Byzantine Aspects of Italy


Book Description

In this illustrated handbook, the author guides the reader to the surviving treasures of Italy's Byzantine heritage--the mosaics, paintings, and sculpture, in churches, palaces, catacombs, grottoes, and museums, from Milan and Venice in the north, to Calabria and Sicily in the south.




A Companion to Byzantine Italy


Book Description

This book offers a collection of essays on Byzantine Italy which provides a fresh synthesis of current research as well as new insights on various aspects of its local societies from the 6th to the 11th century.




Byzantine Religious Law in Medieval Italy


Book Description

Byzantine Religious Law in Medieval Italy is a historical study of manuscripts containing Byzantine canon law produced after the Norman conquest of southern Italy, exploring how and why the Greek Christians of the region persisted in using them so long after the end of Byzantine rule.




Greece Reinvented


Book Description

Greece Reinvented discusses the transformation of Byzantine Hellenism as the cultural elite of Byzantium, displaced to Italy, constructed it. It explores why and how Byzantine migrants such as Cardinal Bessarion, Ianus Lascaris, and Giovanni Gemisto adopted Greek personas to replace traditional Byzantine claims to the heirship of ancient Rome. In Greece Reinvented, Han Lamers shows that being Greek in the diaspora was both blessing and burden, and explores how these migrants’ newfound ‘Greekness’ enabled them to create distinctive positions for themselves while promoting group cohesion. These Greek personas reflected Latin understandings of who the Greeks ‘really’ were but sometimes also undermined Western paradigms. Greece Reinvented reveals some of the cultural tensions that bubble under the surface of the much-studied transmission of Greek learning from Byzantium to Italy.




A Companion to Byzantium and the West, 900-1204


Book Description

"The eighteen chapters of this book explore the complex history of exchange between Byzantium and the Latin West over a period of more than three hundred years, with a focus on the political, ecclesiastical and cultural spheres. Besides outlining the history of competition and collaboration between two empires in medieval Europe, a range of regional approaches, stretching from England to the Crusader kingdoms, offer insights into the many aspects of Byzantine-Latin contact and exchange. Further sections explore patterns of mutual perception, linguistic and material dimensions of the contacts, as well as the role played by various groups of "cultural brokers" such as ambassadors, merchants, monks and Jewish communities. Contributors are: Axel Bayer, Saskia Dönitz, Nicolas Drocourt, Leonie Exarchos, Daniel Föller, Christian Gastgeber, Hans-Werner Goetz, Dominik Heher, Klaus Herbers, Christopher Hobbs, David Jacoby, Sebastian Kolditz, Savvas Neocleous, Johannes Pahlitzsch, Annick Peters-Custot, Miriam Salzmann, Jonathan Shepard, Juan Signes Codoñer, and Eleni Tounta"--




Byzantine Rome and the Greek Popes


Book Description

Byzantine Rome and the Greek Popes examines the scope and extent to which the East influenced Rome and the Papacy following the Justinian Reconquest of Italy in the middle of the sixth century through the pontificate of Zacharias and the collapse of the exarchate of Ravenna in 752. A combination of factors resulted in the arrival of significant numbers of easterners in Rome, and those immigrants had brought with them a number of eastern customs and practices previously unknown in the city. Greek influence became apparent in art, religious ceremonial and liturgics, sacred music, the rhetoric of doctrinal debate, the growth of eastern monastic communities, and charitable institutions, and the proliferation of the cults of eastern saints and ecclesiastical feast days and, in particular, devotion to the Theotokos or Mother of God. From the late seventh to the middle of the eighth century, eleven of the thirteen Roman pontiffs were the sons of families of eastern provenance. While conceding that over the course of the seventh century Rome indeed experienced the impact of an important Greek element, some scholars of the period have insisted that the degree to which Rome and the Papacy were 'orientalized' has been exaggerated, while others argue that the extent of their 'byzantinization' has not been fully appreciated. The question has also been raised as to whether Rome's oriental popes were responsible for sowing the seeds of separatism from Byzantium and laying the foundation for a future papal state, or whether they were loyal imperial subjects ever steadfast politically, although not always so in matters of the faith, to the reigning sovereign in Constantinople. Finally, there is the important issue of whether one could still speak of a single and undivided imperium Roman christianum in the seventh and early eighth centuries or whether the concept of imperial unity in the epoch following Gregory the Great was a quaint and fanciful fiction as East and West, ignoring and misunderstanding one another, began to go their separate ways. Byzantine Rome and the Greek Popes provides a guide through this complicated and often contradictory history.




The Oxford Handbook of Byzantine Art and Architecture


Book Description

Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.




Constantinople and the West


Book Description

The glory of the Italian Renaissance came not only from Europe's Latin heritage, but also from the rich legacy of another renaissance - the palaeologan of late Byzantium. This nexus of Byzantine and Latin cultural and ecclesiastical relations in the Renaissance and Medieval periods is the underlying theme of the diverse and far-ranging essays in Constantinople and the West.




The Byzantine Republic


Book Description

Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.” Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.




The Chronicle of Marcellinus


Book Description

Preliminary Material /Brian Croke -- Introduction /Brian Croke -- Text and Translation (simultaneous pagination) /Brian Croke -- Commentary /Brian Croke -- Map /Brian Croke -- Index /Brian Croke.