Listen


Book Description

"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more. From the award-winning author of The Crimson Petal and the White and Under the Skin, this idiosyncratic and philosophical book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world.




Brick City Vanguard


Book Description

"Amiri Baraka is unquestionably the most recognized leader of the Black Arts Movement of the 1960s and 1970s, and one of the key literary and cultural figures of the postwar United States. While Baraka's political and aesthetic stances changed considerably over the course of his career, Brick City Vanguard demonstrates the continuity in his thinking about the meaning of black music in the material, psychic, and ideological development of black people. Drawing on primary texts, paratexts (including album liner notes), audio and visual recordings, and archival sources, James Smethurst takes a new look at how Baraka's writing on and performance of music envisioned the creation of an African American people or nation, as well as the growth and consolidation of a black working class within that nation, that resonates to this day. This vision also provides a way of understanding the encounter of black people with what has been called "the urban crisis" and a projection of a liberated black future beyond that crisis"--




In the Shadow of Invisibility


Book Description

With In the Shadow of Invisibility, Sterling Lecater Bland Jr. offers a long-overdue reconsideration of Ralph Ellison, examining the trajectory of his intellectual thought in relation to its resonances in twenty-first-century American culture. Bland charts Ellison’s evolving attitudes on several central topics including democracy, race, identity, social community, place, and political expression. This compelling new exploration of Ellison’s legacy stresses the perpetual need to reexamine the intersections of race, literature, and American culture, with particular attention to how the democratic principle has grown increasingly urgent in the nation’s ongoing, and often contentious, conversations about race. Arguing that Ellison saw racial and social identity as being inseparable from the nation’s past and its complicated history of racial anxiety, In the Shadow of Invisibility traces the growth and transformation of Ellison’s ideas across his life and work, from his early apprentice writing that culminated in his groundbreaking first novel, Invisible Man, through the posthumous publication of his unfinished second novel, Three Days before the Shooting . . . Focused on his mythic vision of the promise of America, this book firmly situates Ellison in the sociopolitical environments from which his ideas arose, with close consideration of his published writings, including his influential essays on literature and jazz, as well as his working notes and correspondence. Bland foregrounds Ellison’s thinking on the responsibilities of Black writers to examine democratic ideals, the legacies of slavery and Jim Crow, and the impacts of civil rights movements. Interweaving biography, history, and literary criticism, and drawing from extensive archival research, In the Shadow of Invisibility reveals the extent to which Ellison’s work exposes the contradictions inherent in American culture, arguing anew for the importance and immediacy of his writings in the broader context of American intellectual thought.




Poetry FM


Book Description

Poetry FM is the first book to explore the dynamic relationship between post-1945 poetry and radio in the United States. Lisa Hollenbach traces the history of Pacifica Radio--founded in 1946, the nation's first listener-supported public radio network--through the 1970s: from the radical pacifists and poets who founded Pacifica after the war; to the San Francisco Renaissance, Beat, and New York poets who helped define the countercultural sound of Pacifica stations KPFA and WBAI in the 1950s and 1960s; to the feminist poets and activists who seized Pacifica's frequencies in the 1970s.




When the Smoke Cleared


Book Description

Following the Attica prison uprising in September 1971, Celes Tisdale—a poet and then professor at Buffalo State College—began leading poetry workshops with those incarcerated at Attica. Tisdale’s workshop created a space of radical Black creativity and solidarity, in which poets who lived through the uprising were able to turn their experiences into poetry. The poems written by Tisdale’s students were published as Betcha Ain’t: Poems from Attica in 1974. When the Smoke Cleared contains the entirety of Betcha Ain’t, Tisdale’s own poems and journal entries from the three years he taught at Attica, a previously unpublished collection of poems by Attica poets, and a critical introduction by poet Mark Nowak. In addition to the poetry, Tisdale’s journal entries give readers a unique opportunity to experience what it was like to enter Attica as an educator and return week after week to discuss poetry. When the Smoke Cleared showcases these poets’ achievements, their desire for self-determination, and their historical role as storytellers of Black life in a prison monitored exclusively by white guards and administrators.




A History of the Harlem Renaissance


Book Description

The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms – from the roman à clef and the bildungsroman, to dance and book illustrations – this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.




Songbooks


Book Description

In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.




Black Diamond Queens


Book Description

African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.




The Inside Songs of Amiri Baraka


Book Description

The Inside Songs of Amiri Baraka examines the full length of Baraka’s discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014. This recorded history traces his evolution from the era of Beat poetry and “projective verse,” through the period of the Black Arts Movement and cultural nationalism, and on to his commitments to “third world Marxism,” which characterized the last decades of his life. The music enfolding Baraka’s recitations ranges from traditional African drumming, to doo wop, rhythm and blues, soul and the avant garde jazz that was his great love and the subject of so much of his writing, and includes both in-studio sessions and live concert performances. This body of work offers a rare opportunity to think about not only jazz/poetry, but the poet in the recording studio and the relations of text to score.




The Making Of Black Lives Matter


Book Description

"An introduction for the second edition of a book like The Making of Black Lives Matter: A Brief History of an Idea is a less straightforward thing than it might first seem. Typically, when an author revisits a book, some years later, their ruminations center on how they may have become clearer on the ideas in their book, taken into consideration critical corrections, or maybe, generally how their own thinking has matured thanks to the miracle of living a life. But as I sit here, towards the end of 2021, experiencing a late fall in which the leaves seem to refuse to quit the trees, I am reflecting in the midst of an entirely different set of considerations"--