Bernardo Bellotto and the Capitals of Europe


Book Description

Bernardo Bellotto is considered to be one of the greatest topographical and landscape painters of the eighteenth century. Trained as a painter of cityscapes, he produced vivid and memorable images of many of the greatest cities of Europe, including Venice, Florence, Rome, Dresden, Munich, Vienna, and Warsaw. He also ventured successfully into genre, portraiture, allegory, and history painting. This beautiful book, written by leading specialists on Bellotto, examines his career and artistic development, places his work in the context of the political needs of central European monarchs, and presents a selection of his major paintings from each of his principal periods and genres. Bellotto began as a painter of conventional views of Venice in the manner of his more famous uncle, Canaletto. However, his quest for new subject matter led him to visit half a dozen cities in northern and central Italy in the early 1740s, and at twenty-five he left Italy for northern Europe, where he spent the rest of his life working for royal and aristocratic patrons. In Dresden he was engaged in the service of Augustus III, where he created many glorious canvases and was awarded the title of Court Painter. He then moved to Vienna and recorded its attractions for Empress Maria Theresa. He ended his career as Court Painter in Warsaw, and his detailed paintings of the city played an important role in its reconstruction after the Second World War. The book demonstrates that in each of the places Bellotto lived, he was able to capture the particular light and life with sensitivity and imagination.







Jan van Noordt


Book Description

De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.




Babylon


Book Description

Note biographique : Eva Cancik-Kirschbaum, Freie Universität Berlin; Joachim Marzahn, Vorderasiatisches Museum, Berlin;Margarete van Ess, Deutsches Archäologisches Institut, Orient-Abteilung, Berlin




Painting Flanders Abroad


Book Description

Painting Flanders Abroad: Flemish Art and Artists in Seventeenth-Century Madrid traces how Flemish immigrant painters and imported Flemish paintings fundamentally transformed the development of Spanish taste, collecting, and art production in the Spanish “Golden Age.”







Art in Poland, 1572-1764


Book Description

In the golden years of the baroque era, Poland expressed creative ties to East and West in extraordinary works of fine and decorative art. This illustrated book displays more than 150 pieces that celebrate the cross-cultural richness of Poland's creative output during this period. From the dramatic uniform of the winged hussar complete with feathered wings and leopard skin to traditional portraits of royalty to a Turkish-style beverage service, these splendid objects represent Poland's diversity and breadth at a time when it was the largest land empire in Europe, stretching from the Baltic to the Black Sea. This book is the catalogue for a major exhibition at The Walters Art Gallery in Baltimore. The Art Institute of Chicago, Huntsville Museum of Art. The San Diego Museum of Art. The Philbrook Museum of Art, and the Royal Castle in Warsaw.




Interiors and Interiority


Book Description

Veranschaulichungsformen von Innerlichkeit finden in der Moderne in Darstellungen des Interieurs ihr prägnantes Bild. Die Beiträger der Publikation untersuchen die Verbindungen zwischen architektonischen Innenräumen, visuellen und literarischen Darstellungen von Interieurs und dem Konzept der Innerlichkeit vom 18. Jahrhundert bis heute. Jene Darstellungen sind Effekt, aber auch Produzenten spezifischer Vorstellungen von Innerlichkeit als einer, wenn nicht der subjektkonstituierenden Praxis der Moderne.