Burnham of Chicago


Book Description

Daniel Burnham was the man who is largely responsible for the appearance of Chicago today, particularly the lake front parks. With his partner, John W. Root, he designed and built the first skyscrapers and the World's Columbian Exposition.--Publisher description.




The Plan of Chicago


Book Description

Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment. Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.




Daniel H. Burnham


Book Description

Examines the career of nineteenth-century Chicago architect and city planner Daniel Burnham, and features photographs of his creations in Chicago and throughout the United States.




Beyond Burnham


Book Description

Beyond Burnham provides a fascinating account of a century of visionary planning for metropolitan Chicago. From Daniel Burnham and Edward Bennett's famed 1909 Plan of Chicago to the push for superhighways and airports to battles over urban sprawl, the book showcases an illustrated portrait of the big personalities and the "big plans" they espoused. The human face of planning appears in the interplay between public officials and citizen advocates. Powerful institutions--the Chicago Plan Commission and Regional Transportation Authority, among others--emerge to promote metropolitan goals. Some efforts succeed while others fail, but the work of planners lives on in efforts to shape new visions for the region's future.




World's Columbian Exposition


Book Description




Plan of Chicago


Book Description

Plan of Chicago reproduces all 143 plates from the original, 48 in color. It also contains a plate of City Hall, rendered in color by Jules Guérin, that was omitted from the 1909 edition. Kristen Schaffer's new introductino examines Burham's handwritten draft of the book focusing on those parts that were edited out of the publication, to suggest a reinterpretation of the plan."--Book jacket.




After Freud Left


Book Description

From August 29 to September 21, 1909, Sigmund Freud visited the United States, where he gave five lectures at Clark University in Worcester, Massachusetts. This volume brings together a stunning gallery of leading historians of psychoanalysis and of American culture to consider the broad history of psychoanalysis in America and to reflect on what has happened to Freud’s legacy in the United States in the century since his visit. There has been a flood of recent scholarship on Freud’s life and on the European and world history of psychoanalysis, but historians have produced relatively little on the proliferation of psychoanalytic thinking in the United States, where Freud’s work had monumental intellectual and social impact. The essays in After Freud Left provide readers with insights and perspectives to help them understand the uniqueness of Americans’ psychoanalytic thinking, as well as the forms in which the legacy of Freud remains active in the United States in the twenty-first century. After Freud Left will be essential reading for anyone interested in twentieth-century American history, general intellectual and cultural history, and psychology and psychiatry.







The Auditorium Building


Book Description

Commissioned by Ferdinand Peck and produced by architects Louis Sullivan and Dankmar Adler--soon to be leaders of the Chicago School--in 1889, the Auditorium Building was a wondrous complex, housing a hotel, offices, stores, and a theater. Adler's engineering skills overcame the problem of a foundation that had to support an unevenly distributed weight; Sullivan designed the stunning theater, which was spanned by four elliptical arches studded with 3,500 incandescent electric lights and decorated with gold leaf. Adler created a hydraulic stage--with twenty-six lifts--and one of the first air-conditioning systems in a public building. Among the many design features in the interior of the Auditorium were murals, onyx, marble, open loggias, stained glass, filigreed vents, wainscoting, and bronze-plated posts. Scholars considered the Auditorium Building the most important single structure in Chicago. The Auditorium thrived until its closing in 1940. In 1946 Roosevelt University purchased the building, and the Auditorium Theatre Council restored the theater to its former glory. Today, the Auditorium Building is thriving as a showcase for major theatrical events, Roosevelt University concerts, and other events.




Architecture and Planning of Graham, Anderson, Probst and White, 1912-1936


Book Description

Fascinated by change, architectural historians of the modernist generation generally filled their studies with accounts of new developments and innovations. In her book, Sally A. Kitt Chappell focuses instead on the subtler but more pervasive change that took place in the mainstream of American architecture in the period. Graham, Anderson, Probst and White, one of the leading American firms of the turn of the century, transformed traditional canons and made creative adaptations of standard forms to solve some of the largest architectural problems of their times—in railroad stations, civic monuments, banks, offices, and department stores. Chappell's study shows how this firm exemplified the changing urban hierarchy of the American city in the early twentieth century. Their work emerges here as both an index and a reflection of the changing urban values of the twentieth century. Interpreting buildings as cultural artifacts as well as architectural monuments, Chappell illuminates broader aspects of American history, such as the role of public-private collaboration in city making, the image of women reflected in the specially created feminine world of the department store, the emergence of the idea of an urban group in the heyday of soaringly individual skyscrapers, and the new importance of electricity in the social order. It is Chappell's contention that what people cherish and preserve says more about them than what they discard in favor of the new. Working from this premise, she considers the values conserved by architects under the pressures of ever changing demands. Her work enlarges the scope of inquiry to include ordinary buildings as well as major monuments, thus offering a view of American architecture of the period at once more intimate and more substantial than any seen until now. Richly illustrated with photographs and plans, this volume also includes handsome details of such first-rate works as the Thirtieth Street Station in Philadelphia, the Cleveland Terminal Group, and the Wrigley Building in Chicago.