Bullets Over Hollywood


Book Description

McCarty provides a history of gangsters in American film and a look at why welove them.




Bullets Over Hollywood


Book Description

The gangster, like the gunslinger, is a classic American character-and the gangster movie, like the Western, is one of the American cinema's enduring film genres. From Scarface to White Heat, from The Godfather to The Usual Suspects, from Once Upon a Time in America to Road to Perdition, gangland on the screen remains as popular as ever.In Bullets over Hollywood, film scholar John McCarty traces the history of mob flicks and reveals why the films are so beloved by Americans. As McCarty demonstrates, the themes, characters, landscapes, stories-the overall iconography-of the gangster genre have proven resilient enough to be updated, reshaped, and expanded upon to connect with even today's young audiences. Packed with fascinating behind-the-scenes anecdotes and information about real-life hoods and their cinematic alter egos, insightful analysis, and a solid historical perspective, Bullets over Hollywood will be the definitive book on the gangster movie for years to come.




Charles Walters


Book Description

A “lively biography” of the director who choreographed Fred Astaire, Debbie Reynolds and more: “a real backstager” on the making of Hollywood musicals (Wall Street Journal). From the trolley scene in Meet Me in St. Louis to Fred Astaire and Ginger Rogers's last dance on the silver screen to Judy Garland's tuxedo-clad performance of "Get Happy", Charles Walters staged the iconic musical sequences of Hollywood's golden age. The Academy Award-nominated director and choreographer showcased the talents of stars such as Gene Kelly, Doris Day, and Frank Sinatra—yet Walters's name often goes unrecognized today. In the first full-length biography of Walters, Brent Phillips chronicles the artist's career from his days as a Broadway performer to his successes at Metro-Goldwyn-Mayer. Phillips takes readers behind the scenes of beloved musicals including Easter Parade, Lili, and High Society. He also examines the director's uncredited work on films like Gigi, and discusses his contributions to musical theater and American popular culture. This revealing book also considers Walters's personal life and explores how he navigated the industry as an openly gay man. Drawing on unpublished oral histories, correspondence, and new interviews, this biography offers an entertaining and important new look at an exciting era in Hollywood history.




Splatter Movies


Book Description




Thrillers


Book Description

In the real world, people go out of their way to avoid unpleasant, nerve-wracking situations, yet turn in record droves to see thrillerst days of Hollywood. In Thrillers McCarty discuses top thrillers from Sparrows in 1926, to 1991's hit The Silence of the Lambs. Illustrated with hundreds of photos.




Bullets Over Bombay


Book Description

In 1998, Satya opened to widespread critical acclaim. At a time when Bollywood was still rediscovering romance, Ram Gopal Varma's film dared to imagine the ordinary life of a Mumbai gangster. It kicked off a new wave of Hindi gangster films that depicted a vital, gritty side of Mumbai, rarely shown in mainstream cinema until then. More than two decades later, it has become an iconic film. When it was released, the regular moviegoer would have been hard-pressed to recognise more than a couple of names in the film's credits. Today, it reads like an honour roll - Anurag Kashyap, Manoj Bajpayee, Vishal Bhardwaj, Saurabh Shukla. Speaking to the people who made Satya a landmark film, Uday Bhatia tells the incredible story of how it all came together, how it drew from the gangster and street film traditions, and why it went on to become a modern classic.




Moneywood


Book Description

As wild and sexy and over the top as the decade it brings to life, author, William Stadiem, tells the inside story of Hollywood producers in the 80s. From hits like Beverly Hills Cop, Top Gun and Batman to flops like Heaven's Gate, Howard the Duck and Leonard Part 6, Hollywood was never more excessive than it was in the 1980s. In this, the Moneywood era, the purse strings were not controlled by reasonably consenting adults but by pop culture cowboys who couldn't balance their own checkbooks. What they could do was sweet talk the talent, seduce the starlets, snowball the Japanese and slither out of Dodge when the low grosses trickled in. Their out of control lifestyles and know-nothing, raging narcissistic personalities make the original brutal studio heads like Sam Goldwyn and Jack Warner seem like Oxford dons. Yet, for all their flops, these Scoundrels of Spago turned Hollywood into a Big Business that was catnip to Wall Street. They were The Producers, and they were way beyond anything Mel Brooks could dream up. The Moneywood cast of characters includes: -Simpson and Bruckheimer; Guber and Peters; Eisner/Katzenberg/Ovitz: An unusual fresh take on the usual subjects. -Ray Stark, the wizard of Holmby Hills, the most powerful producer of the 80s. -Mario Kassar and Andy Vajna, the Rambo boys, who went from making wigs to making blockbusters. -Menahem Golan-Yoram Globus, the Israeli schlockmeisters who proved that every star had a price. -David Begelman, the embezzler, gambler and sex addict who was rewarded for his sins by getting to run both Columbia and MGM. -Roland Betts, the aristocratic Silver Screen Partners founder and former Yale frat-mate of George W. Bush who was a master at playing the Reagan White House card. -Giancarlo Parretti, the Italian cannery worker who bought MGM, with a little help from his (Sicilian) friends. -David Puttnam The high-toned English advertising whiz who was supposed to raise the Hollywood bar, but ended up barred from Hollywood. Moneywood is the ultimate expose of the real hit men of Hollywood's go-go decade.




