The Birth of Neolithic Britain


Book Description

The beginning of the Neolithic in Britain is a topic of perennial interest in archaeology, marking the end of a hunter-gatherer way of life with the introduction of domesticated plants and animals, pottery, polished stone tools, and a range of new kinds of monuments, including earthen long barrows and megalithic tombs. Every year, numerous new articles are published on different aspects of the topic, ranging from diet and subsistence economy to population movement, architecture, and seafaring. Thomas offers a treatment that synthesizes all of this material, presenting a coherent argument to explain the process of transition between the Mesolithic-Neolithic periods. Necessarily, the developments in Britain are put into the context of broader debates about the origins of agriculture in Europe, and the diversity of processes of change in different parts of the continent are explored. These are followed by a historiographic treatment of debates on the transition in Britain. Chapters cover the Mesolithic background, processes of contact and interaction, monumental architecture and timber halls, portable artefacts, and plants and animals. The concluding argument is that developments in the economy and material culture must be understood as being related to fundamental social transformations.




Understanding the Neolithic


Book Description

This book employs contemporary theoretical perspectives to investigate the Neolithic period in southern britain. It is a fully reworked edition of the author's Rethinking the Neolithic (1991).




Roman Pottery in Britain


Book Description

The humble pot sherd can be used to date archaeological sites and to distinguish patterns of manufacture and trade, especially within the Roman Empire. This study is concerned with the history of Roman pottery in Britain and offers a full and accessible evaluation, including actual potters' stamps.




Ceramics in the Victorian Era


Book Description

This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.







Private Collecting, Exhibitions, and the Shaping of Art History in London


Book Description

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members’ social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.




Ceramics and Atlantic Connections: Late Roman and Early Medieval Imported Pottery on the Atlantic Seaboard


Book Description

Papers focus on the pottery of Mediterranean origin imported into the Atlantic, as well as ceramics of Atlantic production which had widespread distribution. They examine chronologies and relative distributions, and consider the composition of key Atlantic assemblages, revealing new insights into the networks of exchange between c. 400-700 AD.







Prehistoric Britain


Book Description

Pottery has become one of the major categories of artifact that is used in reconstructing the lives and habits of prehistoric people. In these 14 papers, members of the Prehistoric Ceramics Research Group discuss the many ways in which pottery is used to study chronology, behavioral changes, interrelationships between people and between people and their environment, technology and production, exchange, settlement organization, cultural expression, style and symbolism.