inequality, patriarchy, violence against women and LGBT people, the failure to provide quality education and high levels of corruption expose widening fault lines. They display great energy and dramatic virtuosity in their exploration of these and other themes and create vivid characters who transcend the rhetorical. The plays included are "Isithunzi" by Sipho Zakwe, "Sleeping Dogs" by Simphiwe Vikilahle, "The Good Candidate" by Hans Pienaar, "Shoes and Coups" by Palesa Mazamisa, "Book Marks" by Allan Kolski Horwitz, "The Couch" by Sjaka Septembir, "Iziyalo Zikamama" by the Botsotso Ensemble and "Finding Me" by Moeketsi Kgotle.




Botsotso


Book Description




Botsotso


Book Description




Beyond Memory


Book Description

South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.




Inhabiting Love


Book Description

In this second collection, following his debut A Season of Tenderness and Dread (published by Botsotso in 2018), Abu Bakr Solomons continues his exploration of the unfolding social and political milieu -worlds in transition - both locally and globally; the threats and compelling beauty which coexist in these complex human tragedies and triumphs so that the past and the present intersect in the psyches and consciousness of individuals and delivery of social movements. Love always forms an integral element in these engagements of upheaval and healing. Ultimately, the poems assert that the manifestation of love, in its various forms, personal, romantic or patriotic, is more than a mere outpouring of sentiments, for love spawns a context - a habitat - in which individuals battle to converge or combat in order to define their purpose.




Home is Where the Mic Is


Book Description

This anthology presents the work of twenty-four young Spoken Word poets from South Africa, with a sprinkling of guests from the United States, Britain and Australia. The experience of black youth in societies polarized by racism, inequality and gender violence whilst, at the same time, struggling to come to terms with love, sex and all the other basic needs of young people makes for fascinating reading. The inventive graphic layout is a fine addition to a stand out volume. Home is Where the Mic Is was conceived as a collaboration with Word n Sound, a popular Johannesburg Spoken Word platform. The intention was to give hitherto only stage poets an opportunity to test their work on the page and confound the Eurocentric critics of the new wave of performance poetry who decry its energy and breaking down of artificial definitions of poetry. This is South African poetry standing on it's own two feet!







The Colours of our Flag


Book Description

This collection of poems by Allan Kolski Horwitz and illustrated by the painter James de Villiers was awarded the 2020 Olive Schreiner Award for poetry. Kolski Horwitzs poetry encompasses sensually charged relationships and encounters between men and women, examinations of political realities (including the lives of artists and revolutionaries) and imagistic depictions of natural phenomena. This collection, comprising 80 poems written over the past three years, represents a further collaboration with de Villiers the collection There are Two Birds at my Window (published in 2014) having been the first. James de Villiers has worked with Botsotso for over ten years and produced soundscapes for two Botsotso cds of poetry.




Prison Graduates


Book Description

The Prison Graduates was the winning play in the English as a 2nd Language category of theBBC World Service/British Council International Radio Playwriting Competition2009. The play is a political satire set in Ghana, and talks about serious issues on a light note. It highlights situations in Ghana and Africa as a whole; these include young and energetic people paying huge sums of money to go abroad to seek greener pastures, and the hospitals where ‘cash and carry’ method is practiced. The situation where churches are corrupt and the congregation is naïve... Efo makes us laugh at our folly, whilst realising that we are all part of the challenges our countries face, and can contribute to the solutions.