British Architectural Theory 1540-1750


Book Description

This title was published in 2003.Although it is often assumed that British writing on architectural theory really started in the 18th century, there is in fact a large corpus of writing on architecture pre-dating the introduction of Palladianism by Lord Burlington. Some of it, such as the English editions of Serlio and Palladio, belongs to the Vitruvian tradition. But many texts elude such easy classification, such as the prolonged (but hardly studied) discussions on church architecture, which are both in form and content very different from the way that theme was handled in Italian Renaissance treatises. This collection of English writing on architecture from 1540 to 1750 offers a large selection of fragments, some of them never published before. They discuss the nature of architecture, the practicalities of building, the sense of the past, religious architecture and classicism.




Articulating British Classicism


Book Description

Whereas the past decades have seen a profound reconsideration of eighteenth-century visual culture, the architecture of that century has undergone little evaluation. Its study, unlike that of the early modern period or the twentieth century, has continued to use essentially the same methods and ideas over the last fifty years. Articulating British Classicism reconsiders the traditional historiography of British eighteenth-century architecture as it was shaped after World War II, and brings together for the first time a variety of new perspectives on British classicism in the period. Drawing on current thinking about the eighteenth century from a range of disciplines, the book examines such topics as social and gender identities, colonialization and commercialization, notions of the rural, urban and suburban, as well as issues of theory and historiography. Canonical constructions of Georgian architecture are explored, including current evaluations of the continental intellectual background, the relationship with mid seventeenth-century Stuart court classicism and the development of the subject in the twentieth century.




Palladio's Rome


Book Description

Andrea Palladio (1508�-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome’s ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio’s guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket-sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael’s famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travelers, this book offers fresh and surprising insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.




Translations of the Sublime


Book Description

The present volume is a first attempt to chart the early modern translations of Peri hupsous, both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts from 1500 to 1800.




Nationalism and Architecture


Book Description

Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.




Power and Virtue


Book Description

This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other. Aimed at an academic readership in history and theory of architecture and the history of English architecture, this unique study will also interest those studying the ideas of material culture.




British Architectural Theory, 1540-1750


Book Description

The nature of architecture Building Architecture and Religion The sense of the past Following the example of antiquity.




Sissinghurst


Book Description

A fascinating account from award-winning author Adam Nicolson on the history of Nicolson's own national treasure, his family home: Sissinghurst. Sissinghurst is world famous as a place of calm and beauty, a garden slipped into the ruins of a rose-pink Elizabethan palace. But is it entirely what its creators intended? Has its success over the last thirty years come at a price? Is Sissinghurst everything it could be? The story of this piece of land, an estate in the Weald of Kent, is told here for the first time from the very beginning. Adam Nicolson, who now lives there, has uncovered remarkable new findings about its history as a medieval manor and great sixteenth-century house, from the days of its decline as an eighteenth-century prison to a flourishing Victorian farm and on to the creation, by his grandparents Vita Sackville-West and Harold Nicolson, of a garden in a weed-strewn wreck. Alongside his recovery of the past, Adam Nicolson wanted something else: for the land at Sissinghurst to live again, to become the landscape of orchards, cattle, fruit and sheep he remembered from his boyhood.Could that living frame of a mixed farm be brought back to what had turned into monochrome fields of chemicalised wheat and oilseed rape? Against the odds, he was going to try. Adam Nicolson has always been a passionate writer about landscape and buildings, but this is different. This is the place he wanted to make good again, reconnecting garden, farm and land. More than just a personal biography of a place, this book is the story of taking an inheritance and steering it in a new direction, just as an entrepreneur might take hold of a company, or just as all of us might want to take our dreams and make them real.




Sissinghurst: An Unfinished History


Book Description

“A charming portrait of an ancient and beautiful house in Kent [and] a poignant and amusing portrait of the English class system.” —Simon Winchester From lavish palace for Elizabethan nobles to dreary jailhouse for eighteenth-century prisoners of war, from well-manicured country house for a string of landed families to weed-choked ruin, Sissinghurst, in Kent, has become one of the most illustrious estates in England—and its future may prove to be just as intriguing as its past. In the 1930s, English poet Vita Sackville-West and her husband, Harold Nicolson, acquired land that had once been owned by Vita’s ancestors. Together they created elaborate gardens filled with roses, apple trees, vivid flowers, and scenic paths lined with hedges and pink brick walls. Vita, a gardening correspondent for the Observer and a close friend of Virginia Woolf, opened Sissinghurst to the public. But the thriving working farm began to change after her death. Her son Nigel instituted sweeping changes, including transferring ownership of the estate to Britain’s National Trust in 1967 to avoid extensive taxation. For author Adam Nicolson, the grandson of Harold and Vita, Sissinghurst was always more than a tourist attraction; it was his home. As a boy, Nicolson hiked the same trails that Roman conquerors walked centuries before. With wistful imagination, fascination with natural beauty, and connection to the land, Nicolson has returned home to restore Sissinghurst’s glory. His journey to recreate a sustainable and functioning farm, despite resistance from the National Trust, makes for a compelling memoir of family, history, and the powerful relationship between people and nature.




Glorious Temples or Babylonic Whores


Book Description

In Glorious Temples or Babylonic Whores, Anne-Françoise Morel offers an account of the intellectual and cultural history of places of worship in Stuart England. Official documents issued by the Church of England rarely addressed issues regarding the status, function, use, and design of churches; but consecration sermons turn time and again to the conditions and qualities befitting a place of worship in Post-Reformation England. Placing the church building directly in the midst of the heated discussions on the polity and ceremonies of the Church of England, this book recovers a vital lost area of architectural discourse. It demonstrates that the religious principles of church building were enhanced by, and contributed to, scientific developments in fields outside the realm of religion, such as epistemology, the theory of sense perception, aesthetics, rhetoric, antiquarianism, and architecture.