The Bullets, the Wizards, and Washington, DC, Basketball


Book Description

The nation's capital has been home to a rich basketball tradition that began more than 80 years ago with a start-up league in the 1920s and continues today with the Washington Wizards. Under Hall of Fame coach and general manager Red Auerbach, the Washington Capitols reached the finals of the Basketball Association of America in just their third year of existence, and such renowned players as Wes Unseld, Chris Webber, and Michael Jordan have all played for a Washington, DC, area team. In The Bullets, the Wizards, and Washington, DC, Basketball, Brett L. Abrams and Raphael Mazzone chronicle the area's history of professional basketball, from the sport's origins as a regional game up through the present day as a multi-billion dollar business. This book captures the highs and lows of the Bullets, the Wizards, and all the other basketball teams in Washington's history. The authors meticulously researched newspaper and magazine articles, as well as archival material from the Basketball Hall of Fame, to give a complete and comprehensive history of the DC teams. Their findings illuminate the owners, players, and rivalries, and also provide insight into the events, trades, and most significant games that occurred throughout the history of professional basketball in the DC area. A fascinating look at the history of professional basketball in our nation's capital, The Bullets, the Wizards, and Washington, DC, Basketball will appeal to all fans of the sport.




The Hollywood MBA


Book Description

What would you do if alligators were loose in your office? Or if your place of business changed 80 times during a four month period? What if two of your key employees were infant twins? Or you were asked to manage 130 people who were hired yesterday? Tom Reilly has faced these obstacles and thousands more in his three-decade career managing major motion pictures. He’s led more than 100,000 employees and been responsible for overseeing over two billion dollars in pro-rated production budgets and learned that successful management isn’t about what you want; the question is, what do you NEED? Often filming at live locations, Reilly was forced to adopt a unique set of strategies to accommodate for extreme workplace conditions and the challenge of leading and managing big budget projects, a revolving-door workforce of technicians, and actors such as Al Pacino, Robert de Niro, Tom Hanks, Charlize Theron, Sean Connery, and Harrison Ford. In The Hollywood MBA, Reilly explores the ten key strategies he utilized to manage big crews, big budgets, and big personalities on major motion pictures, and shows us how these strategies can be leveraged in any business for success. With an eye for making small adjustments to management strategy that produce big results, Reilly utilizes the narrative backdrop of the film set as an extreme case study in modern management identifying proven, easy-to-implement, and often counter intuitive practices that will increase engagement, team cohesion, efficiency, creativity, quality, and the bottom line in any industry.




Hollywood Boulevard


Book Description

Two years divorced, struggling between making art or porn, reclusive Eli lands in a tragicomic drama of sex, obsession and transgender romping. Stuck between hotshots and hookers, he describes his life as "living in a mayonnaise jar." Occupying a single pad off Sunset, he nurtures loneliness watching silent movies like "Lulu" starring Louise Brooks. Surviving as a part-time photographer, photo lab worker, and part-time pizza slinger, Eli hungers for full-time commitment. When sexy, blonde, wannabe-star Shana Sands arrives, arguing over pizza, Eli mistakes her weird "Startrek" contacts for real eyes, and what begins as a photo shoot throws Eli into a world he never anticipated. Shana isn't all glamour: she suffers an incurable sleep and brain disorder that hampers working, driving, cooking, laughing, being shocked or surprised. She lives on pills, a war against addiction; but withdrawals are plagued by imagined aliens entering her belly button. Eli explodes sexually with Shana though orgasms offer pitfalls: blackouts. Pregnant after the first night, she confesses past rapes, even by her brother. Are these dreams from her brain's inability to handle the drugs she cannot live without? Her star-chase is financed by parents in Nevada. She hates control freaks; she is Holly Golightly with excess baggage. Keeping Eli ignorant of her previous affairs, she seeks total love from him, knowing his hunger. She crowds his life with thrift-shop finds, her sex diaries, and vintage duds . She wears an old coat once worn by Joan Crawford. Despite devotion, her secrets create an undertow as she side-steps marriage, yet assures Eli he'll never have to struggle for money, shoot porn or sling pizza. Thepregnancy ends in a miscarriage on the bathroom floor. More possibly follow, though all offspring are candidates for her disorders. TV sitc