Byron: The Poetry of Politics and the Politics of Poetry


Book Description

'It is no great matter, supposing that Italy could be liberated, who or what is sacrificed. It is a grand object - the very poetry of politics. Only think - a free Italy!!! Why, there has been nothing like it since the days of Augustus.' So wrote Lord Byron in his journal, in February 1821, only days before the outbreak of revolution in Greece, where three years later he would die in the service of the revolutionary cause. For a poet whose life and work are interlaced with action of multiple sorts, surprisingly little attention has been devoted to Byron's engagement with issues of politics. This volume brings together the work of eminent Byronists from seven European countries and the USA to re-assess the evidence. What did Byron mean by the 'poetry of politics'? Was he, in any sense, a 'political animal'? Can his final, fateful involvement in Greece be understood as the culmination of earlier, more deeply rooted quests? The first part of the book examines the implications of reading and writing as themselves political acts; the second interrogates the politics inherent or implied in Byron's poems and plays; the third follows the trajectory of his political engagement (or non-engagement), from his abortive early career in the British House of Lords, via the Peninsular War in Spain to his involvement in revolutionary politics abroad.




Byron's Politics


Book Description




Byron’s Romantic Politics


Book Description

Byron exists in two incompatible dimensions: as fully-documented history, and as romantic myth. Often the myth predominates, describing him as a passionate lover, a staunch friend, a great romantic poet, a champion of the working man, a loyal author to his publisher, and a fighter for democracy who sacrificed his life for the Freedom of Greece. This book attempts to prove that the verifiable truth often proves him to be the opposite. Using letters from Byron’s family, friends, and associates which have never been transcribed, collected and sequenced before, Peter Cochran argues that the poet was an unscrupulous sponger on his relatives and friends, that he harboured a horror at the idea of empowering the working man, had no time for democracy, and despised his publisher. His contempt for the Greeks is clear from everything he writes about them, and his motives for going to Greece at the end of his life (which Cochran analyses in more depth than they have ever been analysed before), were a disturbing mixture of self-indulgent fantasy and death-wish. Using large amounts of manuscript evidence, Cochran further argues that almost all editions of Byron’s writing do his style very poor service, constituting not contributions to knowledge of him, but additions to the obfuscating myth.




Byron and the Politics of Freedom and Terror


Book Description

This interdisciplinary collection explores the divergence or convergence of freedom and terror in a range of Byron's works. Challenging the binary opposition of historicism and critical theory, it combines topical debates in a manner that is sensitive both to the circumstances of their emergence and to their relevance for the twenty-first century.




Byron


Book Description

Byron: The Erotic Liberal explores the relationship between Byron's erotic life and his political commitments, placing his poetry in the context of the work of other aristocratic liberals such as Madame de Stael.







Byron, Hunt, and the Politics of Literary Engagement


Book Description

In the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "Cockney" author whose literary talents were as disreputable as his politics. Lord Byron, on the other hand, was revered as a peer and a poetical genius who, the conservative press argued, would never befriend and collaborate with a writer like Hunt. Yet Byron did just that. Byron, Hunt, and the Politics of Literary Engagement is the first full-length study of the friendship and literary relationship of two of the most important second-generation Romantic authors. Challenging long-held critical attitudes, this study shows that Byron and Hunt engaged in a creative and meaningful dialogue at each major stage in their careers, from their earliest published volumes of juvenile poetry and verse satire to their most celebrated contributions to Romantic literature: The Story of Rimini and Don Juan. Drawing upon newly recovered letters and unpublished manuscript material, this book illuminates the surprisingly durable and artistically significant friendship of Lord Byron and Leigh Hunt.







Born for Opposition


Book Description

Volume VIII opens with Byron in Ravenna, in 1821. His passion for the Countess Guiccioli is subsiding into playful fondness, and he confesses to his sister Augusta that he is not "so furiously in love as at first." Italy, meanwhile, is afire with the revolutionary activities of the Carbornari, which Byron sees as "the very poetry of politics."